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** Edition of 250 copies ** Virginia Genta is a self-taught musician who plays all saxophones (tenor, soprano, baritone, alto) mainly known for being part of the astonishing Jooklo Duo, the project she shares with drummer David Vanzan since 2003, often playing as a drums and tenor duo, but regularly including other guests evolving into new forms as Neokarma Jooklo Trio (or Sextet, Octet, Experience), Golden Jooklo Age, Jooklo Finnish Quartet, New Jooklo Age, and so on. But - no matter how many m…
An amazing set from Swedish trombonist Eje Thelin – a live date, but a totally excellent session that stands as one of the best demonstration of his talents in the 60s! On the European scene at the time, Thelin was easily one of the most inventive players on the trombone – one of the few who could hit the soulful swing of American musicians like Curtis Fuller or JJ Johnson, but also an artist who was starting to stretch out into new realms too – just a touch of Grachan Moncur and Roswell Rudd, w…
Between 1961 and 1965 Eje Thelin formed his first own group with which he toured across Europe. In 1964 he performed in Copenhagen with George Russell; from the late 60s to the mid-70s he played with Joachim Kühn and John Surman and turned to Free Jazz. This quintet is famous for the cooperation with Belgian Joel Vandrooogenbroeck, who had played with big names such as Barney Wilen and Zoot Sims. In 1968 Vandroogenbroeck formed the experimental rockband Brainticket. This 1963 session featur…
140-gram LP in gatefold sleeve with a special drawing by Mazen Kerbaj. Mastered for vinyl by Harris Newman. Edition of 500. Entirely recorded at Tunefork Studios on the outskirts of Beirut, Burj al Imam's five tracks include three largely improvised numbers, a loose reworking of Sun City Girls track "The Imam," and a cover of traditional Americana song "Gently Johnny" (a highlight of Alan Bishop's live Alvarius B. shows). True to their habits, the Lebanese trio of trumpeter Mazen Kerbaj, guitari…
2016 release ** "After his great compositions for the London Jazz Composers Orchestra and the Barry Guy New Orchestra, Barry Guy has written a large scale work for a new international ensemble. Guy's work The Blue Shroud is an hommage to the painting Guernica by Pablo Picasso. It is for the people of the Spanish town, who were victims of the Nazi German air force bombardment during the Spanish Civil War. Guy also wants us to remember the occasion in 2003, when the Guernica-tapestry at the UN Sec…
Double LP version. After the internationally and heavily praised Caspar Brötzmann Massaker in the early '90s, not much was heard from the German "Modern Primitive" guitar player Caspar Brötzmann, aside from some collaborations for theater. Now he is back with a new band -- extreme, heavy, intense. In summer 2012 he was invited by the A L'arme Festival for a special gig with Swiss musicians Michael Wertmüller(drums) and Marino Pliakas (ebass) (those two form the group Full Blast with Caspar's fat…
Composed by Arthur Williams. Recorded on December 19, 1978 at WKCR, New York. Forgiveness Suite is another worthy rediscovery by NoBusiness Records, focusing this time on trumpeter Arthur Williams, an almost forgotten figure of the free jazz scene of the late Seventies. Williams participated in some interesting recording sessions of the period, like First Feeding by Jemeel Moondoc’s Muntu Ensemble, Lowe And Behold by the Frank Lowe Orchestra and most significantly Peter Kuhn’s Livin' Right, tha…
Amid the structural redefinition of jazz music, which is continually ongoing and, as of late, has placed an emphasis on the merger between free improvisation, arch composition and pulsative, rock-based rhythms, there is still much conversation to be had on the relevance of tradition. Musicians are still reckoning with the world opened up by Ornette Coleman, an alto saxophonist (later violinist and trumpeter) and composer whose 1959 stand at New York’s Five Spot and subsequent LPs took the music …
All music by Nate Wooley, Hugo Antunes, Jorge Queijo, Mário Costa, Chris Corsano. Recorded on 12th May 2012 at Sá Da Bandeira Studio, Portugal. Mixed by Manuel Reis. If I had to do it all over again, I would not have judged Purple Patio as soon as I dropped the needle onto the LP. Yes, this is a vinyl-only release, and yes, it is only an edition of 300 copies. Instead, I should have listened to both sides all the way through. But that would have required getting up to turn over the disc.
So, I …
Mats Gustafsson, tenor & baritone saxophones. Ingebrigt HŒker Flaten, electric & double bass. Paal Nilssen-Love, drums, percussion. Additional guests on one track, Anna Högberg: alto saxophone, Goran Kajfes: cornet. Recorded June 1st and 2nd 2015 by J¿rgen Træen at Duper studio, Bergen, Norway.Two years after their The Thing Records label-debut with the legendary Boot album, the Scandinavian freejazz vikings release another heavy and wonderful monster of a studio-album! Intense, passionate and a…
Masahiko Satoh’s fourth album is a duet with German pianist and composer Wolfgang Dauner. Dauner is one of very early European avant-garde jazz pianists, and he recorded the first free jazz album in Germany back in 1964. Dauner played with Eberhard Weber and Jean-Luc Ponty, and in the late 60s, he experimented with choral music. Being a passionate innovator and experimenter, in 1970 he discovered electronic devices and started using them in his music. He experimented with ring-modulated Hohner c…
Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…
Mass Hysterism: In Another Situation, a 1983 record by the late Japanese noise-guitar hellion Masayuki Takayanagi (1932–1991) is one of those albums that always going to be lurking in my attic, so to speak. I can put it away for a while, but it never goes to sleep—it's always calling me. Even if it takes a few years, I'll be back. (As an illustration of this, I obsessed over Takayanagi in a February 2007 post as well.) It's a bashing, clanging exorcism: two electric guitars (the other played by …
Masayukia Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
The extraordinary improvising duo of John Edwards and Mark Sanders have recorded together in countless groups, but only once as a duo [Nisus Duets Emanem 2002]. For this recording, Mark uses an unorthodox kit setup with horizontal orchestral bass drum. John's huge bass sound is captured in full by the old RCA ribbon microphone used in this recording. Constantly imaginative, thrilling playing.
Vladimir Tarasov - drums, percussion, cimbalom and hunting horn, Eugenijus Kanevicius – bass and electronics, and Liudas Mockunas - soprano and tenor saxophones, clarinet and bass clarinet. Recorded at Vladimir Tarasov home studio in Vilnius, June 2014. Limited edition of 400 copies.
This limited edition LP documents a collectively birthed exploration spread across the two sides by the visiting German pair of reedman Thomas Borgmann and long time associate drummer Willi Kellers, who team up with NYC bassist Max Johnson. The concert took place as part of the New York Tenor Saxophone Festival at Ibeam in 2015 organized by Cisco Bradley of Jazz Right Now fame, hence the title. The trio constitutes a favored format for Borgmann. He's helmed two killer outfits in the past, firstl…
Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic
"What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…
** 2020 restock, nice price** Albert Ayler's trio with Gary Peacock and Sunny Murray is best known for the July 10, 1964, recording of Spiritual Unity (ESPDISK 1002CD), the album that made both Ayler and ESP-Disk' famous when it was released in 1965. A decade after that, in 1975, ESP-Disk' also released, as Prophecy(ESP-3030), the first documentation of the group, recorded a month before Spiritual Unity by Canadian poet Paul Haines at a concert at a 91st Street club. These Cellar Café recordings…