Jazz /
Bloque 6
“Bloque 6” (1968), by Juan Carlos Calderón, is a landmark recording in the history of modern jazz in Spain, markedly different from the albums Calderón would record just a few years later under the influence of funk, disco music, and even flamenco. Juan Carlos Calderón enjoyed a long and successful career, composing and arranging some of the most iconic songs by Spanish artists such as Joan Manuel Serrat, Mocedades, and Ana Belén, among many others. However, his musical beginnings were closely …
Basso Valdambrini Plus Dino Piana
*Warehouse find* After the convincing performance at the fifth Jazz Festival di Sanremo 1960, Basso and Valdambrini realized for Jolly the third album, adding to the original formation of the quintet that has recorded the album LPM 2079, the promising trombonist Dino Piana. Also included you will find a track of Valdambrini and Basso dedicated to Turin, in perfect California style: the folk song “Ciao Turin”.
BBC Jazz Club Session April 1965
On BBC Jazz Club Session April 1965, Don Rendell and Ian Carr capture a historic broadcast moment where British modern jazz finds its new voice. The debut of pianist Michael Garrick within the quintet injects modal colour and compositional bite into a set that pushes club‑band swing toward something more questing and contemporary.
The Call
Two sessions from the white heat of mid-sixties New York, drawn from the ESP-Disk archive and returned to full clarity in the new Reference series from AlAy, the Basel imprint curated by Werner X. Uehlinger. The Call brings together the only recording ever made under the direction of the painter, engineer and multi-instrumentalist Marzette Watts and the sole date led by the great bassist Henry Grimes, the connecting thread between the two, in a single volume with sonic restoration and mastering …
Nostalgia
The second volume in the Reference series from AlAy, the Basel imprint curated by Werner X. Uehlinger, gathers twenty two sides that document one of the great partnerships of modern jazz: trumpeter Fats Navarro and composer, arranger and pianist Tadd Dameron, captured across seven New York studio sessions between January 1947 and January 1949, with sonic restoration and mastering by Michael Brändli and new liner notes by Art Lange.
Navarro, gone at twenty six, made perhaps the deepest impression…
Phase III
Endless Happiness reissues the 1968 British jazz classic Phase III by The Don Rendell/Ian Carr Quintet, showcasing their creative peak and innovative spirit.
Goin' Up
Freddie Hubbard’s Goin’ Up brings listeners into motion from the very first notes—an electrifying statement of swing, power, and musical imagination. Brimming with bold improvisations and masterful ensemble interplay, the album captures the spirit of jazz at full throttle, showcasing Hubbard’s unmistakable brilliance and the kind of creative urgency that turns every track into a journey. From its confident opening to its most uplifting moments, Goin’ Up is a celebration of sound and swing: preci…
Leeway
Celebrated as a standout in the jazz canon, Lee Morgan’s “Lee-Way” returns with fresh momentum, reaffirming its power to thrill with its melodic immediacy, rhythmic drive, and unmistakable personality. The album showcases Morgan at the peak of his craft: a trumpet voice that cuts through with clarity, confidence, and emotion, guiding every performance with purpose.
