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Experimental /

Ex-Org
Ex-Org is the fourth album from Extended Organ, featuring Paul McCarthy, Fredrik Nilsen, Joe Potts, Tom Recchion, and Alex Stevens. Recorded in January 2018, the album documents two sessions: one as-performed and another “decomposed” by John Wiese. Here, Extended Organ conjures an unpredictable sonic environment - Joe Potts’s Chopped Optigan, McCarthy’s improvisational guitar and vocals, and a dense fabric of homemade and vintage instruments combine to create a powerful blend of immersive ambien…
Zungsang
Zungsang by Joke Lanz takes listeners on a disorienting and surreal sonic journey marked by sharp observations and idiosyncratic soundscapes. Anchored in the spaces between performance art, improvisation, and experimental noise, the album weaves together unsettling textures and fleeting melodic fragments, revealing a world that is at once darkly humorous and intellectually provocative.
Live In Fishtown
"On a hot night in Philly -- Saturday August 9, 1998 -- Brooke Sietsons's backyard hosted the No More Bush tour. The line-up that evening was Zaïmph, Jack Rose, MV+EE, Tom Carter & Willie Lane, 50 Foot Women with Axolotl, and the sole known appearance of the Mike Watt/Charles Plymell duo. Plymell and Watt had met a year earlier at the Festival Ecstatique in Western Mass, and they hit it off like crazy. So, when this tour was coming together, and Charley agreed to reprise the work he did on the M…
The Acid Test
2025 stock Ken Kesey's ultra rare 1966 studio recording of the Acid Test with The Grateful Dead. Legendary documentation of the 1965-66 Bay Area Acid Test scene from 14 hours of the actual trip (recorded in a studio). Lots of amazing mind games and word play with Ken Kesey and Ken Babbs in good form, ad libbed poetry, fractured harmonica solos, tape loops and the Grateful Dead lurking in the background. Originally released in March 1966. Originally released in 1966.
As Seen In Your Wildest Dreams
2025 stock If Coley can do anything and, I assure you, he can do a few things, some very well indeed -- cooking, drinking, smoking, chortling, collecting, dissecting, inspecting, sniffing, gassing, pranking -- to name but a few, he can, without a beat gone by, make you wanna listen to the goddamn records he's criteeking whether it be in old ishes of Forced Exposure, Boston Rock, New York Rocker, or the LA Weekly or his nugget column in Wire. For many his obscurant references to what is already a…
Goldberg Variations
Art edition of 20 copies consists of vinyl treated with the wire wool to create a subtile physical distortions (hissing whistles)  on the surface of the record. Comes with a numbered and signed certificate of authenticity”. Arturas Bumšteinas & Gitis Bertulis, “Goldberg Variations”. Audio documentation of sound installation's soundtrack from the perspective of two gallery rooms. The sound installation is inspired by the Rube Goldberg's machines and consists of recorded sounds of various objects …
Fluxus
2025 stock Three rather meditative pieces from the repertoire of "Ars Acustica", but nevertheless: Fluxus! The New York-born artists whose radio plays are collected on this CD, Philip Corner, Alison Knowles, and George Brecht, have appeared together in performances, and they are also connected by their relationship to John Cage's aesthetic, by work with chance operations, and by Zen. Explaining Fluxus is like wanting to hold a river in your hand.
Café In The Sublime Void (Part 2)
Not only the longest one sided record you ever heard, possibly the longest 45 minutes you sat through in general!Café In The Sublime Void (Part 2) is a reference pool of sorts, a document against forgetting. 'Café In the Sublime Void' is a memory based series of artworks and editions Tyfus started working on a year ago to combine the endless stream of stories -both true and untrue - he came across in the past 45 years with whatever is happening today and tomorrow. The indication of this series c…
Salt
*Limited Edition Of 150 Copies* When it travels, the voice is a double agent, a trickster, or a dubious guru, but when it pauses for a recording, it's historical, capturing a mood or an emotion for all time. I didn't expect that I would hardly recognize the people who made Salt — myself and Hessel Veldman — a year and a half after recording it, but this is where I find myself now, so I'll say a few words about this temporary prosopagnosia. Twelve years ago, when I moved to the Netherlands from J…
Stridulations 1​-​14
Through solitary chirps and roaring synchrony, insects and arthropods communicate through “stridulations”, diverse calls created by rasping friction between two chitinous body parts. On ‘Stridulations 1-14’, Vienna-based sound artist Robert Schwarz presents a speculative resynthesis of such calls in simultaneity with ethological field recordings of real-world insect life. A continuation of themes introduced with Schwarz’s previous release, ‘Clear Cues’ (ETAT, 2022), and partly based on a 2023 co…
By The North Sea
Following on from Mark Fisher & Justin Barton’s On Vanishing Land and Kode9’s Astro-Darien, the third release on Flatline, Hyperdub’s sub label for audio essays and sonic fiction, is By the North Sea by Robin Mackay, philosopher and founder of the UK publisher Urbanomic.  The project is a sonic exploration of the perplexities of time, disappearance, and loss, channelled through the fictions of H.P. Lovecraft, the speculative mythos of the Cybernetic Culture Research Unit (Ccru), and the ghost of…
Readings By Jack Kerouac On The Beat Generation
In his third and final album, recorded ahead of the publication of his novel, Doctor Sax, Jack Kerouac uses his voice as an instrument, weaving his words inside of patterns and percussive accents the way a horn player solos over the changes of a well-known standard. The set is presented with an immense focus and energy to keep the listener engaged for a full 40 minutes. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.
Manifesto Rumoratorio
Hailing from Sicily is the duo of Pietro La Rocca & Patrycja Stefanek. We last heard from Pietro via the OPER'azinoe Nafta lp, Cavuru from a decade ago. But this is in stark contrast to that. Utilizing delays, toys, voice, guitars, tapes & objects, TR conjures up a rabble as singular as Cromagnon, ONO, or any other of the One Percenters you wanna rat out. I released this lp knowing it would speak to practically no one at the time, but it is a grower, I promise you that. IT HAD TO EXIST. Fans of …
The Wired Lab / Wired Open Day 2009
Wired Open Day 2009 is a vinyl-only release documenting live performances by Alan Lamb, Garry Bradbury, David Burraston, Oren Ambarchi and Robin Fox. Held outdoors during the evening of October 31st at The WIRED Lab, in rural South West, New South Wales, Australia, this 2LP is a document of the event; the result of an artist-in-residence program to explore the sonic possibilities of The Wires, landscape scale installations in rural NSW. The WIRED Lab is an artist-run initiative founded in 2007 t…
Baikal Ice (Spring 2003)
Over the last thirty years Peter Cusack has built a reputation as an improvising musician, and is often to be found plucking an array of string instruments, including guitar and balalaika, while simultaneously triggering live electronics. Peter had known for some time about the extraordinary Lake Baikal, a 600 kilometre long lake in Siberia. It is thought to be the world's oldest and deepest lake and holds one fifth of the earth's fresh water. It was only recently, however, that he came across a…
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