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Audion 71 catches Audion Magazine in full cartographic mode, tracing how progressive, psychedelic and experimental tendencies have leaked across borders, labels and generations. The issue opens with a feature on Acid Rooster, cast here as “new space-trekkers from Germany”, picking up the kosmische thread with extended jams that feel closer to orbital slingshots than retro homage. The piece listens closely to their long-form structures, guitar textures and rhythmic drift, showing how they tap int…
Audion 69 opens on a sustained chord of Italo-symphonic grandeur and slowly fans out across Europe’s most fertile borderlands, using a handful of key case studies to prise open the archive. At its centre is an extended feature on Banco del Mutuo Soccorso, here framed unapologetically as “the Italian masters of classical rock” during their 1970s peak. The article doesn’t simply rehearse the usual praise quotes: it walks album by album through the original run, unpicking how Banco welded conservat…
From a southern small town this after school project is hard to describe other than there’s nothing else like it. Teens exploring soul, funk and rock and this album is their interpretation of all three. Catchy tunes, plenty of effects and earnest vocals. Fantasy Train is one of the freshest sounds I’ve heard in many years of digging. – Rich Haupt (Rockadelic)
Fantasy Train is a unique, genre-bending album cooked up in the sweltering Southern heat that impresses me with a special kind of style a…
Iconic space rock pioneers Hawkwind are thrilled to announce a landmark 50th anniversary reissue of their groundbreaking fifth studio album, Warrior on the Edge of Time, originally released on May 9, 1975. This definitive edition, featuring the legendary lineup of Dave Brock, Nik Turner, Lemmy (Ian Kilmister), Simon House, Simon King, and Alan Powell, captures the band's most polished and ambitious work to date, blending psychedelic fury with cosmic storytelling.
Inspired by Michael Moorcock's …
Singular 1967 Elektra Records gem by Clear Light, LA psychedelic band featuring future Doors bassist Doug Lubahn and CSNY drummer Dallas Taylor. Double-drum setup creates uncanny soundscape, it blends folk, rock, psych, classical. Undiscovered at release, now cult classic.
Essential 1967 garage-psych debut by Chocolate Watch Band, raw prototype of protopunk energy with volcanic guitar work and inflammatory vocals by Dave Aguilar channelling Jagger like nobody else. Distorted riffs, cosmic psychedelic legerdemain, killer covers of Stones material.
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk and everything unwholesome that followed.
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.
The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.
The self‑titled Epsilon introduces Epsilon as one of those early‑70s outfits that understood rock not as a fixed style but as a volatile intersection of impulses: hard rock muscle, blues phrasing, progressive ambition, and a lingering psychedelic afterglow. The album moves with the confidence of a band that has internalised late‑60s British rock grammar - heavy guitar, insistent Hammond, a rhythm section that can punch and pivot - yet refuses to collapse into pure riff worship. Instead, the grou…
Recorded live at Detroit’s Grande Ballroom in 1968 and released in 1969, MC5’s Kick Out The Jams turns a single night into an explosive proto‑punk manifesto, fusing free‑jazz chaos, garage rock riffing, and revolutionary rhetoric into one compressed blast of electricity.
*50 copies limited edition* 40 page magazine printed as first edition of 50 copies. Absolutely full with articles and reviews. See image 2 for full contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.Audion 85 contents... The interstellar cementmixers - 20 questions with Japanese oddities and curiosities, Norway - scandinavian fusion legends 12, Panzerpappa - unclassifiable music from Norway; choice french label classics: Gratte-Ciel…
*50 copies limited edition* 44 page magazine first printed as an edition of 50 copies, and now (12/12/2025) on its second 50-copy run. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.cover article: Dave Newhouse - Beyond The Muffins. Plus: The untold history of Düsseldorf's Creamcheese, Scandinavian fusion legends 11: Finland, Finnish Oddities and Curiosities, Jim Tetlow …
*50 copies limited edition* 40 page magazine printed as an edition of 50 copies. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.cover article: Spectrum Orchestrum - French underground today. Plus: Celebrating 5 years since the Audion relaunch as a complete multimedia archive, and with 25 new issues!, Denmark - Scandinavian fusion legends 10, Phog - a French one-man band,…
Proto-punk MADNESS from Ladbroke Grove! The complete studio works of the most dangerous band in late-60s Britain - three albums of teeth-grinding, psychedelic rock that make the MC5 sound like a boy band. Mick Farren and his merry gang of social deviants laid the blueprint for EVERYTHING that followed: punk, Hawkwind, Motörhead, the whole bloody lot. This is where it started.
The Social Deviants emerged from London's underground in 1967, fueled by the agit-prop satire of the Fugs, the sonic ter…
The room where butterflies live. A place between worlds. Enter at your own risk - you may not find your way back out. Sai Yoshiko's fourth and final album of the 1970s stands as one of the most singular documents in Japanese music - a jazz-inflected fever dream that marked the end of an era. Originally released in 1978 on Columbia (LX-7058-A), Chou no Sumu Heya represented a dramatic departure from her earlier psychedelic folk explorations. Here was something else entirely: a surreal and dynamic…
Sai Yoshiko (佐井好子) - one of Japan's most legendary and enigmatic singers - made her debut in 1975 with Mangekyou, an album of superbly crafted songs and crystal-clear vocals over Yuji Ohno's lush, funky arrangements. Three more masterpieces followed in rapid succession: Mikkou (1976), Taiji no Yume (1977), and Chou no Sumu Heya (1978). Her melancholic, poetic lyrics drew from the gothic imagination of Japanese novelists like Ranpo Edogawa, Mushitaro Oguri, and Yumeno Kyusaku - dark fairy tales s…
On The Madcap Laughs, Syd Barrett turns his post-Floyd fracture into a stark, lopsided songbook: blues shuffles, nursery-rhyme mantras and bare confessions recorded as if they might evaporate mid-take. The result is intimate, unsettling and enduringly luminous.
On Opel, Syd Barrett’s lost songs and alternate takes surface like fragments from a parallel 1968–70, exposing the raw circuitry behind The Madcap Laughs and Barrett. What was once fan lore becomes a fragile, disorienting self‑portrait in real time.
Recorded in the spring of 1970, this legendary album shows why many consider The Human Instinct to be the finest psychedelic rock band ever to emerge from New Zealand. Led by drummer-vocalist Maurice Greer and featuring the guitar pyrotechnics of the legendary Billy Te Kahika, Stoned Guitar has long been established as a classic hard psychedelic rock album.