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Part 3
Inspired by the "GIALLO" film of the same title, Vice Wears Black Hose is the obsessed & fanatical project of Sam McKinlay (The Rita) and Richard Ramirez (Werewolf Jerusalem/Black Leather Jesus). VWBH's dives into the HNW (harsh noise walls) pool and completely drowns the listener in its dense, dark and pure sound. The two long tracks fall in a hardcore noise fashion between all out wall noise and tense roaring harsh noise storm that slowly shift through different deep grains of noise text…
The Shipyard
Tor Lundvall has graced us with yet another remarkable album this year. Previously, Lundvall had introduced himself to Dais with his masterpiece album Sleeping & Hiding and struck lightning twice with the resilient The Seasons Unfold box set and now we are humbled to be crafting the strings with the curation of his most recent effort. The Shipyard was recorded during the dramatic season change-over of '09/'10, during which time Lundvall was immersing himself in portrait studies of local maritime…
Opika Pende: Africa At 78 RPM
Opika Pende: Africa At 78 RPM is a 4CD collection featuring 100 tracks taken from rare 78rpm recordings of African music (1909 to mid-1960s), none of which have ever been issued on CD until now. Pan-African in scope and wildly diverse, Opika Pende is a testament to the deep riches found in early recorded music across the continent. 112-page softcover book with 4 CDs in a separate portfolio -- all housed in a deluxe cloth slipcase. Jonathan Ward is a Los Angeles-based collector, researche…
Contemporanea
**Very rare original 1975 LP masterpiece, few copies available** Another twisted gem from the dark Italian maestro, Egisto Macchi of Gruppo di Improvvisazione Nuova Consonanza fame. "Contemporanea" was released on the Italian label, Gemelli, in 1975, and was Egisto Macchi's 11th full-length library music LP and largely considered one of his best records. Egisto Macchi happily experiences all the possibilities of sound which at the time, the early seventies, could be imagined recreating all the …
Alphabet Of Movements
With the music of Milwaukee-native Jon Mueller, patience is the key. His radical snare workouts are meditative master-classes in drumming, but require a distinct offering of time and attention to truly enjoy the dense clouds of sound his music creates. After crafting 2010's critically-acclaimed The Whole, Mueller decided to put together a live set that, while not reflecting the over-dubbed nature of the album itself, reflected the philosophy held within. The result was "I Almost Expect To…
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Live Double Seance [Antaa Kalojen Uida]
The analogue-digital electronic duo of Marcus Schmickler and Thomas Lehn has been working since its first meeting in December 1998 during the German premiere of the Music in Movement Electronic Orchestra (aka MIMEO) in Cologne. Since they have been extensively touring in Europe, the USA and Japan and performed at Experimental Intermedia/NYC, Mills/Oakland, Bard College, Lampo/Chicago, Princeton University, Festival Wittener Tage fuer Neue Kammermusik, AMPLIFY/Tokyo, CCA/Glasgow, Darmstadt…
A fonte de aretusa
Latest collaboration of the acclaimed minimalist portuguese musician David Maranha with the talented free-form drummer Gabriel Ferrandini in a 42 minutes of a virulent organ+drums out-jazz drone improvisation. “A fonte de Aretusa” is the convergence between the legendary organist David Maranha and the free-form young revelation drummer Gabriel Ferrandini. Based in Lisbon, Portugal this duo started in 2010, with regular rehearsals and concerts that lead to this first album that captures a b…
Ogre-Sse
a great album pulled out of the stream of time (1983-1985). They have never been on record or on air (nevertheless, some have been released on international cassette-compilations in the '80s). Back then they called it "primal industrial-punk".
