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Christina Kubisch

Christina Kubisch belongs to the first generation of sound artists. Trained as a composer, she has artistically developed such techniques as magnetic induction to realize her installations. Since 1986 she has added light as an artistic element to her work with sound. Christina Kubisch's work displays an artistic development which is often described as the "synthesis of arts" - the discovery of acoustic space and the dimension of time in the visual arts on the one hand, and a redefinition of relationships between material and form on the other.

Christina Kubisch belongs to the first generation of sound artists. Trained as a composer, she has artistically developed such techniques as magnetic induction to realize her installations. Since 1986 she has added light as an artistic element to her work with sound. Christina Kubisch's work displays an artistic development which is often described as the "synthesis of arts" - the discovery of acoustic space and the dimension of time in the visual arts on the one hand, and a redefinition of relationships between material and form on the other.

Stromsa​̈​nger
Christina Kubisch’s Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results.
Voices Of Memory
*2024 stock* A Riverside Sound Art Installation at the Irish National War Memorial Gardens is a contemporary remembrance of the more than 49,000 Irish men who died in the First World War. In 1923, these names were published in Ireland’s Memorial Records 1914-1918. Consisting of eight volumes, these records, designed and illustrated by Irish artist Harry Clarke, are housed nearby in the Irish National War Memorial Gardens. The installation was commissioned in 2014 by the Dublin City council and t…
Zenger Station
** Edition of 300 with full-colour sleeve and 4-sided insert with photos, liner notes and an extensive interview. ** “Zenger Station”, Christina Kubisch’s latest LP, issued by Edition Telemark, comprises two side-long works that encounter the artists delving into two very different electromagnetic environments, brought to life in ways that only she can. The first side feature the title work, "Zenger Station 1-3”.As Kubisch explains in the liner notes: “Zenger station is the name of the former el…
Plus
"There is not enough space here to list Christina Kubisch's many awards, exhibitions, installations and professorships. This edition of Edition Dur is clearly a very fortunate one. With Plus, Dur has succeeded in presenting five works by the Berlin-based artist and composer on a vinyl release, also to a wider audience, quasi as a set. The piece Vasenresonanz, which is presented here in its entirety on the reverse side, is a very good example of the actual approach of her artistic work as a path.…
Mag Magazin 6
Super rare one. An audio-cassette magazin published by Modern Art Gallery, Vienna, between 1979 and 1982. The cassette-edition contains a wide range of sound-works by Austrian and international artists. Contains approximately 8″ x 5.75″ double-sided insert with photos and notes in German
Iter Magneticum
Iter Magneticum is a selection of possible soundwalks which Christina Kubisch has made for this tape. The music was created both electronically and acoustically, using recordings of natural sounds as well as computer technology. Her basic idea is to create sound landscapes, where the concepts of electronic nature and natural electronics are no more opposite, but form a synthesis.
On Air
Original tape, documenting an installation taking up the medieval town of Gargonza in Tuscany, On Air was a part of Christina Kubisch's series of sound art pieces concerned with electromagnetic induction, as conducted through specially modified headphones worn by the listener. Participants would then walk around Kubisch's environment picking up on the various signals hanging in the air
Night Flights
Brand new, original copy of this mid 80s LP, recorded during a residency in Milan, Italy. Utilizing all manner of compositional strategies, experimental recording techniques, and homemade electronics, Christina Kubisch's music is an effusive blend of rigorous compositional logic and inspired improvisation--at times recalling the multi-disciplinary theatrics of composer Robert Ashley
Decomposition I-III
'Decomposition – I – III' is an experience of sonic realities and aural layers that usually remain undetected by our perception. This collaboration of Peter Kutin and Florian Kindlinger has brought forth a conceptual piece that leads the listener through three territories antagonistic to human life. Following the subjects 'Absence' and 'Introspection', 'Illusion' concludes the perennial trilogy now released as a sound edition. A live implementation of light, sound and film will be combine…
Two And Two
Sealed Copy. Legendary debut from sound artists Christina Kubisch and Fabrizio Plessi mixing sound and visual elements, a seminal LP record originally published on the hugely influential Multhipla, run by Gianni Sassi (also founder of Cramps Records) in conjunction with Fluxus collector and editor Gino Di Maggio. Two And Two was a live performance for two performers (Kubisch and Plessi), two video cameramen, a wall of monitors and uncommon objects and instruments. Throughout the performances, pe…
