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The mid-'60s formation of Chicago's musician collective, the Association for the Advancement of Creative Musicians (AACM), proved a watershed event for jazz, providing a springboard for some of the next few decades' most influential performers, inclu…
This Romanian-born composer is noted for having developed the technique of 'spectral composition' during the 1960s. According to the man himself, this is defined as a "variable distribution of the spectral energy, synthesis of the global sound source…
The second release from this abstract trio who mingle hard electronics with acoustic and processed percussion. A more focused, subtle aesthetic here, I think, than on their last also excellent - CD. These are finely tuned and seamlessly integrated so…
A record full of magical chants & even more magical grooves (anyone who would wish the part seven minutes into "Zombie" would end has no soul & probably does not have a soul). Fela Kuti's music transcends barriers of taste & culture, due to the inevi…
The fact that Maurizio Bianchi is back is something that is known. I think the new age muzak he created right after his return should be seen as a false start, as since quite some time now, he returned to the world of noise and that is a territory th…
In La Monte Young's formulation, drone music is built on the idea of vertical composition, moving away from developmental form towards "Vertical Hearing". The danger, of course, is that layers will be substituted for composition, resulting in dissona…
Vicki Bennett, under the People Like Us moniker, returns from several collaborations for her first solo album in several years. Stranded in the United States for an extended period after the Icelandic volcano eruption blocked her British homeland…
"Nearly 80 minutes of the most animalistic and violent industrial noise to ever crack the crust of the earth. Compiles and reworks early and unreleased out of print noise classics as well as brand new noise aberrations. For fans of early Controlled B…
One can hardly imagine a more striking description of the anticipated disappearance of these ice giants: Glaciers in Extinction is a warning by sounds. Fabbriciani’s deep, grieving sounds tell not only of the catastrophe to come but of the unfathomab…
The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed i…
Unusually, the 2004 annual COL LEGNO release from the Donaueschinger Musiktage is devoted to the work of one composer, Englishman Benedict Mason, and to just one extensive and curiously-titled work, commissioned in 2001 by the German Südwestrundfunk.…
Edition of 350 numbered and signed copies packaged in deluxe gatefold sleeves. A CD edition of what every DANIEL MENCHE fan considers his finest work to date. Remastered and expanded with a bonus album Sunder, a follow up to Deluge. Deluge & Sunder i…
with Steve Swell: trombone Jemeel Moondoc: alto saxophoneWilliam Parker: double bass Hamid Drake: drum set - This is an album to be cherished, because it reaches back and incorporates styles from swing to post-modern free jazz; and because the play…
Finally, we have managed to track down copies of one of the most revered Sunburned Hand of the Man records in existence. Originally pressed up by the prestigious Arthur magazine's own imprint, this handmade reissue (straight from the Sunburned Men th…
Sound-track to the prize-winning movie. The Necks break with convention here and put several shorter pieces on one CD. All gems and all pared back to the reiterative imperfection that is the Necks' unique and glorious signature. This a band that seem…
Researching into the fringe ranges of hearing, and actually going to the limits: electronics – live or prerecorded – was one of the tools employed by Luigi Nono in pursuance of this object. In his work Das atmende Klarsein he moreover endeavored to e…
Dessus la mer composed 1995-1997. Equus - Carnet d'esquisses composed 1993, derived from a 4-seconds recording of the steps of a horse. Scènes des voyages d'Ulysse composed 1981, created as incidental music for a production of The Odyssey.
First live document and fourth album overall from a band that mixes free jazz ecstasy with garage rock intensity. Even with no electricity, they make a hell of a noise and the album is an explosion of energy. Recorded at the Bla in Oslo.
'The fusion of metal, noise rock, free jazz, industrial, and harsh electronics that makes up The certainty of swarms is the rare kind of heterogeneous concoction that is carefully matured, but never lost in pedestrian calculation. A blistering onslau…