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First CD re-issue on Spalax from 1988 of the debut album by one of the weirdest and most radical groups linked to krautrock, the free improvising duo of Paul and Limpe Fuchs.
Rare 1994 2CD re-issue on Four Aces Records of the 1971 3LP set documenting a wild festival of jazz/rock/fusion/free/electronic/ethnic music with exclusive live tracks by Tangerine Dream and Anima as well as Weather Report, O.M. Zykan Ensemble, The Dave Pike Set, Franz Hummel, Friedrich Gulda & Filharmonïja Zagreb, Parikh/Bellare, Madrigalchor Bukarest, Le Groupe Liturgique De Tunis, Surman/Phillips/El Mahdi/Ponty/Martin/Slama/Gruntz/Osman/Jouini/Fuchs and The Trio.
Very rare original edition on Ohr of the weirdest, most experimental, original and radical albums of Krautrock, released in 1972 but recorded in 1970, one of the essential masterpieces on the NWW list for whom it was a major influence.
Effortlessly fusing krautrock with jazz and ethnic music, Embryo were unparalleled in the world of progressive fusion and 1984's Zack Glück is one of their most ambitious and rewarding LPs. Flutes and saxophones mix with oud, marimba and violin to make an intoxication concoction.
Dive back into the primal heart of Krautrock with Amon Düül's "Experimente", a stunning collection of rare and obscure live material excavated from the same incendiary late '60s sessions that birthed their legendary debut Psychedelic Underground. This previously unreleased treasure captures the band's unbridled spontaneity, delivering a sonic assault that's as hypnotic as it is feral.
Amon Düül's jam sessions on Experimente are pure, unfiltered ritual – predominantly instrumental eruptions domin…
In Neu Klang, journalist Christoph Dallach assembles an oral history of krautrock, letting Can, Neu!, Kraftwerk and their peers explain how post‑war Germany’s experiments in noise, rhythm and repetition became a blueprint for modern rock and beyond.
Oranj is a 14 track LP, recorded in 2025 between Chicago’s Rax Trax studios and Dock Street Studios in London, Andy Baxter taking on drums, keys, bass guitar with long time collaborator Francesca Uberti joining on Rhodes piano for four tracks. Featuring mix engineering from Hackney Recording Studio’s Sean Woodlock (4 songs) and by Lilac Lab’s Shawn Clendening in Chicago (10 songs). Partly an ode to the inventors of analog recording equipment and electric instruments in the middle of the 20th Cen…
On From Books and Dreams, Message twist hard-rocking kraut-prog into a delirious, book‑strange suite of nightmares and visions, where riffs, sax and Mellotron bleed into long-form songs that feel equal parts acid hangover, cosmic sermon and waking dream.
Originally issued as a CDR on Matt's own Child of Microtones label, the stone madness of this session was so overwhelming we begged him to let us do it on vinyl. Luckily for one and all, he agreed. Recorded here and there, with a variety of different ensembles. Galactic Ooze is one of the most fully warped missives from Planet MV, and that is saying something. While there is a certain continuity between the layered threads of MV's deeply processed vocals and amazing stunned-noodle guitar figurin…
Feeding Tube announces The Band Whose Name Is A Symbol LP. Verdun is the first studio LP this war-torn group have recorded in some time and boy oh boy what a magnificent freewheelin', incendiary and blissed out racket TBWNIS have conjured. Over the last 15 years there are few groups that have been more prolific or dedicated to pushing psychedelic rock and all things cosmic to its limits. With Verdun their sound has become even more expansive -- Scott Thompsons' outer zone zonk horn blowing... Ja…
** condition: (book) EX** Softcover book with illustrations.
West Germany after the Second World War was a country in shock: estranged from its recent history, and adrift from the rest of Europe. This proved to be fertile ground for a generation of musicians who, from the 1960s onwards, would develop the experimental sounds that became known as Krautrock.Faust, Neu!, Cluster, Ash Ra Tempel, Amon Düül II, Can, Kraftwerk – the influence of these groups upon popular music is incalculable. Future…
** condition: (book) EX** Softcover book with illustrations.
The late 1960s in West Germany was a period of profound breakthroughs, upheavals and reversals. Communes were spreading, protests organised throughout the entire country, the desire to begin everything anew permeating the young. Out of this climate, a music scene exploded that would forever change the face of western rock; at times anarchic, at others mystical, magickal, or utopian, it pushed rock beyond any known limits. Never a genr…
** condition: (book) EX, signed by Julian Cope, third edition ** Softcover book with illustrations.
RARE OOP!
