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2020 release ** "Essential and colorful. The Brightest Room's cover art is perfectly in sync with the music of the Milanese quartet. This spartan rigor is also evident in the choice of titles for their second album, which entrust a single word with the burden of describing an entire song. Run features fourteen of them, all oozing with impeccable melodies and adorned with typically "English" guitars (from small, amateur tailors like Another Sunny Day or Field Mice to the exquisite stitching of Ja…
1997 release ** "This big band, led by T.S. Heg (alto sax & keyboards) is nominally a 'jazz outfit', but since in addition to lots of reeds, brass, bass and drums, they work with guitars, synths, sampling, etc., it's a fairly safe bet that this isn't 'just' a jazz album. Mostly structured with some very crazed, free parts, I guess you could compare them to Doctor Nerve in that regard, even though they sound nothing like Nerve."
2018 release ** "In this new album, Saporiti chooses a register that resembles a caress on a defeated face, a balm for past wounds that still hurt, reflected in the incisive yet never overbearing arrangements, with a balance that ends up appearing completely natural when in fact it is an extremely difficult goal to achieve. In Acini (from the title of his father's unpublished novel), an overall delicate quality prevails that resembles a state of mind more than the actual product of artistic choi…
2014 release ** "A few months after his self-titled album, he returns with another great work. The 2014 album was the one of full manifestation, this one, the one of explosion. Faced with such a "hunger to express," there's never a lack of substance and intensity, at most a few flaws in the aesthetic organization of a project, which is more evident here than in his previous work, but it's something that makes both works, in different ways, perfectible in each individual's mind and therefore all …
2014 release ** "Fifth studio album and year zero for Paolo Saporiti. An absolute masterpiece, a near-perfect album, the epitome of the most cultured Italian independent rock, but also, and above all, something new and focused. The lyrics, for the first time, are in Italian, exposing veins, nerves, and blood. On the cover, Paolo, a mere child, stands with his father. From the opening of "Come Venire al Mondo" to the absolute perfection of "Io non ho pietà," which seems to evoke the best of Alice…
2006 release ** "Unlike many tribute projects that fall flat due to those involved being either overawed or ignorant of the original material, Silver Monk Time succeeds because the participants have taken the group´s primitive rock surge as a template to experiment with. As a result the sound of The Monks is treated to a 21st century workout with synthesizers and beat tracks threaded through the original quartet´s already way out psychotic minimalism". Featuring: fsk, the fall, faust, fehlfarben…
2008 release ** "If many indie bands, for at least a year now, look to the German area and the Eighties as their only point of inspiration, Kobenhavn Store pushes higher, going towards Scandinavia, towards the ice and the pure and rarefied atmospheres of Sigur Ros or Amiina, but with a strong electronic contribution and an excellent management of the arrangement. To this attention to sound are added the pleasant influences developed by multiple listenings: they are positive influences, made of …
2009 release ** "Melbourne minor key pop magicians Crayon Fields announce the release of their long awaited second album, All the Pleasures of the World. In 2006, their airy, chiming debut, Animal Bells, was one of the year's most acclaimed releases, earning 7.8 review on Pitchfork and voted #2 in the Mess + Noise end of year critics poll (#4 in the general read poll). Crayon Fields have been working industriously on a follow up ever since. After several singles over the last 9 months, both dom…
2010 release ** "The Shipwreck Bag Show are Roberto Bertacchini (Starfuckers, Sinistri) and Xabier Iriondo. Survivors in the ocean of pop, refugees in a land without time with their suitcases full of metal, wood and electronic circuits. Avant-garage-rock with no time nor borders."
2005 release (RARE) ** Extended album with five bonus tracks from singles and demo sessions. "When indie pop fans speak of the fabled Sarah label and its roster, it seems that the Orchids are rarely afforded the same hushed, reverential tones received by the likes of the Field Mice or Heavenly, which is a great shame -- the Orchids were one of the finest bands Sarah ever produced, and their masterpiece Striving for the Lazy Perfection is as good as anything in the label's storied catalog. Encomp…
2016 release (VERY RARE!) ** "Mild High Club founder Alexander Brettin grew up playing flute in the school band and majoring in jazz studies in Chicago. In 2012, a visit to Los Angeles allowed him to connect with the Stones Throw crew. Within a year, after passing the early demos of what would become Timeline onto Peanut Butter Wolf, Brettin made the move out west. “The difference between Timeline and Skiptracing is detail,” Brettin said. “I was stubborn with the process for Timeline; it took al…
2010 release ** "...scraps of ulcerated, painful, immensely precarious songs. how to continue using a polaroid to fix images and faces with the awareness that what will stand out in the image, afterwards, will be the absence, not the living detail. It is a harsh and not at all consoling songwriting by Stefano Giaccone, one of the few "true" names of libertarian musical antagonism. here Giaccone uses a technological "zero degree" that is not at all trendy, a sort of epitome of unplugged: the guit…
2008 release ** "As near to perfect production as you can find that captures the spirit of a person and a place. Sprint Mill, Edward Acland’s studio and workspace, stands at a southern gateway for the traveller who pauses before entering the paradigmatic terrain of the Lake District in Cumbria. The waters that start high in the upper fells of deepest Lakeland tumble and fall past the site of the nineteenth century mill and its environs before joining other rivers and flowing on through to the se…
2025 stock ** "Tramp is titled for the period of post-relationship uncertainty and the period of homelessness Van Etten experienced during its 14-month recording process. Produced by the National's Aaron Dessner, who puts the songwriter's fine singing voice front and center, it features guest appearances by Zach Condon, Julianna Barwick, and more. "Warsaw," with its jagged electric guitars, bass, halting keyboards, and primitive, tom-tom heavy drums, is a shambling illustration of what's to be f…
2025 stock ** "Philly’s Kurt Vile can sound like Bob Dylan, John Mellencamp or Lou Reed — if those standard-bearers were murmuring through a speakerphone after a few salvia bongs. On Vile’s fourth LP, the stoner haze lifts a bit, and he settles on a mood: chilled-out but guarded, and wrapped in gorgeous folk-blues guitar-picking. The vibe is warmly psychedelic, but reality is banging at the door. “When it’s looking dark, punch the future in the face,” he slurs in “Runner Ups,” a Dylanesque rambl…
'Suicidio' is the first studio album by Italian singer-songwriter Faust'O, originally released in 1978 and produced by Alberto Radius. Now available in a new green vinyl / 180 gram edition with a limited and numbered run of 500 copies.
One of the most respected British bands in the mid-80s post punk era. Sad Lovers and Giants played highly atmospheric music made of melancholic melodies and epic guitar riffs. An overtly romantic attitude that slowly developed towards an even more open (pop) sound approach. Originally released on Midnight Records, The Mirror Test, the band's third studio effort, arrived as the fruit of an updated line-up and a clear step in such direction. A very harmonious collection of songs, some of which are…