Between Two Skies / Towards The Night
Restocked, now out of print: Pakistani-born musician Ilyas Ahmed traffics a sound that borders on the folk/drone/raga/rock axis, one that Scottish critic David Keenan has called “gone”. Currently residing in Portland, OR, Ahmed has released recordings on Time-Lag, Digitalis, and Root Strata. He is known to perform live with Honey Owens (Valet) and Jed Bindeman (Eternal Tapestry, Heavy Winged) and his recent recordings have featured Liz Harris (Grouper). He first appeared in the Fall of 2005 with…
The Capital
RESTOCKED Second vinyl release "The Capital" by rising drone-star Sean McCann. These all new recordings prove - once again - his ability to keep his stretched out & richely textured ambient drones right on track. The A side opens with synth spirals and exstatic sounds, there's no going back now. B Side is full of violin explorations and lo-fi fieldrecordings. This is an amazing effort by one of Earth's most promising musicians.Sean McCann really sets the bar for how far a one-man project …
Ascension
Following a slew of small-scale tape and CD-R releases, High Wolf release a five-track official debut album for Not Not Fun with mastering duties performed by Yellow Swan, Pete Swanson. Working with loops, trance-inducing effects fog and phantom rainforest percussion, this French artist spools out nagging swirls of colourful psychedelia and tribal drone fudge. 'Meeting Of The Three Seas' sounds like an alien campfire jam, summoning up tribal beats, head-spinning drone noise and a spindl…
Demon Parade
"Denmark's drone demons return with another gloomy, dark, intense drone-rock based release. Edition of 500 on black vinyl, pro-printed matte jackets, shrink wrapped."
At 6AM We Become The Police
NNCK LP soundtrack for the upcoming NNCK movie of the same name, directed by Adam Egypt Mortimer. This album presents recordings from the first NNCK rehearsal space at 195 Chrystie St. NYC in the years 1995-97. Two pieces were recorded for Harmony Korine's Gummo soundtrack but never released. Others are quintessential NNCK moments, including the first session joined by Butoh princess Michiko Takahachi, who instantly became a permanent member. The closing of the 195 Chrystie St. studio in 1997 ma…
You're Next
I am not sure if I ever heard of Massimo Pupillo, who plays 'low end bowel chainsaw' on this record, but since a lot seems tongue in cheek here, it might also be a guitar with effects. Everything here says: we poke fun at those who play with the stereotypes of the world of industrial music. One side is called 'First Offence' and has titles as 'Necrophiliac Cunnilingus', 'Rope For The Undead' and 'Vomit Buffet', while 'Second Coming' has 'Rib Cage Of Rotting Horror', 'Broken Spine Crushed Cranium…
Lasted
Lasted is the third album by Thomas Meluch under the alias Benoit Pioulard. Thomas has toured throughout North America and Europe since his last record, the process of which has had a marked impact on the development of these songs as lyrics and structures have been scrapped, tweaked and reworked in the live setting. As with previous albums it was recorded and mixed in domestic isolation, this time throughout the rainy season in his current home of Portland, Oregon. While the extent of the…
Fluxorum Organum
in 1967 henning christiansen proposed to joseph beuys that he composes a major work for organ titled "fluxorum organum" for beuys's planned aktion "eurasienstab". henning christiansen composed a piece with five movements. the organist franz meiswinkel played the composition on the organ in düsseldorf's liebfrauenkirche. the first "eurasienstab" aktion took place in 1967 in vienna at the galerie nächst st. stephan. in 1968 there was a repeat performance at the wide white space gallery in antwerp.…
Lard Free III
This one was their second album in 1975, featuring Richard Pinhas from Heldon and the most electronic effort of Lard Free. We can't hear bass guitar here anymore. The instruments on this item are mostly synths, in addition yet piano, drums, vibes, guitar - and clarinet as the first time guest on the recordings of LF. And the trips are longer (two LP-side-long trips here) than on earlier stuff. We can understand approaching to more meditative and athmospheric electronics with urbanis…
Dagger Paths
RESTOCKED *Bit of a departure for the Old English Spelling bee, embracing scenic dubbed-out tapestries described by the label as a cross between Burial's sample-strewn claustrophobia and Ennio Morricone's spaghetti western scores...* The Olde English Spelling Bee label has lit up our week with this incredible debut from Forest Swords. Nope, we've never heard of them before either, but they're only based down the road in The Wirral so we'll send them a thank you message via carrier pigeon o…
Ready for the House
The 1978 release of Corwood Industries Ready For The House, began one of the most compelling, disturbed, and singular legacies in musical history. In the 30 years since this unique debut, Jandek has released 53 albums of mournful, atonal music that continues to defy classification and accessibility. And while the past three decades of intense productivity have yielded a depth of discussion, a handful of legendary live performances and even a film documentary, no amount of time or experien…
St. Francis Duo
“Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O’Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo’Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London’s improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years …