Jazz /
Live at BBC 1970
Live at BBC 1970 captures the raw energy and innovation of Nucleus in their formative year, presenting a selection of live sessions recorded for the BBC just as the group was redefining British jazz-rock. Founded by trumpeter Ian Carr, Nucleus emerged from London’s vibrant late-60s scene and quickly established themselves at the forefront of jazz fusion, inspired by the electric revolution of Miles Davis.
This LP features standout performances of key tracks from their groundbreaking debut Elasti…
Edifier
2001 release ** "Gravitar were an American band who appear to be influenced by K.K. Null’s work in Zeni Geva, with similar dense walls of oppresive guitar but more expansive in it's approach. Self-proclaimed as the "world's loudest Jazz band" and described by WM. Rage as "Too noise for rock, too rock for noise...". Extreme music inspired by everything from Charlie Parker to John Zorn to the sound of breaking glass. Heavy and harsh walls of psychedelic noise!!!"
Deathdisco2000
1998 release ** "This big band, led by T.S. Heg (alto sax & keyboards) is nominally a 'jazz outfit', but since in addition to lots of reeds, brass, bass and drums, they work with guitars, synths, sampling, etc., it's a fairly safe bet that this isn't 'just' a jazz album. Mostly structured with some very crazed, free parts, I guess you could compare them to Doctor Nerve in that regard, even though they sound nothing like Nerve."
Mystery Triangle
2025 stock New music from Paul Flaherty, with Sam Gas Can and White Limo. Pressing of 500 copies, cover art by Joshua Burkett. Like all of the greatest live "festival" records -- Woodstock II (Cotillion '71), Mar y Sol (Atco '72) & 1968 Memphis Country Blues Festival (Blue Horizon '69) -- Mystery Triangle is an especially exceptional souvenir for those people who were there when it happened. But unlike dud compilations, Mystery Triangle provides a truly fine sonic gush for even those of us who w…
Stardust
Stardust is a rare live recording that reunites three pioneers from the dawn of Japanese jazz: Masayuki Takayanagi (guitar), Ryozo Sugiura (vibraphone), and Hideto Kanai (bass), captured at Yokohama’s Stork Piano Lounge in December 1979. Unlike the intense, driven performances Takayanagi was known for in his “New Direction” and “Second Concept” projects, this session offers a relaxed, intimate atmosphere-full of warmth, camaraderie, and spontaneous musical dialogue. Listeners can even catch the …
Holy Holly Holly
A vital document of late-period Japanese jazz innovation, Holy Holy captures Masayuki Takayanagi in a moment of creative transition. Recorded live on December 8, 1985, at Aketa no Mise, this session features Takayanagi’s razor-sharp guitar in dialogue with two double basses: Nobuyoshi Ino and Toru Saitoh. The result is a soundscape of overwhelming depth and intensity, where the deep, undulating resonance of the twin basses intertwines with Takayanagi’s incisive lines.
On Holy Holy, the trio reim…
7Books
2004 release ** "If you dig just a little deeper into experimental acoustic guitar music, the name Steffen Basho-Junghans should come up. A German-born guitarist and performer, Basho-Junghans stands out amongst others with his unique guitar style. Implementing elements of American folk with Indian raga for a unique sound, he has created a strong catalog that spans nearly 15 years. On 7Books, Basho-Junghans goes all out with a double-disc collection of extended tracks, in the range of ten to fift…
Sonny's Time Now
** Rare original copies. Early 80s LP reissue. Unplayed copies from a dead-stock, minor wear due to ageing on covers ** A seismic moment in the history of free jazz, Sonny’s Time Now stands as a raw, uncompromising manifesto of musical liberation. Recorded in New York City in November 1965 and released on the visionary Jihad label founded by LeRoi Jones (Amiri Baraka), this is the first album led by the revolutionary drummer Sonny Murray-and it’s nothing short of essential.
With a lineup that re…
Flying Slippers
Steve Beresford, a central figure on the British and international music scene for over forty years, meets the Tilli/Tramontana duo. The friction between the British aplomb with the multifaceted Italic personality and the underlying love and seriousness towards music give us a trio full of verve, gimmicks, and profound lightness.