Tempo Liquido
CD + 16-page booklet. This outstanding album was originally released on LP by Cramps Records (Diverso n.10) back in the late '70s, and it was certainly one of the best from that series "The performance started with a four-channel ambient sound that continued throughout the whole performance. Since I had no sampling possibilities at that time, all of the instruments were recorded solo in my studio on a Revox machine. The recordings -- one channel for each instrument -- were repeated several times…
B!AS-International Sound Art Exhibition (Book+Dvd)
*2024 Stock * Christina Kubisch is part of the first generation of sound artists to develop their own techniques, such as magnetic induction, in the course of realizing their installations. Since 1986, the trained composer has added light as an additional formative element to her work with sound. This book compiles works that can be viewed as straddling the border between music and visual art. The book also contains elements about the history of her work from 1980 to 2000. This is the bookstore …
Unter Grund
Finding the mysticism in everyday life, Christina Kubisch & Eckehard Güther sculpt elaborate electro-acoustic field recordings with “Unter Grund”. Quite lush in terms of their sonic detail not a single element goes unnoticed. Much of the sound has a journey-like quality to it while the origin of the sound slowly comes into view. By opting for such a style the pieces resonant on an intellectual as well as an emotional level. Sounds positively teem with life for the duo chooses to amplify the busy…
Invisible-Inaudible. Five electrical walks
These Christina Kubisch five compositions on the CD are based on numerous live recordings of electromagnetic fields, made between 2003 and 2007 in the cities of Birmingham, Chicago, Taipei, Paris, Bremen, Riga, Tokyo, Madrid, London, New York, Berlin and others. The sounds have not been altered electronically or by other means. Electrical Walks is a public walk with custom-made sensitive wireless headphones by which aboveground and underground electromagnetic fields are detected, amplified and m…
Magnetic Flights
Magnetic Flights is entirely made of electromagnetic field recordings of international airports and inside airplanes. The recordings of this piece were made by Christina Kubisch on her travels in 2007 from and to the airports of Bukarest, Manchester, Chicago, Seoul, Munich, Amsterdam, Zurich, Frankfort, Paris, Lisbon, Berlin, Pisa, Milan and London. The sounds were not altered electronically nor changed in any other way. The only tool, which was used for a part of it, was a filtering program (DI…
La ville magnétique
2024 Stock. Rare gallery edition documenting the Christina Kubisch's Poitiers version of Electrical Walks is all about illuminating listening. Today we are bombarded by electromagnetic waves from the ground to the atmosphere and into space - wireless networks, security systems, lights, computers, antennae, ATMs, even ads. But since we can't hear or see them, we've remained oblivious to how they affect our environment and perceived reality. But now, thanks to specially built magnetic headphones d…
The secret life of the inaudible
'The secret life of the inaudible’ is the first collaborative work of two of the 20th century's most revered and important female sound artist/electro-acoustic composers Christina Kubisch and Annea Lockwood. Using purely natural sounds, such as Volcanic gas vents, earthquakes, solar oscillations and ultrasonic tree sounds - as well as electromagnetic recordings from light systems and seismic research centers,transmitter systems and others, they build an ultra-vivid, immersive psychoacoustic mass…
Schall Und Klang
Schall und Klang is the result of Christina Kubisch's extensive fieldwork on the trail of Hermann Scherchen (1891-1966), conductor and key figure in 20th century new music. After moving to the village of Gravesano (Ticino/Northern Italy) in 1954, Scherchen established an electroacoustic experimental studio on his premises and created a meeting place for scientists, composers, musicians and sound engineers from all over the world. Among his guests were Iannis Xenakis, Luc Ferrari, Edgar Varèse an…
Dichte Wolken
A collection of Christina Kubisch electromagnetic pieces which have been recorded with special custom made headphones between 2010 and 2012. "cloud" refers to the ever more prevalent technological process of storing data as public clouds, private clouds, hybrid clouds or community clouds. the origins of the sounds are the electromagnetic fields of digital transfer loci like server rooms, security systems, electrical power stations and other places of dense electrical activity in europe, canada, …
24 Pictures At An Exhibition
Long out of print, very few copies available: the sound installation “24 Pictures at an Exhibition” has resulted in three different pieces. The first one comes close to the installation as presented in the museum – the technical term “oil on canvas/olja på duk” being one of the mostly repeated; the other two take us further from the original work without leaving the basis, i.e. the art collection of Ystad Art Museum. The paintings and the informative texts returned to their places in the rooms o…
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