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For more than 25 years Jeph Jerman, previously with the moniker Hands To, has heavily explored the realm of field recordings and the devices to record it.Over the years his sound has become gradually more gaunt and essential, leaving more and more the electronic aspect apart and instead increasing the acoustic size.This made the sound of his compositions, if possible, even more organic, succeding to play entirely acoustic sets using only small objects found in nature such as stones, seeds, pine …
Recorded at Studio GOK Sound, Tokyo April 7 2010 by Hamamoto Yohei.Produced by Masami Akita and Lasse Marhaug. Cut by Rashad Becker at Dubplates & Mastering, Berlin. Cover design by Lasse Marhaug. Masami Akita and Lasse Marhaug have been working together since the mid 90ies. The first release on Marhaug's (now deleted) label Jazzassin Records in 1995 was the First Rock split single. In 2001 Merzbow and Jazzkammer (Marhaug's project with John Hegre) released a live album. Later, Akita and…
Sold out at source. Solange Gularte (Natural Snow Buildings) returns for her second solo LP for Blackest Rainbow. A dreamy psychedelic haze of shimmering drones, minimal string plucking with barely-there vocals, Gularte's sound is somewhat more far out in comparison to say Twinsistermoon or Natural Snow Buildings. Night Of Raining Fire showcases this with tracks like the almost medieval sounding Still Voyager, or the outsider folk sound of Nadirs of the Sun. The record comes packaged in a stunni…
The origins of Ame Son go back to the mid-sixties, when Bernard Lavialle (guitar), Bernard Stisi (guitar, vocals), Patrick Fontaine (bass) and Marc Blanc (drums) formed Les Primitivs circa 1965. They took the Parisian stages with a Yardbirds/Pretty Things inspired wild R&B set, and they kept active until Stisi left in 1967. At that point they changed their name to Expression, and with a more experimental approach they took their newly find free rock sound a la Soft Machine to night clubs …
Eldritch electro-acoustic explorer and uncompromising sound artist Luke Younger aka Helm presents his first new material since his Impossible Symmetry (PAN 027LP) album. Issued as a split release between PAN and his own Alter label, Silencer documents four studio actions conducted in the wake of his renowned LP, charting the alchemical relationships between base, stripped-down rhythms, cruddy electronics, and acousmatic source material manipulated on cassette tapes. Features foghorn brass fro…
Abstemious Austrian composer who committed suicide in 2007. Two long pieces, one that builds up from violins all making a slightly different type of scratching. The second piece uses computer processing, and does a great job of establishing a droning floor and then dropping through to a lower frequency beneath, or suddenly revealing a pulse without simply fading things in & out. Comes with a book that contains an interview with Zibigiew Karkowski (Weirdo Records)“So the point is that so mu…
Japanese turntable project probably best known for their work with Otomo Yoshihide and Hijokaidan, in their final LP, 2 compositions and 99 locked gooves. Side 1 = two elegant contemporary avant garde compositions -- kinda reminds me of AMM if they were DJs. Side 2 = 99 lock grooves."the debut lp, simultaneously the last issued recording by the duo of takahiro yamamoto & katsura mouri’s busratch, a decade-long-running & quite prolific turntable duo with a series high-profile collaboratio…
Originally released by Broken Flag in 1983, this LP reflects the more ambient & spacey side of M.B.'s work as opposed to some of the more "noisy" earlier works. Along with Armaghedon, one of his most interesting works. Hand signed copies, limited stock
Ressuage: Michel Pilz (bass clarinet), Itaru Oki (trumpet, flugelhorn, reeds), Benjamin Duboc (doublebass, voice), Jean-Noël Cognard (drums, objects), Patrick Müller (electrosonic) and Sébastian Rivas (laptop). Recorded in 2010 by Patrick Müller. Mixed by Patrick Müller. A coproduction by Bloc Thyristors-Bimbo Tower Records.
RESTOCKED, VERY FEW AVAILABLE. Reissue of this 1975 self-titled album, originally released on the Cinevox label. Tracks are: "Settimino," "Eflot," "Soup" and "Scratch." Two of these are also commonly available on CD on the Edition RZ compilation, unfortunately; the other two ("Settimino" & "Scratch") are not on CD, so you have approx 30 minutes of exclusive/rare material here on this release. Gruppo are the classic Italian freeform outfit from the '60s & '70s, still pretty undocumented on…
The Curfew Recordings were made at a disused industrial site on the river Tyne in 1984 and feature John Smith (then publisher of Interchange magazine), Sean Dower (ex Death Magazine 52 & later of Bow Gamelan Ensemble) And John Mylotte (of the band Metgumnebone). The recordings were made inside a 10m tall and 26m wide, steel-plated cylindrical, structure, once used for bitumen storage. The instrumentation is acoustic and the recordings are unprocessed (the space however adds a remarkable reverb).…
Hospital Productions present a very necessary vinyl edition for one of the most effective industrial/ambient collections in their catalog, and one of the label's most sought-after. Over the course of three cassettes (limited to just 99 copies) issued in 2012, Lussuria ("Lust" in Italian) drip-fed these eight tracks of opiated, phantasmic SM atmospheres into the musical bloodstream, duly hailed by many as one of the most crucial set of tracks released in 2012. Reflecting the ritualistic a…
Commercially available for the first time, this 1970 library album by Alessandro Alessandroni is the only existing full-length recording of his extraordinary vocal group, I Cantori Moderni, an eight-to-sixteen person choir featuring Edda Dell'Orso, Giulia De Mutiis (Alessandroni's first wife), Gianna Spagnuolo, Augusto Giardino, and Franco Cosacchi, and highlighting, through twelve original themes by Alessandroni, the complex vocal harmonies of the legendary group that lent their voices to the a…
Suberb Synth- and Wave-tunes of Fockewulf 190 incl. the two Italo-Disco-Classic 12“ Body Heat and Gitano plus more demos and so far unreleased treasures like Orient „Express“ collected from the archive of Victor Life
Victor once stated: The Fockewulf 190 project was created as a shape equal to a substance, experimental analogyc electronic music connected to the theatrical and mimic power of rock and the romantic and esthetic force of the electronic dance of thr 80s.We translated thos…
Alessandro Brivio’s new record is another collection of complex and obsessive rhythmic tracks, reflecting his studies and passion for african aesthetics. The title is an homage to the Senufo secret society (the Poro) and to the Associazione Poro, a foundation of africanists founded by the great italian collector Carlo Monzino.Numbered edition of 200 copies. Transparent vinyl (cut at Dubplates & Mastering, Berlin) with printed labels. Silkscreened cover (black on black carboard), with small inser…
Last copies, sold out at source: guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the…
Naked City was: John Zorn, Bill Frisell, Wayne Horvitz, Fred Frith, Joey Baron, Yamataka Eye & Bob Dorough. "Probably Zorn's most popular and most controversial musical project, the music of Naked City has been debated, analyzed, adored and reviled by fans, critics and academics alike, but nothing can replace the experience of hearing it in all its frightening glory. Most people know this music from the single domestic release on Nonesuch, but the major portion of their studio recordings were is…
Another absolutely essential vinyl only album this time from New Zealander Greg Malcolm. Working as a perfect companion piece to the wonderful Es album, 'Swimming In It' sounds like an on-form John Fahey jamming with Morton Subotnick - it's really that good. As unusual synthesized bleeps and drones cut through Malcolm's lovingly finger picked guitar playing it is easy to realise how so many people have been touting this as a potential album of 2005. I was actually quite taken aback when I first …