Jet Black
A trio of leaders in their own right performing pianist Satoko Fujii's demanding compositions, bassist Takashi Sugawa and drummer Ittetsu Takemura rise to the challenge in a set of six exciting works that push and pull this remarkable piano trio in unexpected directions, responding to the twists and turns of Fujii's intense and intricate directions; superlative!
Altitude 1100 Meters
Celebrating her 65th birthday with her first compositions for strings, pianist-composer Satoko Fujii writes for the specific musicians of GEN, a sextet of violin, viola, bass, piano, electronics, and drums, in a suite inspired by Nagano's mountain views, leveraging microtonal string techniques for an expressive and texturally rich sonic landscape.
NatJim
Right out of the gate one feels the energy and excitement between Japanese trumpeter Natsuki Tamura and NY drummer Jim Black, each pushing the other through strong instrumental character and outrageous technique over nine Tamura compositions recorded in the studio in Switzerland, their first recording in 25 years since their 1999 Buzz Records album White and Blue.
Aloft
Propelled by the confidence and intimacy that a familial relationship brings to two improvisers, imbued by each player's masterful technical skills and creative drive, the husband and wife duo of pianist Satoko Fujii and trumpeter Natsuki Tamura expand their catalog with this set of magnificent dialogs, sometimes quirky, always powerful and implicitly lyrical.
Original Album Series
2025 stock Includes the albums "Gris-Gris," "Babylon," "The Sun Moon & Herbs," "Dr. Johns Gumbo" and "In The Right Place" by Dr. John.
The Atco/Atlantic Singles 1968-1974
2025 stock Dr. John has proven to be one of music’s foremost generalists, a primary-care cat whose practice extends back some 60 years. His expertise encompasses rock ’n’ roll, swamp pop, New Orleans, R&B, funk, jazz, and the Great American Songbook—and he’s made worthy contributions to recordings by the Stones, B.B. King, Van Morrison, Frank Zappa, Buddy Guy & Junior Wells, Buffalo Springfield, Gregg Allman, and others. The awards (six Grammys and counting) and accolades long ago validated the …
Erogenous Biome
Madronas’ debut LP Erogenous Biome is an amorphous, murky, cathartic offering. A duet of modular synthesizer and winds that’s equal parts doom and devotion, it’s the sound of a majestic butterfly emerging from it’s slimy chrysalis just in time to catch the sun setting on the end of days, a bewitching, heavy ceremony, a power-wash of both mind and spirit. Tracked in one continuous take at Brooklyn’s Heavy Meadow studio, individual tracks were gleaned from the purge and eschew predictable structur…
Solhverv
Bomb! Danish pianist Tom Prehn was one of the first Europeans to deeply explore free music. With his quartet featuring Fritz Krogh on tenor saxophone, Poul Ehlers on bass, and Finn Slumstrup on drums, Prehn recorded Axiom in October, 1963, for Sonet, though it went unreleased until 2015 because the band felt that their music had moved beyond it already. To hear the music they were talking about, one could only turn to two privately-made reel-to-reel tapes, Centrifuga and Sohlverv, recorded in Au…
Štiri Dela
*2025 stock* "The CD surprised me because it could be listened to with many ears. At first I felt I could not separate it from contemporary composed music, soon after that I could still place it in the context of contemporary improvised music, and finally the fantasticness of a journey that takes the best both worlds have to offer revealed itself to me. Much of the merit can be attributed to the sensible arrangement of the four movements, which, despite being at least superficially similar proce…
Death Rattle
2025 stock “Death Rattle” is the noise of two forces of nature in collision. Like a pair of clashing typhoons, Philadelphia based avant guitarist James Plotkin and Norwegian free jazz drummer Paal Nilssen-Love generate chaos, disturbance and a terrifying beauty in their first ever collaborative recording. Free jazz and metal-edged rock never chimed so exhilaratingly together before. ‘Paal’s precision and constant invention/reinvention is mind-blowing, only matched by its intensity,’ James enthus…
Fit for Consequences: Original Recordings, 1984–1987
LP + Limited edition cassette, Over & Over, is a supplementary collection of music available only directly from the label and select shops - Fit for Consequences: Original Recordings, 1984–1987 is the first ever archival release from Repetition Repetition, the “two-man electric minimalist band” consisting of Ruben Garcia and Steve Caton hailing from Los Angeles in the mid 1980’s. Repetition Repetition’s unique blend of cosmic art-rock minimalism / maximalism was self-released across a series of …