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"Teshuvah' reflects a first meeting between of two experienced veteran improvisors: Tim Hodgkinson (Henry Cow, Konk Pack, etc.) and Milo Fine. The career of Fine goes back to 1969 when he started The Milo Fine Free Jazz Ensemble. Throughout his career he was dedicated to free improvised music. I guess both gentlemen are more or less of the same age. Also Hodgkinson has a longlasting relation with free improvisation, as it was already part of the Henry Cow. They combined rock and free improvisati…
"About the type of music," Alessandro Bianco wrote me, "I was thinking of a solo banjo country impro experimental protest songs record." I used Alessandro's list as a way to organize my favorite recordings from the last few years, not only the genre or stylistic labels but the order in which he presented them. I made up a rule that the tracks could be used if they fit one or more of the words he used in his description-but only in the order he listed them! In this way I chose tracks that I would…
Over the many years of their existence, Australia's Machine For Making Sense have had many members. They play hurdy gurdy, vocals and electronics and wind instruments and electronics. Here they are together with Amanda Stewart (voice and text) and Rik Rue (analog and digital manipulation). As a 'band they explore relations between linguistics, poetry, speech, music, notions of sound, science and politics.' To that end the conversation is important - be it the conversation between instruments, th…
CD audio with the 6 pieces. DVD video with the 5 first pieces. 1. PLAY PAPER by Alison Knowles (2003). 'Consider fragments of onion skins as musical notations. Perform with handmade musical instruments and toys.' Performed by Alison Knowles, Larry Miller and Taketo Shimada. 2. MUSIC BOX (homage to FLUX MUSIC BOX by Joe Jones) by Taketo Shimada (2004). 'Modify two or more music boxes and play them simultaneously with the recording of Joe Jones FLUX MUSIC BOX, if possible use children to play the …
After almost forty years of creative activity, the name Enore Zaffiri still sounds "new", as his extraordinary artistic output has remained to a great extent unreleased. Pioneer of multimedia, electronic and ambient music (he founded the Turin Studio of Electronic Music in 1964) Zaffiri used the electronic instrument to find a new musical perspective based on a structuralist principle derived from Euclidean geometrics. In this works, dated between 1973 and 1988 he approche the combination of the…
About I n : : t e n s i o n : 'Since a very young age, I have always been attracted to journeys and traveling to places not known to me. Last year, I watched a film from Mongolia about a dog. Once the dog dies, its soul is free to travel and wonder through landscapes and memories as a disembodied spirit. Each part of I n : : t e n s i o n : . is part of a longer journey, where you can hear, sense and discover different memories that a wandering soul revisits. Percussive, intimate, visceral, ritu…
Mike Cooper: For the past 40 has been an international musical explorer, performing and recording, solo and in a number of inspired groupings and a variety of genres. Initially a folk-blues guitarist and singer songwriter his work has diversified to include improvised and electronic music, live music for silent films, radio art and sound installations. He is also a music journalist, writing features for magazines, particularly on Pacific music and musicians, a visual artist, film and video maker…
CD of trio improvisations by the Punctual Trio, released on Rossbin Records.
Lou Mallozzi: turntables, CDs, Microphones, Oscillator ; Fred Lonberg-Holm: Cello ; Carlos Zingaro: Violin. Recorded by Pete Wenger at Experimental Sound Studio, Chicago, 28 May 2003.
