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Lunar is a journey into the magical freedom of Lorenzo Tucci and Luca Mannutza. Hardly ever happens in jazz music to be caught by a charming madness, a folly vein whose effect is so attractive as disarming. It’s not about listening to an improvvisation, which is something unexpected by its nature. It’s about the true freedom of expression of a journey into sound whose route is shaped by this madness, something that can be unleashed without fear only by someone with strong skills and total contro…
In today’s jazz scene it’s pretty much common knowledge that maintaining a stable group of working musicians is no small task. All too often economics dictate that in order to survive in the creative jungle, a working musician must keep his options open. So with this in mind one can take heart when many such in-demand musicians through their own desire make time in their very busy lives to return to a project that they hold close to their creative souls. It is precisely this center of gravity th…
“Antonio knows how to exploit the dynamic qualities of the piano, and he honours the spaces between the notes. He’s achieved a truly timeless trio sound that really gives your imagination space to wander. His trio both play with empathy and unleash the fire when necessary, and the high production values on this record also make it a real aural treat”- Soweto Kinch
“Strong Place”, out in January 2010, features the Afro-American rhythm section of Herbie Hancock, one of the most famous in the New Y…
**CD Digipak issued with 28 page book and a slip case** This album of waltzes by the Clarke-Boland band is a compilation of pieces from four different sessions, the first of which, in February 1966, produced the album Swing, Waltz, Swing. This LP was one of a series of recordings made by the Philips company, under the direction of label manager and jazz producer Siegfried Loch, to be sold with twen, the Cologne-based magazine for young people, published by Hans Hermann Koper.
Says C-BBB founder …
"Clap Hands, Here comes Charlie Drewo, the most famous of all the Viennese tenorists! – Well now, without exaggeration – Karl Drewo, 32 years of age – or Charlie as his American friends like to call him – is undoubtedly one of those rare specimen of European jazz talent. He plays as if he were born in the US and raised right in one of the darkest neighbourhoods of Harlem, possibly somewhere near the old Cotton Club where Duke Ellington used to excite his audiences for more than almost a quarter …
Inspiration in jazz has many sources. Who would have thought that British prisons could have inspired a Belgian-born composer, arranger, co-leader of a truly international band? The fact is that when the Clarke-Boland band came to this country at the beginning of 1969 for their memorable booking at the Ronnie Scott Club tenor saxophonist Johnny Griffin was, to quote the sleeve “whisked off to Pentonville”. It was nothing worse than a question of outstanding income tax from a previous visit and G…
There is a school of thought which maintains that it is something of a tragedy that Benny has had to earn his living and play his trade as an American emigre in Europe, far from the centre of major jazz activities in his native United States. His contribution, they argue, would have been so much larger and much more widely appreciated. He may have won more polls, true. But the personal contentment which life in the more relaxed atmosphere of Western Europe has supplied probably more than balance…
The opinion of jazz musicians concerning Charles Mingus’ compositions and his protean musical world is that for a long time they represented an area that should be avoided or, at most, dealt with care. Just a few years after his death, of which his thirtieth anniversary occurs this year, they started to look deeper into his repertory, except for a part of which had been proposed in the past (Goodbye Pork Pie Hat was the most largely used).
