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"There is a landscape of sonic ideas, of banging, of entity, of new forms of stimulating the body and of prehension moved by our human, urban, maybe even cubist surroundings, or by the big wild country where, we say, music does what it wants. Unless, we misread and “music knows what it wants.” Both! With one stroke, knowing and doing unanimously converge into one. A point of intersection - there are so many - between the desiredl iberties and sublime agitation provoked by the embrasure of paths …
A tour-de-force of solo improvisation from French trombonist Christiane Bopp, flawlessly captured by sound engineer Jean Marc Foussat, as Bopp transforms her instrument through technical skill, lyrical ability, and unusual technique, creating virtual duets, furtive expression, and thundering emotion, an absolutely impressive example of modern trombone language.
Sophie Agnel, piano, Daunik Lazro, tenor and bariton saxophones. Recorded at Dom, Moscow, June 22, 2016 by Maxim Khaykin
“C'était à Moscou au déclin d'une journée printanière particulièrement chaude. Deux citoyens firent leur apparition...”
Mikhaïl Boulgakov
"This disc represents the outcome of an improvised concert from February 2000 featuring double bassist Peter Kowald, saxophonist Daunik Lazro, together with the voice of Annick Nozati. Having had to resort once more to Google Translate I apologise in advance for misunderstandings and mistranslations. Comparing the French to Google’s English I can recognise the correctness of it but suspect that the nuances of language have been overlooked. The liner notes start with Nozati saying that she does n…
*2022 stock* Experimental improvisation from three masterful players --Joe McPhee on soprano sax, Sylvain Guerineau on tenor saxophone, and Jean-Marc Foussat on synthesizer and voice--recording in France in 2010 for two extended works of concentrated and diverse dialog.
Housed in a gatefold sleeve with a 36-page catalogue. The first LP is John Cage Speaks MUREAU by John Cage, its title assembled from the first syllable of the word "music" and the author's name "Thoreau." Malte Hubrig writes "The performance of Mureau -- its letters, syllables and words read by John Cage in a uniform intonation of the voice -- frees language of its meaning and opens it to sound." The second LP is Terry Fox's Culvert, a performance that took place at the University of Montana in …
*2022 stock. Limited edition of 300 copies.* Note: All LPs have a small manufacturing defect: all delivered discs are not perfectly flat, they have a slight inclined shape which however does not prevent the perfect reproduction of the sound. We like to clarify this before your order but don't hesitate ordering such item as this small flaw is almost invisible and has no side efects.
Nordvargr makes a triumphant return to the darkambient scene after a few years of silence. Having focused more on …
After the groundbreaking new edition of the legendary and iconic compilation "My Pussy Belongs To Daddy" from 1957, Ebalunga!!! presents the exquisite solo album "Girlesque" by the incomparable Faye Richmonde. Originally released in 1959, "Girlesque" once again captures the attention of the audience with its unique blend of genres and provocative song titles. Without succumbing to vulgarity, Faye Richmonde maintains sophistication, ease and witty humor, playing with memorable melodies and captiv…
Following up their 2019 album 'Summer Bummer', the trio of Rodrigo Amado on tenor saxophone, Goncalo Almeida on double bass, and Onno Govaert on drums are heard in this concert, recorded by Joaquim Monte at Namouche Studios, Lisbon, January 12th, 2020 in a solid set of confidently exploratory improvisation and engrossing group dialog balancing pensive reflection and fire.
*2023 stock* A tandem of two ingenious personalities presents an improvised music album - French guitarist Marc Ducret and Lithuanian saxophonist Liudas Mockūnas. These musicians have collaborated for several years already - they both are featured on bands such as Toxikum and Megaphone with Stefan Pasborg and Paul Brosseu also with Copenhagen Art Ensemble.
"Innervoice is perfection filled with beauty, power and grace of the celestial blues where the changes are happening all the time; the tonic is love; the seventh is the absence of war; peace is the melody redefined moment to moment; all are guided by the inner voice" - William Parker
Recorded at Staccato Studios, Stavanger, Norway on 12th October, 1982 by Kjell Arne Jensen - with Frode Gjerstad - tenor and soprano saxophones, Johnny Mbizo Dyani - double bass and John Stevens - drums. Re-mastered by Arūnas Zujus at MAMAstudios. Cover drawing by Tora Fredrikke Helle, photos by Judith Sørvik, liner notes by Frode Gjerstad.
Joining Attic Trio, pianist Eve Risser collaborates now with Rodrigo Amado on tenor, Goncalo Almeida on bass, and Onno Govaert on drums, contributing an additional dimension to their intricate soundscape. Risser exhibits a frequently variable tone on the piano, effectively complementing the soulful expressions of Amado's tenor. The horn is played in a manner that is often free yet consistently cohesive, which is further enhanced by Eve's more assertive passages on the keys. Bassist Almeida effec…
Karen Borca - bassoonRob Brown - alto saxophoneWilliam Parker - bassReggie Workman - bassTodd Nicholson - bassPaul Murphy - drumsSusie Ibarra - drumsNewman Taylor-Baker - drums
Track 1-3 recorded May 25, 1998 at the 3rd annual Vision Festival, Angel Orensanz Centre, NYCTrack 4 recorded June 19, 2005 at Vision Festival X, Angel Orensanz Centre, NYCTracks 1-3 recorded and mixed by Alen Hadži-StefanovTrack 4 remastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Peter Gannushkin / D…
\\\"Billy Bang was a brilliant human being, always much more than himself, especially when he surrendered to his true calling-that of musician, one who transforms music into magic, dancing instead of walking, jumping instead standing still. Billy Bang was an American original, an original musician, an organic person who had tapped into the river of sound and was riding on a boat drenched in blues-soul-funk and space.Billy is gone and unfortunately for the world there will never ever be another p…
Musicians: Greg Ward - alto saxophone; Keefe Jackson - tenor saxophone, sopranino saxophone, contrabass clarinet; Jason Stein - bass clarinet; Josh Berman - trumpet; Jeb Bishop - trombone; Jason Adasiewicz - vibraphone; Jason Roebke - bass; Mike Reed - drums
The diversity of Jason Roebke’s musical associations make him one of the most sought after bassists in Chicago and beyond. He composes music for two ensembles, Jason Roebke Combination and the Jason Roebke Octet. Solo performance and a duo w…
'Marilyn Lerner: piano. Ken Filiano: bass. Lou Grassi: drums & percussion. All compositions by Marilyn Lerner (Socan), Ken Filiano (Flizmo Music BMI) and Lou Grassi (Elgee Publishing BMI). * Coco Schumann is a Jewish German jazz guitarist who survived the Nazi's. In his autobiography Der Ghetto-Swinger :Eine Jazzlegende Erzahlt Schulmann he says: 'Once a man learns to swing, he can never march again.' Recorded February 20, 2008 at Acoustic Recording Studios, Brooklyn, NY. Sound engineer: …
*2023 stock* "In its enterprising catalogue of modern day masters and loft jazz rarities, the Lithuanian No Business imprint also documents local musicians. Chief among them is one of the country's premier improvisers, saxophonist Liudas Mockūnas. Previous appearances on the label have placed him in a Peter Brötzmann-like trio on Live at 11:20 (2010) and in an impromptu freewheeling duet with Japanese pianist Ryoji Hojito on Vacation Music (2011). On Drop It by the self-referential Mockūno NuCle…
Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the preceding decade than any album Bang would record again. The music’s urgency and passion arose from the exhilaration of artistic …