Tracked express shipping from Italy, no customs or import VAT in the EU. Shipping costs
Deluxe edition 12 x CD boxset with remastered audio and 112 page booklet. The CD wallets reproduce Pierre Henry’s “concrete paintings” and the booklet features repertoire notes, written mostly by the composer himself.
The 12 CD boxset Polyphonies is a mind-blowing summation of more than 50 years work by restlessly pioneering composer, Pierre Henry (9th December 1927 - 5 July 2017) - the undisputed godfather of musique concrète, who laid the groundwork for much of electronic music as we now know it. Counting 29 works, including no fewer than 9 premieres, Polyphonies serves both an historic education and an engrossing reminder of Henry’s influence over developments in 20th and 21st century music.
There’s nothing that we can add to the reams of writing on Pierre Henry. We can only reassert what’s been said in numerous articles, essays and academic texts, that, technically, Pierre Henry was among the most important and ardent manipulators of ‘concrète’ sound - that is, physical sounds extracted from their environment and abstracted through various process of effects, to re-sound or resonate in new, different ways and meanings.
He’s French, so philosophy was always integral to his practice, but the proof is in Henry’s pudding, as his persistent pursuit of sonic spectres and metaphysics brought a world of new sounds into tangible physicality. Whether through animation of inanimate objects, or a re-spatialization of whole scenes of reality, Henry heard a possibility for alteration in almost everything, and acted on his urges with remarkable insightful results.
Many of Henry’s compositions are broadly known to followers of early electronic music, while even casual observers will likely know his Psyche Rock piece as the influence behind Matt Groening’s Futurama theme tune. However, even the most hardcore Henry heads won’t have heard the 9 premieres in this boxset, including the hyperreal dynamics of Chronicles terriennes, the deconstructed piano clatter of Études transcend antes pour un piano imaginaire, his rhythmically seductive Pleins jeux and the atonal fuss of Kyldex, or the deep space radiation of Astrologie, and likewise the entire 12th disc of 2016 "Remixes" (re-masteres, really), completed by the artist before losing he lost his sight. Ears were definitely still working, though!
It’s fair to say that our perception of sound and electronic music may not be the same if it were not for Henry’s way of listening, dissembling and re-sequencing the sound sphere, parsing and re-parsing it for an ever elusive meaning. In the process he’s thrown up more questions than answers which will puzzle and trigger more ideas, most likely for the rest of time.
Pierre Henry 1927 - 2017 Chroniques terriennes 2016 * Études transcendantes pour un piano imaginaire 2015 * Grande toccata 2006 Gymkhana 1970 Pleins jeux 2008 * Kyldex 1973 * Une tour de Babel 1998 La Reine verte 1963 Rock électronique (La Reine verte) 1963 Histoire naturelle 1997 Faciès 1960 * Le Livre des morts égyptien 1988 Fragments pour Artaud 1970 Variations pour les cordes du piano 1953/1988 * Ceremony 1969 La noire à soixante 1961 Lévitation (Corticalart I 1971) 2013 Corticalart III…
| Chroniques Terriennes | |||
| 1-1 | Moment 1 | 2:51 | |
| 1-2 | Moment 2 | 10:04 | |
| 1-3 | Moment 3 | 8:06 | |
| 1-4 | Moment 4 | 7:43 | |
| 1-5 | Moment 5 | 4:04 | |
| 1-6 | Moment 6 | 3:25 | |
| 1-7 | Moment 7 | 2:46 | |
| 1-8 | Moment 8 | 6:21 | |
| 1-9 | Moment 9 | 3:19 | |
| 1-10 | Moment 10 | 3:20 | |
| 1-11 | Moment 11 | 4:34 | |
| 1-12 | Moment 12 | 4:37 | |
| Études Transcendantes Pour Un Piano Imaginaire | |||
| 2-1 | Étude Au Glissando | 6:02 | |
| 2-2 | Étude Au Chevalet | 8:21 | |
| 2-3 | Étude Aux Pleurages | 4:24 | |
| 2-4 | Étude A L'Accordage | 7:01 | |
| 2-5 | Étude Au Trémolo | 5:06 | |
| 2-6 | Étude Jazzée | 8:20 | |
| 2-7 | Grande Toccata | 17:27 | |
| 2-8 | Gymkhana | 16:47 | |
| Pleins Jeux | |||
| 3-1 | Croissance | 17:09 | |
| 3-2 | Expérience | 7:07 | |
