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Experimental Music of Japan vol.16 (Old Instruments From the Future, New Instruments From the Past)
The exhibition, "Old Instruments From the Future, New Instruments From the Past (and Characters)((by Artificial Intelligence))," was held from May 27 to August 4, 2024, as the 15th-anniversary celebration of Kanazawa Art Gummi. This project involves faithfully constructing physical versions of instruments designed by AI, interpreting the playing methods suitable for these instruments, and drawing music from them.
Hosshin no Kizashi (Acousmatic Electronic Works)
Subtitled: Acousmatic Electronic Works. This is the fifth volume in Edition Omega Point's Experimental Music Of Japan series. Sound performer, composer and sound engineer Kazuya Ishigami was born in 1972, in Osaka. He graduated from Osaka University Of Arts in 1994. He composed his pieces for INA-GRM in August 1997. His Radiophonic work "Sonic Escapism," "2nd 49" and "Whisper Of Sound God" were broadcast from Deutschlandradio in 2005-2008. Ishigami studied at music academies in Japan and …
Obscure Tape Music of Japan, Vol. 19: Kumo no Ito (The Spider's Thread)
"Kumo no Ito" (trans. "The Spider's Thread): "In 1977 I started the project of a musical piece for a female narrator and 4-channel electronic sounds using the text of the well-known Akutagawa novel. I worked with a hand-made analog synthesizer which had been installed two years before in my home studio in Tokyo. Needless to say, the editing was done without digital machines. I worked with the recorded tapes together with scissors and splicing tape. It was the resonance-adding apparatus tha…
Electronic symphony No.1
Little-known composer Hiroaki Minami was a professor of electronic music at the Tokyo National University of Fine Arts & Music and is a pioneer of synthesizer music in Japan. He built a private studio for his self-made synthesizer in his home in 1976, and shortly thereafter, he composed this piece, Electronic Symphony No. 1, filled with spacey and very noisy analog synthesizer sounds, much like Roland Kayn's '60s concrète works. Contains liner notes by the artist in Japanese and English; h…
Kusabira. Obscure Tape Music of Japan vol. 13
One of the pioneers of Japanese electronic music, Makoto Moroi, composed "Kusabira" for Kyogen (traditional comedy theater) with electronic sound in 1964. "Kusabira" means "mushroom." A strolling Buddhist monk, Yamabushi, tried to exterminate many mushrooms that grew in the garden of a man's home. However, his magic did not take effect on them but also the Mushrooms began to increase. The man and Yamabushi were driven out of the home by a large Mushroom, finally. In this work, Moroi used abstrac…
R.G.B. / Pre Optron 1999
This CD is a remastered reissue of a very limited CD-R released by Omega Point in 1999. This is the sixth volume in Edition Omega Point's Experimental Music Of Japan series. Atsuhiro Ito was born in 1965. He launched his career as a visual artist in the late '80s, and in '98 began presenting sound performances at art exhibitions. Ito made use of fluorescent lighting (which is also an element of his art installations) in the creation of an original musical device called the Optron. In addition, I…
Tape Works of Kuniharu Akiyama. Obscure Tape Music of Japan vol. 006
Kuniharu Akiyama (1929-1996) was well-known as a music critic, mainly of modern and contemporary music. However, his career was not only in the music field -- he was also a very well-regarded avant-garde artist (he especially related to the early Fluxus movement). This release consists of his three unknown tape music pieces. They are very strange. Excerpt from the liner notes: "'Environmental Mechanical Orchestra' (1966) was made for an exhibition called 'From Space to Environment,' carried out …
Music for Puppet Theatre of Hitomi-Za
This is volume 2 of Omega Point's Obscure Tape Music of Japan series. Hitomi-Za is an experimental puppet theater group that still exists today in Japan. This recorded performance took place from February 13-17th in 1962 at Sogetsu Kaikan Hall. The program consisted of three parts, and Joji Yuasa, Kuniharu Akiyama and Naozumi Yamamoto composed background sound for each part. This CD consists of two works made from magnetic tape from among the performances. This is the world premiere release of b…
いっかいこっきりの「日向ぼっこの空間」/ Only Just Once, Space in the sun
2026 stock Space in the Sun was one of Akio Suzuki’s major sound projects, a unique construction completed in 1988 and located on the merdian line, which took around 18 months to build. Its purpose was to allow Suzuki to spend one day, on the autumnal equinox, purifying his sense of hearing in nature. This release comprises a 44 page book containing plans and materials from the time alongside texts, and two CDs of environmental recordings created on site at Space in the Sun. To date only tiny fr…
Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…
明日 アルファベットが、消えてしまいますように
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
Godzilla Legend: Box Set
*2024 stock* "Released in 2014, this is the first box set to include all four entries in the Godzilla Legend series. Created by Makoto Inoue, the Godzilla Legend series is a synthesized reworking of many of the themes from the Godzilla and other Toho science fiction productions. There have been four releases in the series, with the first in 1983 and the latest in 2011.
For this set, King Records has remastered the music and, aside from some dialogue only tracks in Godzilla Legend III, they all s…
Mail from Fushitsusha
Mail from Fushitsusha, which Keiji Haino himself calls 21st-century blues, draws out exquisite dynamics and 'space' - like a nerve being passed through the eye of a needle. Carrying out their sonic explorations while adhering to the Fushitsusha method, these three tough artists create a muscular sound - a sound that turns the rock - blues concept on its head! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combin…
Speed, Glue & Shinki
Speed, Glue & Shinki's second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi "Glue" Kabe, S…
Eve
Speed, Glue & Shinki's 1971 debut album, Eve. Ex-Food Brain guitarist Shinki Chen, bass player Masayoshi Kabe (also known as M Glue) and Filipino Vietnam war veteran Joey "Pepe" Smith, who doubled as both the trio's drummer and vocalist, released two legendary albums in the early '70s. Eve, the earlier of the band's two efforts, was probably the band's only "real" recording, as the self-titled second release in 1972 was put together by Smith from studio outtakes of Chen's guitar playing and trac…
Duo / Timing
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
Holography
**2006 release, long out of print, very few copies available** One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his…
Experimente
Dive back into the primal heart of Krautrock with Amon Düül's "Experimente", a stunning collection of rare and obscure live material excavated from the same incendiary late '60s sessions that birthed their legendary debut Psychedelic Underground. This previously unreleased treasure captures the band's unbridled spontaneity, delivering a sonic assault that's as hypnotic as it is feral.
Amon Düül's jam sessions on Experimente are pure, unfiltered ritual – predominantly instrumental eruptions domin…
Unfamiliar Music (Paris)
Sold out at the label. Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that…
Impressions of Samos
While most holidaymakers in Greece lounge by the pool, soak up the sun on sandy beaches, or pick up a few souvenirs, British jazz pianist Greg Foat took a different path last year. Inspired by the island of Samos, he returned not with trinkets, but with Impressions of Samos – a captivating album blending synthesizer, grand piano, and traditional Greek folk instruments with immersive field recordings.
Teaming up with Sokratis Votskos and The Giorgos Pappas Trio on Blue Crystal Records, Foat craft…