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The New Quartet stands as a landmark in modern jazz, capturing Gary Burton at a creative peak and introducing a band of extraordinary new voices. Recorded in March 1973 at Aengus Studios and now reissued in ECM’s “Luminessence” series, this album features Burton’s radiant vibraphone alongside guitarist Mick Goodrick, bassist Abraham Laboriel (in his debut recording), and drummer Harry Blazer.
The album’s repertoire is a showcase of jazz’s evolving language, with compositions by Chick Corea, Keit…
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
*2023 stock* Over 60 releases and 44 years into his career as a jazz drummer and composer, William Hooker has made (arguably) his best album yet during the pandemic in 2020, a follow up to his critically acclaimed 2019 album “Symphonie of Flowers". Clocking in at 83 minutes in total (depending on the format you’re listening to), “Big Moon” is as expansive as it is groundbreaking. With a reputation as one of the most innovative composers and drummers of his generation, for those in the know, Hook…
*2023 stock* William Hooker has been recognized as one of the most innovative musicians and drummers of his generation, leading a variety of ensembles within the worlds of free jazz, experimental, and new music. Hooker's prior collaborators range from avant garde jazz musicians to indie rock legends like Thurston Moore and Lee Ranaldo of Sonic Youth. On his latest work, “Symphonie of Flowers”, Hooker weaves three sections into a whole, or a “symphonie” of sorts. As he says, “the piece begins and…
Le Sud trio works from the concept of lower-case free music, which has been a common European currency since the mid-1970s. Despite Brexit, violist Benedict Taylor asserts himself during this continental concert by sawing, sweeping and stretching distinctive patterns from his strings. During the two over half-hour each improvisations however there’s no lead instrument. Positioned power strokes, steel string plinks and diverted chords from Dirk Serries plus Friso Van Wyck hollow pops, metal casca…
On this maiden recording, Chicago-based bassist Jason Roebke leads a new quartet, featuring his original compositions and a stellar lineup. The music, which was brilliantly recorded at Steve Albini's legendary Electrical Audio and expertly mixed and mastered by Alex Inglizian at Experimental Sound Studio, is performed by veteran reed player Edward Wilkerson Jr., whose own bands Eight Bold Souls and Shadow Vignettes were among the great ensembles of eighties/nineties Chicago, extending the AACM t…
Mongrels—Buck Nauseef—two creatures with no pedigree or particular style who have absorbed, mixed and amalgamated numerous pedigrees and styles during long careers working closely with leading musicians of diverse genres including: orchestral, Javanese gamelan, jazz, Ghanaian music and dance, r&b, Hindustani classical music, free improvisation, Balinese gamelan, Turkish classical Sufi music…
Recordings and performances have been with, amongst many others, The Necks, Evan Parker, Jack Bruce, Bill…
*2024 reissue* Transversales Disques proudly presents Rahsaan Roland Kirk - Live in Paris (1970). Gifted multi-instrumentalist Rahsaan Roland Kirk at the height of his powers, backed by his Vibration Society, including long-term cohorts pianist Ron Burton, powerhouse percussionist Joe Habao Texidor, Dick Griffin on trombone, drummer Jerome Cooper and Vernon Martin on Double Bass. First ever official reissue of this rare ORTF recording performed live at studio 104, Maison de la Radio Paris, with …
Tip! When Dirk Serries travelled last May to Portugal for a series of concerts with José Lencastre, he didn't know he was going to be invited to record some amazing sessions with several key players from the Portuguese impro scene. This is one. Lively session recorded at the studio of João Madeira in Lisbon on May 7th, 2023. A blast it was.
Peter Brötzmann collaborated with many artists in his career, regularly adding new compatriots into the fold, and Norwegian drummer Paal Nilssen-Love became one of his staunchest allies after the percussionist joined the Chicago Tentet in 2004. They worked in various contexts, including this inexhaustible, hard-hitting duo. Most of the albums they’ve issued have captured live performances, but in 2015 they made this stunning studio recording. As Nilssen-Love says in the liner notes, “Peter had a…
Saxophonist Mats Gustafsson is notorious for his prolific nature and constantly expanding circle of collaborators, but few of his partnerships have been as powerful and profound as Gush, the Swedish trio which formed way back in 1988 and celebrates its 36th anniversary in 2024. This performance was captured live at the famous Stockholm jazz venue Fasching on December 17, 1998, and the music excited all three musicians when they revisited it this year. The album is named for the Mongo Santamaria …
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
Seikatsu Kōjyō Iinkai (Committee for the Improvement of Life) began its activities in the early 1970s, led by Kazutoki Umezu and Yoshiyuki Harada. Many musicians came and went and engaged in multifaceted activities, but one of the pillars was the so-called Life Improvement Committee (Matsugumi), centered on Koichi Shofaze. This work, recorded live in Masuda City, Shimane Prefecture, is the only work left by Matsugumi with the same members. The saxophone cuts like a knife into the solid trio's pe…
Huge Tip! *Remastered and cut to double 45RPM 12” vinyl. Housed in a heavy tip-on gatefold jacket with Pantone spot colors, spot ink pigment foil on gloss film laminate finish and printed inner sleeves. Pressed to high quality vinyl at RTI.* “Without producing a single phrase, the two distorted guitars became simple “electric sound” generators, and like fish swimming freely in water, they each tear through time in their own fashion. And yet there is a remarkable sense of unity to how they fill t…
Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordberg, violinist Stefan Pöntinen and trumpetist Ruhi Erdogan. With Nordberg's compositions as a starting point, the trio's playing can be characterized by close interplay, radical shifts, and having elements ranging from experimental improvisation, Balkan music, Scandinavian folklore, jazz and expressionism. Jesper Nordberg's warm tone and rhythmic displacements meet Ruhi's trumpet…
"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…
*2023 stock* "I started my musician career in 1970 as devoted jazz fan and hard practicing drummer. But I was also interested in electronics and experimental music, in improvising and composing. My goal was to blend in an unique form of musical expression all my interests, dream that 30 years later, I can happily say that I fully accomplished. Following the previously released Ictus collection in two discs (ICTUS 503) presenting the best of my early music recorded in solo and with my groups, her…
*2023 stock* "hi Andrea - here it's just cold - I'd love to have some real snow here like we used to have in my childhood, even up to the 1980's! My children have never been in snow up to their knees and their knees are not that tall!"
I wrote these words to Andrea as we discussed our upcoming performances and recording during his visit to NYC in February 2009. As they say,"Be careful what you wish for..." So it snowed. Not a blizzard, but it was snow and it came down relentlessly. We play…
*2023 stock* Andrea Centazzo, LaDonna Smith and Davey Williams met for the first time in December 1978. They recorded the first part of this album in 1979 and the second in 2010. An exquisite and celebrated example of improvised music.