| 3-3 | Pressentiment | 13:16 | |
| 3-4 | Plénitude | 9:33 | |
| Kyldex | |||
| 3-5 | Ouverture/Sirène | 4:59 | |
| 3-6 | Danse Electromatic | 5:50 | |
| 3-7 | Erotica II | 7:15 | |
| 3-8 | Crescendo | 3:23 | |
| 3-9 | Continuum | 4:07 | |
| Une Tour De Babel | |||
| 4-1 | Prologues | 6:06 | |
| 4-2 | Briques Et Bitume | 8:33 | |
| 4-3 | Mouvances | 6:45 | |
| 4-4 | Elévation | 9:27 | |
| 4-5 | Transe | 6:50 | |
| 4-6 | La Faille | 7:52 | |
| 4-7 | Démolition | 9:23 | |
| 4-8 | La Reine Verte | 13:02 | |
| 4-9 | Rock Électronique (La Reine Verte) | 3:34 | |
| Histoire Naturelle | |||
| 5-1 | Ouverture Aux Insectes | 4:32 | |
| 5-2 | Les Naissances De La Vie | 8:41 | |
| 5-3 | Les Courbures Du Globe | 6:02 | |
| 5-4 | L'homme-Babel | 5:14 | |
| 5-5 | Un Effet De Serre | 5:18 | |
| 5-6 | Premières Funérailles | 3:11 | |
| 5-7 | Entomologie | 5:08 | |
| 5-8 | La Dérive Des Continents | 3:09 | |
| 5-9 | Danse Des Migrations | 4:00 | |
| 5-10 | Oiseaux De Terre Et De Cien | 10:00 | |
| 5-11 | Faciès | 8:51 | |
| Le Livre Des Morts Égyptien | |||
| 6-1 | Navigation | 15:23 | |
| 6-2 | Disclocation | 9:55 | |
| 6-3 | Transformation | 4:42 | |
| 6-4 | Négation | 4:29 | |
| 6-5 | Jugement | 11:49 | |
| 6-6 | Attente | 10:06 | |
| 6-7 | Affirmation | 10:17 | |
| Fragments Pour Artaud | |||
| 7-1 | Les Tarahumaras | 2:43 | |
| 7-2 | Le Temple D'Emèse | 7:20 | |
| 7-3 | Mexique | 4:19 | |
| 7-4 | Maya | 3:09 | |
| 7-5 | Le Langage | 2:43 | |
| 7-6 | L'étoile Mange | 4:12 | |
| 7-7 | Le Temple Est Là | 6:35 | |
| 7-8 | Il N'y A Que Le Vide | 6:09 | |
| 7-9 | Variations Pour Les Cordes Du Piano | 28:13 | |
| Ceremony | |||
| 8-1 | Confession | 7:03 | |
| 8-2 | Have Mercy | 7:53 | |
| 8-3 | Credo | 8:26 | |
| 8-4 | Offering | 3:26 | |
| 8-5 | Hosanna | 7:35 | |
| 8-6 | Prayer | 10:53 | |
| 8-7 | La Noire À Soixante | 24:48 | |
| 9-1 | Lévitation (Corticalart I) | 6:40 | |
| 9-2 | Corticalart III | 22:32 | |
| Investigations | |||
| 9-3 | Impulsions I | 4:10 | |
| 9-4 | Passage | 0:53 | |
| 9-5 | Impulsions II | 2:12 | |
| 9-6 | Scintillement | 3:27 | |
| 9-7 | Transition | 1:50 | |
| 9-8 | Trille | 2:30 | |
| 9-9 | Notes | 2:56 | |
| 9-10 | Vrombissement | 3:51 | |
| 9-11 | Eclats | 1:33 | |
| 9-12 | Séquence | 1:31 | |
| 9-13 | Eventail | 2:40 | |
| 9-14 | Dispersion | 1:40 | |
| 9-15 | Mouvement | 2:20 | |
| 9-16 | Coup Du Sort | 3:00 | |
| 9-17 | Structures | 4:00 | |
| 10-1 | Voile D'Orphée | 27:06 | |
| Deuxième Symphonie | |||
| 10-2 | Andante 1 | 7:37 | |
| 10-3 | Scherzo 1 | 3:09 | |
| 10-4 | Guerre 2 | 2:39 | |
| 10-5 | Scherzo 5 | 2:45 | |
| 10-6 | Andante 3 | 4:42 | |
| 10-7 | Scherzo 3 | 3:01 | |
| 10-8 | Scherzo 6 | 4:31 | |
| 10-9 | Astrologie | 11:02 | |
| 10-10 | Spirale | 4:19 | |
| Microphone Bien Tempéré | |||
| 11-1 | Bidule En Ut | 1:50 | |
| 11-2 | Batterie Fugace | 2:11 | |
| 11-3 | Micro Rouge I | 3:15 | |
| 11-4 | Tam Tam I | 4:28 | |
| 11-5 | Micro Rouge II | 3:16 | |
| 11-6 | Tam Tam II | 2:26 | |
| 11-7 | Tam Tam III | 3:30 | |
| 11-8 | Tabou Clairon | 1:26 | |
| 11-9 | Sonatine | 4:11 | |
| 11-10 | Tam Tam IV | 3:34 | |
| 11-11 | Antophonie | 2:59 | |
| 11-12 | Vocalises | 2:38 | |
| 11-13 | Spatiodynamisme | 8:42 | |
| 11-14 | Haut-Voltage | 21:54 | |
| Symphonie Pour Un Homme Seul | |||
| 12-1 | Prosopopée I | 2:54 | |
| 12-2 | Partita | 1:10 | |
| 12-3 | Valse | 0:54 | |
| 12-4 | Erotica | 1:18 | |
| 12-5 | Scherzo | 2:29 | |
| 12-6 | Collectif | 0:55 | |
| 12-7 | Prosopopée II | 0:59 | |
| 12-8 | Eroïca | 1:53 | |
| 12-9 | Apostrophe | 2:22 | |
| 12-10 | Intermezzo | 1:53 | |
| 12-11 | Cadence | 1:05 | |
| 12-12 | Strette | 2:54 | |
| Musique Sans Titre | |||
| 12-13 | Les Étoiles | 5:17 | |
| 12-14 | Les Vacances | 4:11 | |
| 12-15 | Fête Foraine | 4:25 | |
| 12-16 | Andante Sacré | 6:31 | |
| 12-17 | Cinquième Mouvement | 3:05 | |
| 12-18 | Guerre | 3:33 | |
| Concerto Des Ambiguïtés | |||
| 12-19 | Tendu | 3:30 | |
| 12-20 | Epars | 3:31 | |
| 12-21 | Diffus | 4:17 | |
| 12-22 | Intermède | 2:05 | |
| 12-23 | Cadence | 1:46 | |
| 12-24 | Étendu | 2:51 | |
| 12-25 | Rassemblé | 2:50 | |