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Electronic Works
One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young compose…
Cirque
Huge Tip! The Circus is a place of lights and colors, but also of shadows, even darkness. Admittedly, it delights children and makes adults laugh. But you only need one rainy autumn evening near a circus tent and the smell of fodder to think of the s…
Music for Intersecting Planes
On Music for Intersecting Planes, Kali Malone and Leila Bordreuil braid organ, cello, sine waves and feedback into a candlelit nocturne of air and overtones, an austere yet tender ritual where space itself becomes a third instrument.
Zero Talk
Two of experimental music's most uncompromising minds, together at last, and never once in direct contact. Kevin Drumm and Taku Unami made Zero Talk without ever speaking to each other. It started in late 2024, when producer Jon Abbey asked Unami to …
Prisma Interius VII & VIII
* Edition of 500 * In Catherine Lamb's Prisma Interius series the unpredictability of the outside articulates the field of perception through precise bandpass filters, while acoustic instruments and musicians guide the unfolding of its harmonic space…
vari/ations - Ode to Oram
The pioneering electronic sounds of Daphne Oram reimagined by Taahliah, Cosey Fanni Tutti, Marta Salogni, Arushi Jain and others using tapes from Oram's archive. To mark the centenary of overlooked electronic pioneer Daphne Oram, Nonclassical - toget…
All My Circles Run
Sarah Davachi’s ‘All My Circles Run’ is a meditative journey through sustained drones and harmonic resonance, blending analog synths, strings, and organ into a deeply immersive ambient experience."
FRKWYS Vol. 18: Extended Field
FRKWYS Vol. 18: Extended Field witnesses Horse Lords and Arnold Dreyblatt in deep collaboration, melting minimal composition and polyrhythmic invention into a sprawling sound experiment. The album pulses and stretches, dissolving genre boundaries and…
Pale Bloom
Davachi went back to the piano she had left behind as a student, recording at Fantasy Studios in Berkeley. The first side is a three-part suite in which the piano draws in a Hammond organ and a countertenor voice.
What Is Not Strange?
Eleven pieces built on Prophet and Oberheim synthesizers tuned to an eighteenth century temperament of Rameau's, with Julia Holter singing. Wada grew up in the Fluxus co-op building in Soho, with Simone Forti next door and Nam June Paik one floor up,…
Muto Infinitas
2026 Repress. In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recordi…
Elemental View
Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in…
Tkać
Two pieces from 2015, both made for light as much as for sound. In the first, Forsberg leaves the violin hanging on stage listening to itself while she plays only electronics, and the audience stays audible: bodies shifting, someone dropping somethin…
Magnetism
Recorded in a single day in 2022 at McDowall's Brooklyn studio, then mixed and remixed across three years and three cities. There is no organ anywhere on it: the sound is Karplus-Strong synthesis, a filtered delay line modelling a plucked string, tun…
In The Mist
Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.
Duo Geloso
Six pieces from a concert at Het Apollohuis in December 1987, unearthed by Black Truffle. Guitars and bass tuned by Dreyblatt and played with E-Bows and Panhuysen's motorised plectrums, plus a Mattel toy drum machine, pedal steel harmonics and a bird…
anabasis (1)
anabasis (1) is a composition in 72 parts for five musicians, based on four kinds of materials: Sand, Wind, Tone and Wave; these materials are arranged and intertwined with a fifth ‘Interludes’ strand that interacts with the four materials. All of th…
Changes in Air
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale deta…
Je Laisse à la Nuit son Poids D'Ombre
How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Com…
Music for a Bellowing Room
Big tip! Sarah Davachi returns with “Music for a Bellowing Room”, the first ever release of her audio / visual collaboration with the artists and filmmaker Dicky Bahto, originally commissioned by the Museum of Modern Art in New York. Sprawling to an …