On “Lee-Way,” the ensemble moves with precision and swing, balancing tight musical interplay with a sense of spontaneity that keep…
Joao Gilberto
*2026 repress* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Ro…
Live In Finland 1963 - 1965
In 1963 and 1965 Oscar Peterson performed at the Kulttuuritalo in Helsinki. He was the leader of what was then considered one of the most closely-knit bands in the history of jazz, made up of Oscar himself and two other fabulous jazzmen, Ray Brown on bass and Ed Thigpen on drums. For the 1965 concert, trumpeter Clark Terry was invited to join the legendary trio.The Helsinki concerts were both part of whirlwind European tours that included performances all over the continent, from France and Germ…
Alpha Ray
Norio Maeda ignites this trio date with raw, thrilling momentum — one of his most electrifying records. Stripped-down and urgent, the music bursts with kinetic energy: tight, swinging interplay that sparks like vintage 60s bossa bands yet barrels in its own direction. Maeda’s piano cuts through with bold, adventurous lines; Tatsuro Takimoto’s bass is muscular and melodic; Takeshi Inomata’s drumming is sharp, driving, relentless. Standout tracks include "Alpha Ray," "Fifth Column," "Slobber," "St…
Emergency
"In the beginning, the legend goes, it was Miles Davis’ electrifying jazz on In A Silent Way and Bitches Brew – modernizing the ensemble sound as well as reconfiguring compositional flow with repetition and variation – that begat what was to become known as fusion, exemplified by the subsequent spinoffs Weather Report (Wayne Shorter and Joe Zawinul), Mahavishnu Orchestra (John McLaughlin), Headhunters (Herbie Hancock), and Return to Forever (Chick Corea), all of which emerged after 1970 and con…
Yamame
Jazz saxophonist Akira Miyazawa was known for his unparalleled love of fishing, and here he gives a masterful performance that conjures the image of silvery fish scales reflecting light through the cold and clear water of a small mountain stream. “Yamame” (the Japanese name for a kind of freshwater salmon) was recorded in 1962 and was Miyazawa’s first album, but the sharpness and avant-garde modernity of the music creates a completely timeless quality. Miyazawa is one of a group of musicians who…
Tippin' On Through
Tippin' On Through, by tenor saxophonist Curtis Amy, stands as a defining statement from one of West Coast jazz’s most eloquent voices. Recorded and released in 1965, the album pairs Amy’s warm, hard‑bop tenor with soulful grooves, crisp arrangements, and sympathetic ensemble interplay, creating a record that is both accessible and richly musical.
Tippin' On Through showcases Amy’s robust tone, lyrical phrasing, and rhythmic agility. Across the program he moves effortlessly between blues‑inflect…
Components
Components documents vibraphonist Bobby Hutcherson’s early emergence as a vital voice in modern jazz. Recorded and issued in 1965, the album presents Hutcherson’s distinctive mallet work and original compositions that bridge post‑bop lyricism and mid‑60s harmonic exploration.
Components balances melodic clarity with adventurous harmony, moving between contemplative ballads, driving post‑bop pieces, and modal excursions that highlight the vibraphone’s textural range within a small‑combo setting.
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Ascension: Edition I & II
Ascension, released in 1966 on Impulse!, stands as one of John Coltrane’s most radical and influential works. Subtitled “Edition I & II” to reflect the two complete takes recorded at the session - and presented together on LP for the first time - the piece is a nearly 40-minute large-ensemble performance marking Coltrane’s decisive embrace of the avant-garde.
Recorded on June 28, 1965, at Rudy Van Gelder’s Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ense…
Soul Sauce
Get ready to ignite your turntable: Cal Tjader's seminal 1965 Latin jazz masterpiece Soul Sauce is back on vinyl for the first time since 1993. This vibrant reissue celebrates the album's enduring groove, fusing the vibraphonist's shimmering melodies with irresistible Afro-Cuban rhythms like mambo and boogaloo.
A cornerstone of Latin jazz, Soul Sauce captivated audiences with its tight, danceable grooves and accessible yet sophisticated arrangements. Tjader, the vibraphone virtuoso who bridged j…
Three For Shepp
On Three for Shepp, Marion Brown leads a blazing American free‑jazz ensemble with Dave Burrell, Norris “Sirone” Jones and Grachan Moncur III, unleashing high‑energy fire music that shows the Impulse! era at full boil yet still somehow under‑sung.
Buttercorn Lady
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.
Inception
Using the crème de la crème of sound engineers and the unsurpassed production quality of Quality Record Pressings, the Acoustic Sounds series is mastered from the original tapes, pressed on 180-gram vinyl and packaged in high-quality gatefold covers produced by Stoughton Printing Co., where — as was customary on records of the era — the printed paper sheet is applied to the cardboard (so the cardboard itself is not directly inked). All this is overseen by Chad Kassem, CEO of Acoustic Sounds, the…