Tania Chen: objects, toys, violin, piano ; Steve Beresford: objects, electronics, toys, trumpet, water. Pieces beginning with 'C' recorded by Tim Fletcher at The Bonnington, Vauxhall, London on December 18 2002. Event organised by Adam and Jonathan Bohman. All other pieces recorded by Steve Beresford in west London - pieces beginning with 'L' on August 7 2003 and the rest on June 12 2003. All pieces composed by Tania Chen and Steve Beresford. Edited by Steve Beresford in March 2004. Not to rub i…
Nate Wooley: trumpet, voice. Steve Swell: trombone, voice. Tatsuya Nakatani: percussion._________ is an apparition. marks the first release for the New York based blue collar featuring Nate Wooley on trumpet, Steve Swell on trombone, and Tatsuya Nakatani on percussion. The group, informed equally by the free jazz tradition of the 60s in America and Europe and the lowercase reductionist innovations now revolutionizing improvised music, has found a way to deal with silence, sound, tension, and rel…
The audio material of «Songs for Nicolas Ross» is taken from my travels 2000-2003 in the cities Amsterdam, Baltimore, Berlin, Caudeval, Lausanne, Los Angeles, New York, Paris, St. Pölten and Zürich. As the CD was for the birthday of Alessandro Bianco's son Nicolas Ross, I thought of the pieces as short songs, either as lullabyes or just brief sonic enivornments for him to enter into. I tried to imagine young Nicolas' perception of the sound around himself and his relation to this. This was the s…
A few years ago, Tu m' and Steve Roden began a correspondence. This led to the idea of a collaborative project. This led to bedroom audio experiments in American and Italy. This led to CDRs being sent through the mail to cross over the ocean. Tu m' used Steve Roden's audio as the working material for several works. Steve Roden used Tu m's audio as the working material for several works. This project contains a bit of both. Limited to 500 copies. Broken Distant Fragrant is a collaboration that wa…
Hiss is an improvisational quartet made up of one Englishman and three Norwegians with an instrumental line-up that is unremarkable enough, but with a sound that is fairly unique. Keyboardist/electronicist Pat Thomas is a veteran of the British free improv scene while guitarist Ivar Grydeland, bassist Tonny Kluften and percussionist Ingar Zach -- though the latter three are younger -- are mainstays of the Norwegian free jazz and improv cultures. The reasoning behind the Arabic-sounding track tit…
Leopardo is a solo recording by the Portuguese guitarist Manuel Mota, who might best be described as a somewhat more fluidly lyrical Derek Bailey. Lovingly recorded on solid body electric guitar, his improvisations have the spiky quality associated with the elder statesman of the freely improvised guitar, but Mota's lines sound as though coated in oil, possessing a slipperiness and liquidity that peeks back at Portuguese traditions. There are very few extended effects employed, the guitar string…
"The Diary of Dog Drexel" is a suite of five movements, each of which programmatically portrays an emotional state from the diary. One of the ideas behind "Dog" was to thoroughly blend improvised and composed elements. In the first four movements "Conflicted, Pissed, Bummed, and Agitated" there are at almost all times at least one thread of composition and another of improvisation. The balance between the elements shifts steadily. Muddying the waters further is that many of the extended techniqu…
Assumed Possibilities comprises of four musicians who understand the meaning and use of understatement and close listening. This quartets non-idiomatic music attains a minutely focused intensity, where the subtlest shifts in pitch, timbre and texture speak volumes. Though sounds sometimes sting and startle,the music carefully colours the aural environment,often hardly modifying the silence... growing out of and merging back into it. The results are detailed, meticulous, precise and responsive. S…
** Edition of 150 copies ** Pak Yan Lau: dismantled toy pianos, wind up toys, popping candy, bow, toy spring reverb, Buddha Machine, Tamayura bell, Japanese iron wind chimes, electronics, voice. Recorded and mixed at Outlau’d Studio, Brussels, in August 2020. Mastered by Giuseppe Ielasi. Cover illustration by Eleusi.
Lucky restock, sold-out at source - "Don Cherry delves into Turkish rhythms, accompanied by his long-time Don Cherry Trio members: Turkish drummer Okay Temiz and South African bassist Johnny Dyani. The vinyl LP is manufactured in Istanbul under the guidance of Mr. Okay Temiz, the only living member of this iteration of the Don Cherry Trio. The LP has been remastered from original material housed in BYG Records' vaults by Okay Temiz & Mert Ucer and licensed from BYG Records, France.
This LP featu…
Proto-prog act Titus Groan came together in London from disparate influences: drummer Jim Toomey, who later played in the Tourists, had a trad jazz background, and then played in a soul act with saxophonist/flutist/oboist Tony Priestland; bassist John Lee had played with jazz saxophonist Dick Morrissey, and guitarist/keyboardist Stuart Cowell was a blues fan, hence the diverse directions of their sole LP. Rare 12-inch ‘Open The Door Homer’ features their cover of the unreleased Bob Dylan song th…