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Timo van Luijk

Living in Belgium, Timo has been an active participant in experimental sound activities in his current home. Originally a member of Noise-Maker's Fifes, he later split off and started his own solo project, Af Ursin. In recent years he also been active collaborating with others such asRaymond Dijkstra (in the duo Asra), Kris VanderstraetenChristoph Heemann (in the duo In Camera and Andrew Chalk (in the duo Elodie)

Living in Belgium, Timo has been an active participant in experimental sound activities in his current home. Originally a member of Noise-Maker's Fifes, he later split off and started his own solo project, Af Ursin. In recent years he also been active collaborating with others such asRaymond Dijkstra (in the duo Asra), Kris VanderstraetenChristoph Heemann (in the duo In Camera and Andrew Chalk (in the duo Elodie)

Member of: In Camera, Elodie
Musique En Scene
privately pressed tape featuring Tom James Scott. Throughout the whole album, there's a refined sense of reductionism and that achingly poetic melancholy which drips from every sustained note and hushed passage
Grisailles
** Deluxe Ed. Attached onto handmade sleeves using thick card stock with textured debossing/rounded tabs outside sleeve construction. Limited to 300 copies **The glowing momentum captured in a suite of five movements for speechless voice rooted in a flair of earthly instrumental strokes. A sensual twilight where ashes become seeds. An original hand printed edition etching by Timo van Luijk is featured with each copy. "Elodie is Andrew Chalk and Timo van Luijk. Grisailles is certainly a sea chan…
Les Soeurs Noires
Les Souers Noires LP by Timo van Luijk with Daniel Duchamp and Dominique Vermeesch. Released by Editions Delvoyeurs for the exhibition "Les Soeurs Noires" by Dominique Vermeesch. Side A contains a piece by Timo van Luijk and Daniel Duchamp. The B side has an etching by Dominique Vermeesch. Edition of 500 copies.
Nivritti Marga
Dutch visual and sound artist Raymond Dijkstra has honed a direction with his work that is as complex as it is singular – following patterns both sonically and visually which create a sense of isolation as well as a powerful vision. And this one is not an exception, again with the help of Timo van Luijk (of Elodie, Af Usrin fame) and Frédérique Bruyas on vocals. "Part from these reservations placed upon the kind of relationship more or less intimate that I should maintain with you, my mouth is r…
Macchia Forest
An organic audio forest of analogue electronics, electro-acoustic sounds, sound-sculpture instruments plus singing and piano, even (outrageous!). "The guy from HNAS with the wonderful lady from Anima, plus one of Christoph Heeman's buddies from the project In Camera. Homemade marimba, voice, violin, hand drums, trumpet, autoharp, & electronics slip around each other quietly. Heeman knows how to be ominous, and Fuchs knows how to be squirrely, so they complement each other really well." Weirdorec…
Traces Ephemeres
Beautiful album from Andrew Chalk and Timo van Luijk, from pastoral snaphots to some oriental dreams. Eclectic ensemble of 18 instrumental arrangements invoking an epic and existential soundtrack determined by the power of momentary destiny and reflective sentiment. Guest appearences by Jean-Noel Rebilly and Tom James Scott
Rumours
Live recording from VPRO radio session originally released in 2006 as a limited bonus CDr withthe 'Open Air' CD album.
Frampton Comes Alive
Unnumbered edition of 400 copies in reverse board sleeve. Cover image is a painting by W. Meyer Tormin. New studio material and previously unreleased VPRO radio recordings.
Echos Pastoraux
Beautiful new album by Andrew Chalk and Timo Van Luyk (with Daisuke Suzuki on percussions and Ian Middleton on "accidental sounds"). Andrew Chalk is one of the most appreciate musician in this category floating between drone and ambient music, and his meeting with Timo Van Luijk has created an amazing disc, able to emphasize the slow, limited gestures, movements elegiac elegance, but still so heavily controlled. Each faint seems to have a gesture meaning. Here you can hear a flute (connected to …
Voile Au Vent
Edition of 400 copies LP from this duo featuring Timo Van Luijk of Af Ursin and collaborator with Christoph Heemann, NNCK et al. Voile Au Vent presents a series of piano improvisations embedded in dark, symphonic instrumental settings. Some of the most purely malevolent sounds to be associated with Luijk, aspects of Voile Au Vent almost sound like Coil circa “Dark River” with looming electronics providing an eerie backdrop to the broken bones of a piano. Later tracks bring in cut-up sound source…
High Noon
**Third edition of 70 copies, white water based ink silkscreened by Gerard Herman on thick brown board with die-cut center hole. Original white vinyl with silkscreened gold labels.** LP from Timo van Luijk and improvising jazz drummer Kris Vanderstraeten. spaced out improvised music, mainly acoustic and with a strong percussive touch. First album in their 10 year collaboration.
Open Air
The 2nd LP by In Camera (a collaborative project by Christoph Heemann and Timo Van Luijk) in CD version. Open Air features very dynamic live material recorded outdoors, under the moon, in March, 2004. Live improvisation integrating a stream of acoustic elements with continuous modulation. An edition of 400 copies.
Costa del Luna
Second album. Lunar psychedelic improvisations. Features Timo van Luijk (zither, flute, keys, tape) and Kirs Vanderstraeten (percussion). "Two more side long pieces from these two. The first side is a scuttling crab moving in and out of focus. It's great, but the second side is utterly fantastic. A lot of percussion and drones, as well as flute sounds, etc, with a touch of faux Orientalism. Enough that bits of the music could be seen as an alternative soundtrack to Apocalypse Now!. (And I mean t…
s/t
RESTOCK! Limited to 500 copies with a numbered postcard insert, this a beautiful LP by the C. Heeman duo project with Af Ursin's Timo Van Luyck was started in 2004 and has produced two albums so far, the self titled first album (Some fine legacy) and Open Air (Robot), presenting yet another facet of Heemann's ideas of textural electroacustica, this time with a focus on improvisation.
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