Jazz /
Year Of The Iron Sheep
*300 copies limited edition* Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-…
Japanese Jazz Spectacle Vol.I
Tip! “Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also the Shōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has…
Live At The Dreher
* 2022 stock * Marge Records presents Live at Dreher by Roy Burrowes Sextet featuring Mal Waldron Roy Burrowes (trompette & bugle), Richard Raux (saxophones ténor et soprano), Mal Waldron (piano), Patrice Caratini (contrebasse) & George Brown (batterie) - On two tracks : Roger Raspail (percussions) Recorded live on 10th march 1980 at Dreher, Paris.
Autumn Leaves
* 2022 stock * Futura Records presents Autumn Leaves: Ben Webster (saxophone ténor), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (drums) Recorded 5th june 1972 at studio Europasonor, Paris
Chris Meets Paris Meets Chris
* 2022 stock * Futura Records presents Chris meets Paris meets Chris : Chris Woods (saxophone alto & flûte), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (batterie) Recorded on 24th octobre 1973 at Bilboquet, Paris. Crédits Alto Saxophone, Flute – Chris Woods Bass – Jacky Samson Coordinator – Marianne Fernel Cover [Drawing], Design – Pierre Delgado Drums – Charles Saudrais Edited By, Mastered By – Alexis Frenkel Engineer – Jef Gilson Photography By – Christian Fauchar…
Live At The Jazz'Inn
*2022 stock* Futura Records presents Jaki Byard Trio's Live at the Jazz'inn. Jaki Byard (piano & saxophone alto), Gus Nemeth (contrebasse) & Jean-My Truong (batterie), invited on a title: Gerald Byard (batterie / drums). More two unpublished titles with Siegfried Kessler on piano, and Jaki Byard on alto saxophone. Recorded live on July 26th 1971 in Paris. Digipak.
Song Of Praise, Live New York 1965
"These Half Note recordings from March 26 and May 7, 1965, two dates from an extended stay at the club, were captured as a radio broadcast. ezz-thetics has re-sequenced the music here to demonstrate Coltrane’s approach to incorporating all his inventions into a performance, while also mapping a future to his music." – Mark Corroto
Producers note: "We have re-sequenced these tracks to allow the listener to become part of the development of the music and to follow John Coltrane’s evolutio…
Formation: Live '61
Recorded live in London before a studio audience on the 24th August 1961. Previously unissued. By the time this EP is released 60 years will have elapsed since the recordings contained within it were made, and nearly 50 years since the untimely death of pioneering West Indian free jazz altoist Joe Harriott on the 2nd January 1973, aged 42. Only in the very recent past has Harriott started to receive anything approaching the accolades he undoubtedly deserved during his lifetime. For those new to …
Live in Bremen
**Limited Clear Vinyl edition, 300 copies** Recorded live in Bremen - Germany, on 27th September 1966, and originally broadcasted on Nordwestradio, this fine recording captures the young genius of Paul Bley at the head of his trio featuring bassist Mark Levinson and drummer Barry Altschul. A highly interactive piano trio whose peculiar instrumental interplay became a model for generations to come. The music played by Paul Bley with this line up stands as one of the most advanced statements among…
Canada
*2022 stock* Argonne Thornton (who in the late '40s changed his name to Sadik Hakim) had a particularly unusual boppish style in the '40s, playing dissonant lines, using repetition to build suspense, and certainly standing out from the many Bud Powell impressionists. Later in his career his playing became more conventional. Hakim originally studied music with his grandfather and started performing at local gigs in Minnesota. After a period in Chicago, he was heard by Ben Webster, who hired him t…
Round Trip: Ornette Coleman On Blue Note
Iconoclastic saxophonist and composer Ornette Coleman shook the jazz world when he arrived at the Five Spot Café in New York City in 1959 and began his run of seminal albums on Atlantic that laid the foundation for the free jazz movement to come. After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career. The boxset Round Trip: Ornette Coleman On Blue Note presen…
Yokohama Concert
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Life Time & Spring (Revisited)
"Life Time posited a radicalism quite different from the other watershed recordings of 1964. Anthony Williams had an overt, unconventional approach to form, accentuated by the time constraints of a LP side and the various configurations he employed... By the time the 19-year-old Williams returned to Van Gelder Studio to record Spring with Hancock, Peacock, Rivers, and Shorter, the avant-garde was ascending... He retained some of the parameters
of Life Time ..." - Bill Shoemaker
Cannes '58
*tiny bump on corners, discounted copies* Donald Byrd’s residency in Paris in 1958 to study with composer Nadia Boulanger gave rise to one of the greatest bands of his career with Bobby Jaspar on tenor sax and flute, Walter Davis, Jr. on piano, Doug Watkins on bass and Art Taylor on drums.Sam Records is proud to present this previously unreleased concert by the Donald Byrd/Bobby Jaspar Quintet recorded during the evening dedicated to ‘Modern Jazz’ during the 1st and only Cannes Jazz Festival on …
BBC Jazz Club II 1965-1966
The Rendell/Carr Quintet has long been regarded as among the most iconic ensembles in 1960s British jazz, famed for its unique blend of musical personalities and the equally singular ‘style’ which resulted from its blend of experience, youth and creative ambition. This, the second R&B release of previously unissued material by the band, captures a moment of genuine jazz history with its inclusion of Michael Garrick’s debut broadcast with the quintet. Two further radio appearances find the band h…
Soundnitia / Soundmagnificat / Soundmusication
This is the first ever reissue of the lost debut LP by Jamaican tenor saxophone player Fitz Gore and his experimental group The Talismen from 1975. The work was originally released on Gore’s GorBra label and delivers an introspective, sensitive form of Spiritual Jazz.
"Soundnitia" is the cipher under which the experimental group "The Talismen" constituted in 1974 and made its presence known on the Jazz scene with the first LP. The initiator and spiritus rector of the avant-garde ensemble is the …
Hum Dono
** 2021 Stock ** Vocalion presents Hum Dono by Joe Harriott & Amancio D'Silva Quartet. The combination of a Jamaican sax player and an Indian jazz guitarist getting together with a UK jazz elite in its hay day could be the stoned out fantasy. It’s also a music and cultural melting pot making up a real lost treasure in jazz music. Fantasy meeting reality. Recorded at Lansdowne Studios, London, February & March 1969. A&R – Michael J. Dutton, Oliver Lomax. Alto Saxophone – Joe Harriott. Bass – Dave…
Live at Slugs' Volume I
Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: "Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an Art in the hopes that the sacrifices and high level …
Live at Slugs' Volume II
Owning both this disc and Live at Slugs', Volume 1 is essential for hardcore Jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Charles Tolliver's compositional work with the touching John Coltrane tribute Our Second Father. Again Tolliver's trumpet is simply stunning.
The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar f…
Bootleg Series 1: Live In Europe 1967
** 2021 Stock. 180 gram audiophile vinyl. Including 16-page booklet with liner notes by jazz-historian Ashley Kahn and superior packaging ** Music On Vinyl proudly presents the first installment of the acclaimed Miles Davis Bootleg Series on 180 gram vinyl! The explosive transformation of Miles Davis' 'second great Quintet' with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on Live In Europe 1967: The Bootleg Series Vol. 1. Culled fr…