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Recorded At Christoph Schiller's Atelier, Basel. Painting by Andrew Lutz. Recorded By – Christoph Schiller, Morgan Evans-WeilerSpinet – Christoph Schiller, Violin – Morgan Evans-Weiler
Beautiful and thoughtful music by the trio comprised of Cyril Bondi (indian harmonium, pitch pipes), Pierre-Yves Martel (viola da gamba, pitch pipes), Christoph Schiller (spinet). Improvised, but on the basis of a pre-agreed sequence of pitches, allowing the musicians to explore melody in a way that is rare within improvisation. "Five pieces by a new trio, who improvise but on a pre-agreed sequence of pitches, allowing a much greater use and exploration of pitch and melody than is usual in impro…
Hot on the heels of his wonderful piece on the Early to Late CD released earlier this year, a new hour-long work for an ensemble of six musicians by Swedish composer Magnus Granberg. The piece borrows material from a song by Schubert, but transforms it into Granberg's typically taut and focused soundworld: "The expressiveness of the song has been subdued or silenced, and has become something which takes place somewhere beneath the surface of the music.
Finally the second batch of CDs in the highly-acclaimed Canadian Composers Series is here.Momentary encounters(5) (2015) by Heather Roche (clarinet). Any three players (2016) by John Lely (melodica), Simon Limbrick (vibraphone), Anton Lukoszevieze (cello). A grey, bent interior horizon (2016) by Cristian Alvear (guitar), Distributed tourism (2014/17) by Mira Benjamin (violin), Simon Limbrick (vibraphone), Heather Roche (clarinet), Nancy Ruffer (flute), Anton Lukoszevieze (cello).Four fine, delic…
In some experimental music circles melody is virtually verboten, but you have often embraced it in your work. Do you feel that you are to some extent going against the grain in this?AG: First off, I think melody can be defined separately from harmony. I think of melody as a single voice or layer, and with multiple layers, I like them to overlap in non-structured ways. I am interested in homophony more than polyphony or harmony, where if you take a cross-section through these independent lines y…
Works for solo piano by Mark R Taylor, beautifully played by Teodora Stepancic, the first CD release by a remarkable but neglected English composer whose piano works present a metrically rhythmicized exploration of a generative spectrum, here featuring works dating between 1979 and 2018 and performed by Serbian pianist Teodora Stepancic.
Two compositions, one by composer Michael Pisaro and performed by the electroacoustic ensemble "Ordinary Affects" including violinist Morgan Evans-Weiler, then an acoustic composition from Evans-Weiler himself performed with violin, clarinet, cello, harpsichord and piano; both exquisite works that draw out tone and time in patiently unfolding fluidity.
Another church, another country, and another unique collaboration. Angharad Davies combines with Japanese sound artist Rie Nakajima and the virtuoso cellist from Distractfold ensemble, Alice Purton, in a series of explorations in the small church in the Derbyshire village of Dethick. The trio improvised, then developed and refined ten short pieces across two days, producing music which is as good as improvisation gets.
A really beautiful new release from Skogen, taking a song from Winterreise as its starting point, but transformed in Magnus Granberg’s usual magical way into a shifting, shimmering ocean of sounds.
Two slowly unfolding improvisations from trumpeter Leonel Kaplan using extended and unconventional techniques, and electronic artist Klaus Filip performing on sine waves, in a two part extended piece recorded in Buenos Aires after the two met in live performance.
Three works from Italian composer and pianist Federico Pozzer in his "breathing" series, compositions where the musicians follow the concept of inhaling, exhaling, and pausing, set against certain fixed actions or interactions as they devise their own musical actions."My first 'breathing pieces' were written at the end of 2016... I was looking for a solution that could overcome both the players' freedom in decision-making and the strictness of the score. What I wanted was to lead musicians towar…
Dial 45-21-95 is a series of nine pieces composed by Ryoko Akama based on objects and fragments she discovered while conducting research at the Krzysztof Kieslowski Archive in Poland. The series was commissioned by Another Timbre with the only stipulation being that they should be pitch-based pieces. They were realised for the first time and recorded by Apartment House in June 2019.Anton Lukoszevieze: cello - Mira Benjamin: violin - Simon Limbrick: vibraphone & percussion - Heather Roche: clarin…
Žiadba consists of five chamber compositions by the young Slovak composer Adrián Democ, who is currently teaching music at a school in Spain, as he says it is practically impossible to survive as an experimental composer in Eastern Europe. Democ's music is very varied: some of his pieces are quiet and restrained, while others are bursting with life and vigour. His Kvarteto begins with an intricate and fast-moving canon movement, brilliantly played by Apartment House and Ostravska Band / fama Q.
The Boundaries of Intimacy foregrounds works that are very restrained and quiet, but as always with Frank Denyer, there is a sense of tension or danger in the air that occasionally explodes and cuts across the music."Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listening level, think of the musicians as being just over the other side of the room in which you are listening, rather than in another grander space. Imagine them performing intimately, witho…
Three fresh and engaging pieces recorded during a meeting in Basel in June 2019 of Argentine guitarist Tomás Cabado and Christoph Schiller on spinet. The first piece is an improvisation, the second a composition by Christoph Schiller, and the final piece is composed by Tomás Cabado.
A new album from the trio who released Tse in 2016, and - along with violinist Angharad Davies - Awire in 2018. Three compositions of quiet and delicate beauty, two by Christoph Schiller, and the title track by Cyril Bondi.Cyril Bondi: Indian harmoniumPierre-Yves Martel: viola da gambaChristoph Schiller: spinet
Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass.
"The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some…
An extraordinary 7-part canon, which starts fast and gradually slows down across its 45 minute duration. Composed by the Berlin-based US composer Michael Winter, and performed by the leading Mexican new music ensemble Liminar.
Interview with Michael Winter
Single track is a really arresting piece that appealed to me immediately. At one level it’s obvious what’s happening – a 7-part canon that starts out fast and gradually slows down. But what else can you tell me about it?
In a way, the gradual …
An extended duo for double bass and quartertone bass flute by Catherine Lamb, another US-born composer now resident in Berlin, whose previous discs include ‘Point-Wave’ and the Viola Torros double CD with Johnny Chang.Exquisitely played by Rebecca Lane and Jon Heilbron.
Four chamber works for strings by Korean composer Kunsu Shim, plus six short pieces written for Kunsu by composer friends.
Performed by the Luna String Quartet.