Back in stock
Metrodora
Mere words can’t describe the impact of an album where the only instrument is the voice of Demetrio Stratos (actually, there are few synthesizer inserts played by Paolo Tofani). Originally released in 1976: a unique work where Demetrio Stratos makes any kind of experiments and sounds with his voice, reaching and going over the limit of human capabilities. Beautiful digipack
Running and Chanting and Falling and Ranting
Running and Chanting and Falling and Ranting is an immersive multimedia work by Charlemagne Palestine, combining his signature ecstatic minimalism with visual and textual explorations of ritual, trance, and performance.
In the Beginning
David Rosenboom (b. 1947) is a composer/performer known as a pioneer in American experimental music. This series of eight works, created between 1978 and 1981 and presented on these discs in chronological order of their composition, demonstrates a remarkable extension of Rosenboom’s techniques from his …Plymouth Rock… series of 1969–71 using the harmonic and sub-harmonic series.
The In the Beginning series exemplifies the idea of model-building as a compositional process. A simple process is def…
Fondements Bruitistes 1
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…
Fluxus
2025 stock. Three rather meditative pieces from the repertoire of Ars Acustica, the series of radio art edited by Klaus Schöning, but nevertheless: Fluxus! Philip Corner, Alison Knowles and George Brecht appeared together in performances, and they are also connected by their relationship to John Cage's aesthetic, by work with chance operations, and by Zen. Explaining Fluxus is like wanting to hold a river in your hand.
Corner's Satie's Rose Cross as a Revelation takes its cue from Erik Satie's m…
Selected Recordings from Grapefruit
For the first time a full album with recordings based on Yoko Ono’s 1964 collection of texts, event scores and drawings “Grapefruit”, a foundational cornerstone of what became known as conceptual art, and enveloping the orbits of Fluxus and experimental music. Performed by The Great Learning Orchestra which has during the 25 years of its existence worked with Gavin Bryars, Terry Riley, Pauline Oliveros, J.g. Thirlwell, Arnold Dreyblatt a.o.
Originally self-published in 1964 in a limited edition …
De musicorum infelicitate
2001 release. As Walter Marchetti told to the producers of De Musicorum infelicitate, i.e., The Unhappiness of Music, this will probably be his last music work, but this is not the only point making this edition a very special one. After two CDs previously issued for Alga Marghen (Antibarbarus in 1998 and Nei Mari del Sud in 1999) these "Ten Pieces in the Form of Painful Variations" dispose in their unceasing and implacable sequence the landing at an anaphorical finis terrae, the extreme and imp…
Gong +
2002 release. Gong + presents three previously-unpublished compositions by Philip Corner recorded in New York City, 1974. "Metal Meditations with Listening Center," a 29-minute long piece, is a collaboration between Philip Corner and Bill Fontana. At that time Bill Fontana was very interested in the resonance properties of every object, putting his ear to everything, and sometimes recording what he called "Listening Centers," a microphone placed in a resonating space (for example a jar, or a pip…
La danse des tonneaux roulants et brisés
Le pionnier légendaire de La poésie sonore Henri Chopin (1922 - 2008) livre ici sa dernière composition datant de novembre 2003, réalisée chez lui à Dereham en Angleterre avec son micro et son Revox stéréo. Cette pièce de 51 minutes en trois volets témoigne de La vitalité et de La créativité dont faisait preuve Henri Chopin qui travailLait encore à plus de 82 ans !, avec acharnement et passion.
For Jon (Fragments Of A Time To Come) 1977
*2024 stock. Custom CDr* Commissioned by the Swedish Broadcasting Corporation to enter in the 1977 Italia Prize Competition, Lars-Gunnar Bodin - For Jon (Fragments of a Time to Come) 1977 is structured as a “dramatic cantata…with vocal sections for both chorus and soloists alternating with recitatives and ‘instrumental’ interludes.” The texts are based on “’surrealistic science fiction’—testimony and reports about experience in other worlds, real or imaginary.” The liner notes provide an introdu…
The Sojourner
Tip! *Repress with new obi-strip* Japanese label P-Vine sure know how to pick out the essential spiritual jazz reissues. This is another gold standard that came originally on Strata East in 1974. Vocals feature throughout and often soar to the highest of heights and make it a charismatic album. Sample hounds and hip hop lovers might well recognise the track 'Optimystical' which has been pillaged by Detroit great Andres before now. Elsewhere there is real freeform magic on 'Music Is Nothing But A…
Match / Soliloque 1&4 / Antifonia
Nicolae Brînduş's Match / Soliloque 1&4 / Antifonia reissues the composer’s most eccentric works from the PHTORA cycle (1968-1972), blending collective improvisation, spectral tradition, Romanian folklore, and free jazz into a mesmerizing tapestry. Tape manipulations and reverberation add depth, while Ana Golici’s sleeve art captures the album’s vivid sensibility.
Taurhiphanie / Voyage Absolu Des Unari Vers Andromède / Gendy 3 / S.709
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle to simple loudspeaker music. The sound does not move anymore, there are no synchronized visuals: nothing remains but structured noise. Xenakis used two inventions he had already presented in the context of the Polytopes: sounds created by stochastic…
Fractals / Brain Fever
2022 Repress "Fractals" (1981): Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac. Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. "Fractals" is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself. "Fractals", music p…
Works for Flute
Roberto Fabbriciani plays the complete flute works of Henri Pousseur, including Flexions I, Éclipticare and Zeus joueur de flûtes with live electronics by Alvise Vidolin, plus the 1957 tape piece Scambi.
High Noon
**Third edition of 70 copies, white water based ink silkscreened by Gerard Herman on thick brown board with die-cut center hole. Original white vinyl with silkscreened gold labels.** LP from Timo van Luijk and improvising jazz drummer Kris Vanderstraeten. spaced out improvised music, mainly acoustic and with a strong percussive touch. First album in their 10 year collaboration.
L'état Intermédiaire
Edition of 300. 'L'etat intermediaire' (the intermediate state) began amidst the ending points of 'A Paper Doll's Whisper of Spring' (FP 022 : recorded 2012) and further inspired by some live performances in Leuven and London using mostly acoustical instrumentation. 'L'etat intermediare' collects 10 pieces by Andrew Chalk & Jean Noël Rebilly recorded over four years and into a narrative of personal journeys using some collected sounds, clarinets, string and keyboardinstruments. “Dreaming when …
Divine Comédie
Last copies...Super tip! Divine Comédie stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed p…
Bijou
A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a deep level, invokes that mostly unconscious lexicon of sound we have all absorbed collectively and subliminally in the course of a century of movie-going, television viewing, documentary recording and electroacoustic experimentation. Once sounds have be…
End of an Era
*300 copies limited edition. In process of stocking* Ferns Recordings presents End of an Era by Christoph Heeman. Recorded and mixed 1999 - 2021