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The First Born is (quite aptly) the first collaboration between Fabio Orsi (more than a recurring name in the In A Silent Place catalogue) and Mamuthones - better known to friends and family as Alessio Gastaldello and founding member and drummer of J…
The pieces for piano/cembalo on this CD include the first two Capriccios by the 24-year-old Ligeti, the Musica ricercata, and the first volume of the legendary Études, in brilliant interpretations by the German pianist Erika Haase. Ligeti was a maste…
The sonata originated in the Baroque as a small, one-movement form, which nevertheless already contained the core of the sonata to be later developed and composed in elaborate detail by the Viennese Classics. In his Sonatas and Interludes John Cage s…
Vicki Bennett, under the People Like Us moniker, returns from several collaborations for her first solo album in several years. Stranded in the United States for an extended period after the Icelandic volcano eruption blocked her British homeland…
He lives in Rostock, Germany and studies informatics. Petters combines perfectly the software computer culture with intensity. His music reflects so much emotion through electronic wires -- you start wondering why more electronica people don\\\'t suc…
Floating of directly direction improvisation this record have almost no overdubs. Coming close to the abortion of sounds genuinely overlooked by contemporary artist, they succeed to use 'noise' as a base to build quite direct tracks. At times very so…
Long deleted, few copies available: "Gestation Sonore" is the only album to be released by the French improvisational quartet "Horde Catalytique Pour La Fin"; which rightfully found its way onto the infamous Nurse With Wound list. The four piece line…
Long deleted, originally released by Columbia Records on March 1970, “ Kokotsu / Ecstasy” is here re-released for the first time. Sonic-wise, the disc unleashes a whirlpool of Latin styled mondo -sexploitation sounds that get spiced up with feminine …
Concentrated chamber music: Gerald Eckert captures the world of sounds in its manifold forms and shapes with meticulous care and maximum individuality.
Teenage Hallucination is a compendium of Wiese's initial recordings as a teenager to his seminal early vinyl appearances. From pure analog bedroom havoc to intense cut-up harsh noise blasts, Wiese steadily developed his highly personal and specific …
In Mad Sweeney's shadow: mass, piano trio, lieder cycle, wind quintet – for each of these "classic" formats Corcoran has created his own original, archaic sound.
"I wrote Mise en Scène between July 1992 and May 1994. Apart from the four additional clarinets involved besides the soloist (two of them as 'doppelgangers' of the soloist) having to move around in the hall during the five movements of the compositio…
'Written and recorded by Gordon Sharp at Belmont Shore (ca), mid-levels (hk) & kobe (japan) 2001-2009. Mastered at Piethopraxis, july 2009. Dedicated to Matt Kinnison (1965-2008). Cindytalk have been active since 1982, which we won't go into here (a …
Collaboration performance by this two infamous german visual artists, writers & sound-poets, recorded at Lyrik-Kabinett München, June 1991. This is Carlfriedrich Claus' only sound-collaboration ever. Both artists prepared a 60-minute backing-tape …
For Bunita Marcus was written in 1985. "This work, which I have dedicated to Bunita Marcus, [...] deals with the death of my mother, and with the notion of a slow death. I simply didn't want the piece to die. So I used this unwillingness compositiona…
Rhapsodic, lyrical, virtuoso, and, in the end, even amusing: all these attributes come to mind as Cerha's violin concerto is finished off with a charming punch line.
A collection of remixes and compilation tracks 1999-2006. Carefully edited by Felix Kubin and Eric Mattson, this CD is more than a compilation. It brings lights on the different activities of a great open-minded composer from Hamburg. All these track…
"John Cage conceived How To Get Started almost as an afterthought -- a performance substituting for another that was previously planned in 1989 for delivery at 'Sound Design: An Invitational Conference on the Uses of Sound for Radio Drama, Film, …
Right at the start we are welcomed by Le sexe du noyé by Walter Feldmann, which (besides requiring exceptional technical skill) keeps a tight rein on the oboist, even as far as inhaling and minute movements are concerned. But Matthias Arter does not …
It took Tim Wijnant two years to complete the successor of his debut-album Gravity=Love. All this resulted in a stream of ideas, influences which were put into this new album. This is a mature CD ranging him amongst the likes of Pimmon/Fennesz/Markus…