We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
Kranky manage to sieve through the muck and pluck out another breathtaking album, the debut from Autistic Daughters - a collaboration between Dean Roberts, Werner Dafeldecker and Martin Brandlmayr (Radian). Those of you out there (and there are many) who revere Talk Talk’s ascent into heavenly climes with their “Laughing Stock” and “Spirit of Eden” albums will immediately find themselves seduced by this project’s wondrous effervescence. Except whereas Talk Talk emerged from a pop-focused univers…
'Concussion Summer' on Not Not Fun is by a merry band of travelers called Social Junk. I've never had concussion but I was hoping to this summer, sadly there's been no decent weather for me to go out tree climbing or trying to get myself set upon by gangs of local toughs. Next year, eh? It's kind of hard to know what to say about this LP really, other than I like it. Some bits are noisy and lo-fi tribal a bit like that amazing Heavy Winged LP from a couple of weeks back and there are even…
Restocked - AWESOME!! Lavishly packaged in a heavy textured cover, red vinyl, troglosound art, 3 different inner sleeves (gold/red/green), "Memories from the age of the Dragon" with david vanzan percussion, voice, bow harp, bass, anologue electronics virginia genta soprano sax, ocarina, flutes, marimba box, bells maurizio abate kalimba, zither, hurdy gurdy, tape delay
first-time ever legit ri for this lost gem from the late '60s euro psychedelic underground. belgium-based portuguese soul brothers tony & waldo lam (better know as jess & james) join forces which american jazz man scott bradford and belgian mad scientist & electronics grand daddy Arsene Souffriau for a crazy trip of groovy free-rock and soul into electronics trip in the best pierre henry's 'jerks electroniques pour la messe du temps present,' cecil leuter's 'pop electronique,' jp massiera's male…
The rare original LP released as a hand printed/numbered edition of 1000, designed by Amy Webb."Braxton concentrated heavily on duo performance during this period, and this was one of the happiest of his associations. ...warmly recommended. *** "...these duets are not only stimulating and somewhat challenging, but also surprisingly lyrical and even elegant. The two musicians extract maximum variety from the duo format." --Option Magazine
Cow's milk vinyl, artworks and music by Chris Pottinger, with insert. Side A originally released as a limited edition CD-R art set in 100 copies on Tasty Soil, Creature. B1 track is unreleased, recorded in 2007. B2 originally released in 2006 on Fag Tapes as a side of a tour cassette with Sick Llama. B3 was played as a loop for 8 months straight on a pirate radio station that broadcast out of the Cloud House on 107.9 FM. Far-out electronic music for the third millennium! The track on side A is s…
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
Alreay out of print "While Wooden Wand and Satya Sai jammed with the Sky High Band in beautiful California, the Vanishing Voice dug in deep in the frozen northeast. Snowed in with utopian texts and mounting paranoia, Steven the Harvester, Heidi White Diamond Diehl, and Pete Wolfy Nolan joined nonhorse in an abandoned textile factory, boiling out these ballads of suspended disbelief and hope for the better world... killer vinyl edition on this new label of the self released cdr. Great packaging w…
A key ingredient in disappearing ink, THYMOLPHTHALEIN describes the working method of this brilliant French-Australian quintet Leader Anthony Pateras conceived a detailed hour long structural premise for the group’s first tour in 2009, creating a masterful pastiche of richly dynamic, timbrally devastating explorations for electro-acoustic ensemble, melded by his own distinctive prepared piano and analogue electronics.Natasha Anderson combines buzzing slabs of electro-acoustic sound with fr…
Faust reactivated. 'Something Dirty' pairs founding members with new collaborators for grinding, groove-driven experiments: raw guitars, motorik pulse and studio mischief, the old subversive spirit alive and unbowed.
Richard Youngs is a prolific British musician (located in Glasgow) with an extremely diverse output. Dusted Magazine once wrote he is defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him. So his new album for Dekorder might not be a surprise to anyone following his career. Still, a self-proclaimed all-electronic 'ecstatic House record' comes somewhat unexpected. With a line of distinctive s…
Take the manic snorts of captain liberty, dissonant as chalk & the next moment as melodic as sharp yet slick, metal teeth. Take the mermaid, 1988, turn the tides, gently, gently away. Selected breath/silences/selected feedback. Take an argument you have here w/ an empty street while the memory of high traffic is leaking back. Sirenum has a real "spiritual food" vibe & it's fucking pain & pleasure relief in this real met en zonder sort of way.
Nobody knows what a Brainbomb is, but with the sounds of this record strapped close to your skull you will not need your fancy pants college thesaurus to figure out exactly what the meaning is. This record is maximum, in-the-red and dealing with more issues than a year of after school specials. Sounds like a fried out speaker blowing a mix of Detroit fueled orgy fun and evil bad-assery. Driving around in your car, being tired, picking up hitchhikers and killing them with hammers and scre…
Recorded in ann arbor in 1975, this long lost destroy all monsters gem features the group as a sextet (mike kelley, jim shaw, cary loren, jeff fields, kalle nemvalts, and john reed). missing are the lovely lyrics and goth scrawl of niagara but in her place we see the collective brainstorm through 30 minutes of an underground music/non-music and b-culture genealogy that is unmistakably destroy all monsters. a melted mind, reconstructed with duct-tape, bent circuits, saxophone drips, and fuzz that…
Restocked, few copies left: the privately pressed Cairo Free Jazz Ensemble 1st album had always been considered as a kind of legendary album, difficult to find (Hartmut confirmed to me that it was pressed in Egypt in only 200 copies)... here are available for the 1st time ever the sole other recordings left of this mythical Ensemble ! it all started with Salah Ragab & the Cairo Jazz Band playing jazz standards and new compositions in the end of the 60's... then, with the arrival of Hartmut, they…
Originally titled Rocket Number Nine. Tracklisting: Onward, Somewhere in Space, Interplanetary Music, Interstellar Low Ways, Space Loneliness, Space Aura, Rocket Number Nine Take off for the Planet Venus. Recorded at various locations, Chicago, late 1960.
Way out in the North West American wilderness, Evan Caminiti (Barn Owl) and Lisa McGee regroup for another exceptional, ethereal session as Higuma. 'Pacific Fog Dreams' is also their 2nd release for Root Strata, following their earliest collaborative release in '08 with 'Haze Valley', and 2010s 'Den Of The Spirits' LP for Digitalis, one of the finest of its ilk in recent years. Their sound is incredibly precious and achieves the rarest of tangible sensations with glooming, ghostly drones and bil…
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…