Just like Duke Ellington various projects were conceived…
*2020 small repress* Here is music for your strange mood. The piano starts the first track, slow tempo beat, a strict beat, a swinging beat. Lillemor—here minor harmonies give the tune a rural, romantic feeling of some place in Spain or France. The tempo changes to medium fast—the flute solos. Light phrasing contrasts beauti¬fully to the earthy, swinging beat of the rhythm section and the repeating piano figures. The trombone adds a new color, a counterpoint of sound and phrasing, backed by the…
It’s no news, really, that jazz has spread throughout the world, especially to those of us who are hung up in this business for love or money or both. But sometimes it does come as a surprise that the players in other countries can be as good as they are and can sit there and play with the genuine U. S. article so well that just from listening you would never know they had not been born and brought up a block from Birdland.That’s the way it is with this album and with its predecessor, “Jazz Is U…
Three – instead of – four this figure can mean a whole different world, when it comes to beats. Whereas the even number lets you march straight, turns right-angled, divides itself symmetrically, the odd rhythm goes around in circles and whirls. One heavy step, followed by two light ones, that can not go straight, that has to turn and turn and turn. The old Vienna and its young people was once ruled by “Waltz speeding” as today the beat shakes up even country dancefloors. Yet, that could not kill…
One of consolations of the electronic age is that those great moments in music which once were ephemeral and irretrievable can be faithfully captured, preserved for all time and savoured over and over again. Thus, some of the great musical peaks in the ten-year lifespan of the great Kenny Clarke-Francy Boland Big Band are stored for posterity on more than a score of albums. Despite writer Bob Houston’s urgent appeal for a conservation order to be put on this improbable aggregation of flashing ta…
It was a really great idea to search for pieces, with the taste of a collector, and to produce this compilation, with jazz pieces and pieces extracted from refined sound tracks which have a subtle and intelligent taste, among the production of some of the biggest Italian composers in this sector. It is a piece that has never been reedited and it is of great taste, and consequent will to give works to an audience that otherwise are difficult to discover. And therefore has taste for the cinema an…
Split LP ltd to 150, comes in a silkscreened cover with obi and insert. A – Junko & Michel Henritzi. B – Michel Henritzi & Fukuoka Rinji. Side A is another love song between La Grande Dame Junko (one of Japan’s foremost improvising vocalists and a member of long-running free-noise unit Hijokaidan) & Michel Henritzi (French guitarist and member of Dustbreeders and Howlin’Ghost Proletarians ). This is blues for the day, from noise to abstract blues, the volcanic meeting between voice and lapsteel…
The thirteenth release on Minimal Wave is Linear Movement’s ‘On The Screen’ LP, a collection of songs originally slated for release in 1983. Linear Movement is Belgian mastermind Peter Bonne (A Split-Second, Twilight Ritual, Autumn) joined by Peter Koutstaal, and Lieve Van Steerteghem on vocals. Some tracks appear on the exquisite Pulse Music cassette (released by the Micrart Group) while the rest are previously unreleased.
Linear Movement was featured on V/A The Lost Tapes LP with their highly …
Minimal Wave is proud to present a full length LP by French duo Deux. Gérard Pelletier and Cati Tete formed Deux after meeting in Lyon in 1981. Their music can be described as minimal synth with stripped down rhythm compositions and suitably cold duets. Their influences are a perfect blend of Kraftwerk and French synthpop. Between 1983 and 1992, they released a cassette and several rare singles : Felicita / Game & Performance and Europe / Paris / Orly. They also appeared on the V/A BIPP LP (2006…
Minimal Wawes proudly presents Smile With The Eyes: a double LP of selections of unreleased material from the prolific outsider / underground duo Five Times Of Dust. Formed in 1980 in Bristol, Mark Phillips (MAP) and Robert Lawrence came together with a shared passion for Krautrock, Industrial Electronics and the burgeoning DIY tape scene, as well as being influence by the Dadaist movement and the works of Burroughs and Ballard. Unconventional, quirky and at times melancholic and romantic, their…
Minimal Wave is proud to present a reissue of the seminal first album from Swiss Wavers, Guyer’s Connection. Tibor Csébits and Philippe Alioth formed Guyer’‘s Connection in Basel, Switzerland when they were only 14 and 15 years old. At the time they were in a new wave rock band called “Kurtzschluss” which they decided to break from in order to make purely electronic music. They began with two synthesizers, a drum machine, a 4-track tape recorder and a multitude of ideas. They channeled their uni…
"Minimal Wave proudly presents a newly remastered deluxe double album of archival material by pioneering '80s minimal electronic duo Oppenheimer Analysis. Oppenheimer Analysis was formed in London, England, in 1982 by Andy Oppenheimer and Martin Lloyd. Their first meeting though was at the 1979 World Science Fiction Convention in Brighton. They quickly became good friends, sharing an interest in the work of David Bowie, electronic music, and early synthesizer bands such as the Human League and S…
Sympathy Nervous is the project of Japanese artist Yosihumi Niinuma. Influenced by both classical and Krautrock, he began recording in 1979, and released several records on the highly coveted Vanity label. He continued to record and self-release much of his work throughout the 80s and 90s. His sound is intelligent and probably the most unique minimal synth to come out of Japan. Exploring dystopian themes, his music is well balanced and beautifully recorded.The Plastic Love album features songs Y…