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King Buzzo
2025 stock In 1992 the Melvins' fascination/adoration/denigration of the mighty KISS rock and roll universe compelled them to excrete out three solo masterworks inspired by the KISS solo LPs. The first in the series is King Buzzo, from the Melvins' giggling guitar grumpus. Four songs of atmospheric clanging and rockin' banging. Also features the many talents, drumming and otherwise, of a famous Grunge superstar, whose name sort of rhymes with New Wave Asshole. The second in the series is Dale Cr…
Improvisations January 1997
A double LP of acid-drenched improvisation, Improvisations January 1997 finds the GOL Orchestra and the now-defunct Telinga Ensemble navigating the outer limits of psychedelic sound and collective creation.
Unrein bis zum Abend / Reise ins Diesseits
A surreal meeting of German avant-garde, Unrein bis zum Abend / Reise ins Diesseits brings together Arnulf Meifert (ex-Faust) and the dadaist duo Kommissar Hjuler und Frau for a journey into absurdist sound poetry and experimental collage.
Pale Dawn Creeps
Pale Dawn Creeps by Kyle Eyre Clyd is a haunting excursion into drone, minimalism, and environmental sound, merging introspective textures with the spectral legacy of the American experimental underground.
New Lost Knowns
New Lost Knowns is a hallucinatory solo statement by Twig Harper (Nautical Almanac), fusing noise, tape collage, and electronic psychedelia in the tradition of Wolf Eyes and Aaron Dilloway.
Bruxelles
Bruxelles unites GOL, Mik Quantius (of Embryo), and Dave Nuss (No-Neck Blues Band) for a wild, improvisational journey blending art rock, krautrock, and avant-garde experimentation.
Puppet Island
Australian supergroup with Oren Ambarchi, Brendan Walls and Nicholas Kamvissis.
Ronde matutinale à Amillis / Berenice
Michel Vogel explores the resonant possibilities of metallic percussion, sculpting shimmering, meditative soundscapes that blur the line between music and pure sound: alpha-wave improvisations for "prepared" gongs and self-built metal instruments
Instant Coffee!
Instant Coffee! is a playful, genre-defying romp through experimental pop, noise, and improvisation, with Instant Coffee channeling the DIY spirit of The Residents and the irreverence of Half Japanese.
Alpes
Alpes is a visionary collaboration between French ensemble GOL and the legendary Ghedalia Tazartes, merging ritualistic chants, electronics, and improvisation in the spirit of Nurse With Wound and Brigitte Fontaine.
Poise Etc
A lo-fi odyssey through fractured pop, noise, and experimental songcraft, Poise Etc by Pumice showcases the singular vision of New Zealand’s Stefan Neville and Sugar Jon Arcus.
Spirits Dogroll
Spirits Dogroll by Teen-X-Ray is a frenetic outpouring of DIY punk, lo-fi noise, and playful absurdity, capturing the irrepressible energy of New Zealand’s underground.
Dans Le Camion De Marguerite Duras
Jean-Marie Mercimek transform the road movie into pure sonic cinema with Dans Le Camion De Marguerite Duras. The French duo distill six years of work into a singular hybrid of microtonal MIDI composition, French B.O., and post-punk chansons - recalling Gareth Williams, The Residents and Lovely Music's adventurous corners.
Rules For Living
CD3 transform familiar sounds into primordial folk art with Rules For Living. The duo's melted reconfiguration of popular styles creates mysteriously ahistorical music - ancient yet pertinent, stripped to skeletal essence.
Così Dentro Come Fuori
The fragmented mind can sometimes lead in two directions, a complete reconstruction based on a new hypothesis or a leap into the unknown, that divine breath that permeates all. Porta d’Oro, Giacomo Stefanini’s musical journey and therapy, lives on both lines, meditative sketchings that dig deep and beg for ascension. From abstract dub, to post-punk rumblings and bedroom classics Giacomo Stefanini (also member of Kobra and the Milan Sentiero Futuro collective) has been slowly building his own wor…
Aerial M
*2025 stock* Aerial M as in mysterious. A group of sounds recorded in Louisville KY. Smooth blue instrumental guitar music. In the musical alphabet, what comes after rock?
Recurring Dreams
Reissue of this 1981 album. Dating back to '81 and the apex of the Brian Eno / Berlin schools' influence over a myriad of American followers, Young created eight EMS/Rhodes pieces solo, subtly weaving in variable speed Revox manipulation of traditional Rock instrumentation with the lightest of touches. "Matthew Young's genre-bending, acclaimed 1986 release Traveler's Advisory reappeared as a reissue on Drag City/Yoga in 2010 and quickly sold out. We now return to Young's first effort, Recurr…
Corrected Slogans
 Corrected Slogans was first pressed by Art & Language and The Red Crayola in 1976; it was the first mention of the The Red Crayola's name on LP since 1968. The only review it received at the time was by Glenn O'Brian in Interview magazine; his response was a positive one, though he found the material ironic. By the time the album was made available to the public, it was clear that The Red Crayola would continue with Jesse Chamberlain joining Mayo Thompson. This was the start of five years of st…
Black Snakes
‘Black Snakes’ was issued in 1983 as a co-release by Switzerland’s Rec Rec and Germany’s Pure Freunde label. With a quartet featuring synthist Allen Ravenstine doubling on soprano sax, this was a smaller group than had appeared on either of the Crayola’s two previous releases, ‘Soldier-Talk’ and ‘Kangaroo?’. Mayo Thompson’s guitar in particular shines in the space allowed by this configuration.
Malefactor, Ade
In 1989, ‘Malefactor, Ade’ was issued on the UK’s Glass Records, which had arranged several years earlier for the first actual release of Mayo Thompson’s 1970 solo LP, ‘Corky’s Debt To His Father’. This was the first Red Crayola record release in five years. The fearlessness with which genres are converted can be disarming, but stick to it - you’ll find listening an utter triumph. ‘Malefactor, Ade’ was reissued on CD by Drag City in the year 2000. Now it's on lovely vinyl.