Out of print from ages, this classic Julian Cope book traces the history of the Krautrock scene, its cosmonauts & its heroes including great discussion of the artists Amon Duul II,Faust, Tangerine Dream, Harmonia, Cluster, Ash Ra Tempel & Can. The book includes 'A Krautrock Top 50' list, reviews plus ten pages of illustrations & sleeve artwork. Signed by the author himself!
Water Damage is ten people from one town and one sound from twelve people. For Instruments, the plus two are guitarist David Grubbs and saxophonist Patrick Shiroishi, neither of whom blunt the angle or confound the aim. The tempo? Slow and low. Four tracks, averaging twenty minutes each, the pace never above a comfortable walk. The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and "Reel 25" takes after the Shocklee Brothe…
*300 copies limited edition* Edificio is the debut album from Diles Que No Me Maten, one of Mexico’s most vital underground bands known for their raw, hypnotic fusion of krautrock, post-punk, industrial textures, and poetic spoken word. Originally released digitally in 2020, Edificio is now available for the first time on vinyl via BPN Recordings, an independent label launched by Perfecto Miserable Records based in Guadalajara, Mexico.
Named one of the most important Mexican albums of its year a…
2025 stock Accidental Journey, 10 years drifting thru Genres and combining Materials. Where does a decade start, where does it end? Years come; hours go. A group of ten. 0-to-9, 1-to-0, calendar years went by, flying high. Time is irrelevant, and yet, we like a look back to stare forthright. So, here it is, a big dark tempting audiobook for people with time, Acid Zen citizens, deep listening folks, slow consumers, with a desire for thrill, thrills for desire. A double CD. 40 exclusive contempora…
2025 stock "Water Damage's follow-up to 2022's widely acclaimed Repeater is another minimal/maximal collision with two songs (hey!) clocking in at 19 and 22 minutes respectively. Hence, 'Fuck This' and 'Fuck That'. On Two Songs, the original septet of Nate Cross (USA/Mexico/Marriage), George Dishner (Spray Paint), Thor Harris, Travis Austin, Mike Kanin (Black Eyes), Greg Piwonka and Jeff Piwonka are joined by Mari Maurice (More Eaze)." "More Water! More Damage! The second proper LP by this Texan…
Volume, repetition, volume, repetition, volume and repetition, this is the sonic mantra of Austin, Texas's Water Damage. On their new double album, Water Damage continues to scorch the earth with walls of punishing sound. It's no secret that something truly special can happen to the psyche when you are being pummeled with trance inducing drones, you can transcend time, you might laugh, you might cry but hopefully you look inward, letting a calm wash over you with metric tons of distortion. Water…
2010 release ** "Mugstar's third album (and second on Important Records) maintains the power and heaviness of the sonic assaults laid out in their previous releases while extending musical maneuvers and textures into new territories. Sunburnt Impedance Machine moves through driving riff passages with soaring guitars and a voice recalling touches of early Pink Floyd before locking into a repetitive keyboard and drum driven outro. Serra is an extended voyage through a shimmering Krautrock landscap…
Ixthuluh was a pure jam band that never played firmly rehearsed tracks or even foreign cover songs. The band chose not to practise some songs in a rehearsal room to perfect them, rather that everything played live was unique and unrepeatable. Ixthuluh was an Austrian Psychedelic Rock and Krautrock band active from 1975-1981 and never did a official release. “Smash” is their very first official output – 39 years after breaking up.