Sacher-Pelz
Aliases: Maurizio Bianchi
Gene-P
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many changes, music that is not loud and actually quite pleasing.The other side is more experimental. It uses vinyl, scratchy vinyl that is, with the needle jumping all over the place. Its a bit much experiment for the sake of experiment for me here. A mo…
Endometrio
First ever vinyl reissue of the highly coveted classic LP by Italian noise composer Maurizio Bianchi. Originally released in an extremely limited quanity in 1983, Endometrio showcased M.B. at his most crucial turning point, delving into the uncharted waters he aptly titled ‘bionic music’, blending organic electronics with contorted sounds of the human body to compose one of the most interesting ambient records to date.copies of the original lp are practically non-existent and hard to co…
Split LP
Limited edition of 300 copies on black vinyl with pro printed..glued glossy covers and full colour inserts. The LP features new and exclusive tracks from industrial legend Maurizio Bianchi and Cris X. Truly dark and deeply experimental "Isolated in a fully aware immobility, the dramatic intensity of this unhealthy and plain sonorous document, provides peculiar experimental characteristics connected with animated views of a post-modern technology converging into a modulated transportation of coll…
Mectpyo / Blut
At the beginning of the metabolic year 1980, after Maurizio Bianchi finished the embryonal experience as Sacher-Pelz, he decided to undertake the concrete-synchronized course as M.B., a long-lived acronym that will accompany him along his next way of neuro-synthetic experimenter. His first ever release was the private cassette-tape entitled “Metcpyo/Blut”. An hematopoietic experiment decomposed during the months of March and beginning of April 1980 at Mectpyo Studio. Proposed here in its origina…
Das Platinzeitalter
Bianchi began to produce music in 1979, at the peak of the industrial scene since 1980 using electronic equipment with the avowed goal 'to produce technological sounds and in such a way to work on complete realizing of the modern decadence,' but his works harked back to the musique concrete of the 1950s. This LP is a return to his early work. Maurizio Bianchi/M.B.: archaic waves, ancient loops, primitive electronics.
Micromal Sonorities
Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.
Jubal\'s Experiment
Limited to 69 numbered copies, only available for subscribers of the picture 7" series by SmallVoices. Comes in a clear sleeve. Included is an one-sided 5x9 cm info-sheet, handsigned
Chaotische Fraktale + Letze Technologie
A new double cd from Silentes, containing soundworks by 'Chaotische Fraktale' and 'Letze Technologie'. These works were sourced from collaborations between M.B./Maurizio Bianchi, and Frequency in Cycles for Second/Sandro Kaiser. A fascinating sonic mix of influences here... industrial, electro-experimentation, minimalism, noise, and deep-listening. Large, drone-based segments meld with the distant sounds of reverberating piano and soft whispered melodies. Dramatic and dark. Huge pools of sound, …
TOGHETER\'S SYMPHONY
An extraordinary collaboration between the hystorical italian de-composer Maurizio Bianchi and the eclectic electronic-ambiental experimenter Nimh (Giuseppe Verticchio). An unmissable 4CD box that's a long and kaleidoscopic journey at the edges of sound, from the dark-industrial feelings of Together's Symphony, CD that gives the box the title, to experimental-lyric-introspective atmospheres of Secluded Truths, to sonic multicoloured collages of Niddah Emmhna, by the only M.B., and the electronic…
Persecutionem
LAST COPIES - LP album, numbered and stamped vinyl limited edition of 250 copies. 'I've taken inspiration for this medicative work from the sordid persecution of the early Christians, but in other ways we receive objectivistic persecution every day from this standardized system, from our wretched condition and from the modern persecutors which are hidden behind their threatening countenances. The appropriate soundtrack of such perturbed sufferings is this justifiable work, 'Persecutionem', in wh…
Inexistence
A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question
Mectpyo Bakterium / Genocide O.T.M.
Numbered edition of 600 numbered copies in a trifold 10" inch sleeve with original artwork. Re-issue of the Maurizio Bianchi's early Lp Mectpyo Bakterium . Included in this re-issue is a bonus disc with 55 minutes of ultra rare material officially published on CD for the first time here.Disc 1: First two tracks are from the 1982 LP 'Mectpyo Bakterium' released by DYS Records, USA. Third track is from '40 Days/ 40 Nights' compilation on Stratosphere Music, Japan. Fourth track is from 'Internation…
dekadenz
An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies
Technology 1 & 2
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
Evidences Vol.1 - Final Industrial Music 1980
This is the limited friends edition of 50 copies in a red Box Set with golden imprints instead of the black Box Set with silver imprints, especially for the artist and a few other people in relation to VOD. Handsingned copy!
Aybasi
Maurizio Bianchi/M. B. used gelatinous comglomerates of consubstantial sounds, mixed with discretional eviscerated noises. Antithetic metal crucibles for contemplative adherents.
Bactérie
Maurizio Bianchi has been in the game for a long time. Since the late 70's he has proved himself to be a true pioneer of industrial minimalist tactics making it a goal to "produce technological sounds to work for a full awareness of modern decadence." I strongly believe that the most beautiful music is made through the filters of decay and slow demise. Bacterie is a fine example of this and only a sliver of what Bianchi has done over the last 30 years.
Mectpyo Saisei
A magnetotherapeutic leakage bridled in the impartial passivity of our univocal meditations the second haemodialysis generated by maurizio bianchi and akifumi nakajima, announces the new era of untamed audio-inflammation. both operators have sharpened their pathologist scalpels to intoxicate the aural hemisphere with rhizospheric microorganisms and mononuclear blood-cells. inside the parasite plasmodium of mectpyo saisei the clinical rhythm-impulses by aube and septic piano-fragments by m.b. for…
Junkyo
First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.