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hand-numbered edition of 200 copies lp on manuel mota's private headlights imprint documenting a heavyweight duo set from marcia bassett of zaimph, hototogisu, double leopards, ghq et al and improvising portuguese bassist and guitarist margardia garcia. garcia is one of the major new generation european free players, coming out of the same scene as mota, and she's just as capable of generating swans-style industrial entropy as she is playing explosive fire music. here bassett uses keyboar…
With "I love you please love me too", Joseph Hammer continues his journey into playful yet heavily focused idiot-savant infinite psychedelic inertia. Utilising consumer audio technology and 20th century detritus, Hammer lovingly decodes his passion for mid century sci fi and AM radio station beyond all point of recognition like a snakecharmer. Multi-dimensional audio collage techniques to a free form and completely unorthodox plunderphonic hypnosis. Baked devotionals for tape loop minds. Joseph …
restocked, last copies - geoff mullen presents a new side of his ever-changing and open language, dealing here with his rawest material to date, and in many ways finding himself in a homecoming to the guitar. on Ôaccidental guitars' geoff expands his instrumental language with his unique variety of invented, accident-prone technique. re-contextualized live performances are filtered through an intuitive sense of form and pretexts, leaving us with an intense, jarring, pointed, and textural c…
The origins of Ame Son go back to the mid-sixties, when Bernard Lavialle (guitar), Bernard Stisi (guitar, vocals), Patrick Fontaine (bass) and Marc Blanc (drums) formed Les Primitivs circa 1965. They took the Parisian stages with a Yardbirds/Pretty Things inspired wild R&B set, and they kept active until Stisi left in 1967. At that point they changed their name to Expression, and with a more experimental approach they took their newly find free rock sound a la Soft Machine to night clubs …
Secret Seven Records is proud to release the first ever reissue of the lost psych-folk LP 'Goodby Sunball' by cult favorite, Michael Yonkers. Privately released in 1974, 'Goodby Sunball' was recorded at Yonkers' home studio a few years after 'Microminature Love' and just before 'Lovely Gold'. Remastered from the original LP by Ben Tuttle. Limited to 500 copies."The music for 'Goodby Sunball' was written during the recovery period following serious spine surgery. The surgery had not gone well,…
Restocked! A set of unprocessed location recordings by italian sound artist Attila Faravelli: three different perspectives on a colony of woodworms, a self-built aerophone and a little surprise. More information on Attila’s projects can be found here - Edition of 200 copies in letterpress sleeve.Attila Faravelli is an Italian sound artist and electro-acoustic musician based in Milano. His solo music is released by Die Schachtel, with Andrea Belfi he is half of the duo Tumble (Die Schachtel), …
Following a slew of small-scale tape and CD-R releases, High Wolf release a five-track official debut album for Not Not Fun with mastering duties performed by Yellow Swan, Pete Swanson. Working with loops, trance-inducing effects fog and phantom rainforest percussion, this French artist spools out nagging swirls of colourful psychedelia and tribal drone fudge. 'Meeting Of The Three Seas' sounds like an alien campfire jam, summoning up tribal beats, head-spinning drone noise and a spindl…
Dutch sax/drums duo Dead Neanderthals aims directly for the jugular with their new album Polaris, an all-acoustic tour de force mastered by the king of noise: Lasse Marhaug. This abrasive duo ventures into more abstract territory, where they firmly uncouple their music from structure, leaving behind any restrictions that the seemingly reasonable combination of sound and rhythm might bring and which results in an unhealthy dose of acoustic noise
Black Rose Recordings are proud to present the exceptional new album by Asmus Tietchens. Corrosion is a degradation mechanism. It is an insidious process often difficult to recognise until deterioration is well advanced. Are these new pieces a comment on the current state of noise music, serious music or both? As a pioneer of electronic composition his work spans over three decades and doesn't fit easily into any one category. Early recordings ranged from experiments with tape machines and elect…
Long awaited vinyl pressing of this amazing album from one half of The Skaters, and all-round Hypnagogic Pop hero James Ferraro - 450 copies for the world!* James Ferraro has fast become one of those artists whose records we can't wait to devour in the office. 'Last American Hero' is by far one of his most acutely affective dreams, originally released (like most of his stuff) on tape via the Belgian label Dreamtime Taped Sounds in late 2008, but reaching us on a super limited run of 450 vi…
In Search of Light is the full-length follow-up to the well-received Fountain (RS 057CD), Danny Paul Grody's debut solo release. Many listeners no doubt recognize Grody from his work in San Francisco-based groups Tarentel and The Drift. As a solo artist, he produces wistful, poignant music culled principally from acoustic guitar and synthesizer. Grody's work recalls aspects of the post-Takoma school in that fingerpicked, cyclical melodies make up the crux of many of his recordings. However,…
A split album by two masters of 'loud drone music' with an entirely electronic background. Piotrowicz already surprised us with 'Lasting Clinamen' on CD (see review in Vital Weekly 621), and this is now continued with 'Clinamen 3', also recorded using analog modular synthesizer. He plays what seems a loud, looped drone (no doubt repeated within the machine), which is piercingly loud at the start, but just like his great CD, he knows how to create a subtle piece music after that. It grows and it …
“Those who expect Tim Presley’s White Fence project to be an extension of Darker My Love are in for a lysergic surprise. Sure, listen to Is Growing Faith, and you’ll hear the same ’60s love that’s in Presley’s day-job band. But replace the boogie bass with The Velvet Underground and Nico guitars, ramp up the weirdness—you’ll start to feel all the brown acid in your brain melting into your pineal gland just in time for the bad trip lyrics to kick in. That and the laughter, and the reverb, and the…
Justin Meyers from Minneapolis offer a beautiful track of musique concrete and analog synth. Exploring the interaction between field recordings and simple sine waves, the result is a perfectly balanced suite, where the single elements lose their origins in favour of composition. Edition of 150
Lard Free's second LP, I'm Around About Midnight, was recorded in Paris in a three day session and released in 1975 also on Vamp. There is a totally different line-up from that of the first LP and it features long time friend Richard Pinhas, with whom Artman explores (in his own way) some sound passages of strong Heldon inspiration, although in a less immediate register, building an organic layered sound that emanates a certain shadowy formal beauty. The strong Artman-Pinhas connection is …
restocked: BW hosted a group of medieval miniature manuscript painters who were amongst the experts in the recording of the history of science and who circulated knowledge around the world and across cultures. Greek texts on Euclidean geometry were translated into Arabic, and medieval Arabic manuscripts on optics and geometry migrated to Western Europe, where, translated into Latin, they contributed to the development of perspective in Renaissance Italy.Hand in hand with scholarly interests were…
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
Lovely artist edition focused on a Renato Rinaldi sound installation, consisting of 34 audio postcards that saturate the area with unstable frequencies and phase shifted pulses. Some circuits are sensitive to the proximity of the human body, and are powered by small batteries, so the sound constantly change. Some of these frequently collapse but they reboot after a few seconds with a sound that suddenly blossoms on a carpet of pulsating high frequencies. This is the recording of a walk in t…