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Keith Rowe
ErstLive 007 is a solo set from Keith Rowe, and took place on the second night of the Amplify 2008: light festival in Tokyo in September 2008. This was Rowe's first ever solo set in Tokyo in his 40+ year career. Keith Rowe: guitar, electronics.
do
A groundbreaking release from two youngish Japanese improvisers. Sachiko M plays sample-less sampler, and Nakamura uses the no-input mixing board--both instruments which conceptually produce no sound, yet these two conjure it out, somehow."Do" was recorded live in Europe and Tokyo last summer, and features three improvisations varying in length from just over two minutes to slightly under 40. While the shorter tracks are worthwhile and hold moments of greatness, it is the first, very long track …
Ftarri
Sploosh Records presents Ftarri by Riuichi Daijo, Martín Escalante and Yuma Takeshita. Recorded live at Ftarri on 06/08/19. Special thanks to Toshimaru Nakamura. Art and design by Everardo Felipe. Mastered by Skaset.
Riuichi Daijo: guitarYuma Takeshita: electro-bassMartín Escalante: sax
Phi
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…
Face off
Erstwhile's debut of percussionist, microphone and electronic artist Will Guthrie in a duo with tape machine Revox and electronic artist Jerome Noetinger ("Hands of Caravaggio") in an interactive "face off" between the two. "november 2011 release ; ... whenever i get bummed out about music in general (usually :: fearing the seemingly consistent march towards rural / “beguiling” simplifications of electronic music, various “returns” to “form”, etc ...) there almost always seems to be an erstwhile…
Dystonia Duos
2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…
The Abyss
The Abyss is an epic, dynamic statement that shows the wide range of sound these two esteemed artists are capable of creating. The lengthy list of instruments used, plus the year it took to assemble, gives an indication that there is a grander modus operandi at play here than the linear works that Kevin Drumm and Jason Lescalleet are known for. CD-1 is made up of seven pieces that run the gamut, with electronic crackle, digital shards of noise, piano mangle, and even dissonant brass clust…
Contact
Keith Rowe (guitar, electronics) and Sachiko M (sine wave, contact microphone). Recorded by Taku Unami at Kid Ailack Art Hall, Tokyo on september 21 and september 23, 2008. Mixed by Taku Unami. Mastered by Toshimaru Nakamura.
Piano
Piano is an album of three pieces, 'A Luca Marenzio ll', 'Ma fin est mon commencement', and 'Gebrechlichkeit', written by Slovak composer Adrián Demoč between 2018 and 2023. 'Ma fin est mon commencement' and 'Gebrechlichkeit' were written with three performance options in mind: specific instrumentation, open instrumentation with a similar quality of timbre and register, and a "monochromatic polyphonic" instrument, preferably the piano. 'A Luca Marenzio ll' was originally written as 'A Luca Maren…
For Piano and Shō
"I've long been interested in exploring the elongation of the piano's decay. The shō's clean harmonics offered an enticing texture to incorporate into my experiments with slow-moving piano works." - Samuel Reinhard
Suite No.9 / Quattro Illustrazioni / Un Adieu
Shira Legmann is an Israeli concert pianist, with a wide repertoire from Baroque to contemporary and experimental music. This album contains three piano works by Italian composer Giacinto Scelsi: Suite No.9 "Ttai" (1953), Quattro Illustrazioni (1953), and Un Adieu (1978/1988). This is Legmann's second CD on Elsewhere Music, following the 2019 album "Barricades" in which she was the pianist for Michael Pisaro's composition for piano/electronics.Legmann's clean, supple yet solid piano sounds, whic…
120 Pieces of Sound
Jürg Frey’s unique compositional approach places him at the cutting edge of contemporary classical music while simultaneously maintaining a touch of impressionistic/romantic aesthetics in its roots. Since the late 90's, Frey started to work with 'lists' as a basis of his compositions, sometimes words, sometimes chords, from which he developed and organized the musical materials. In recent years, Frey's focus on 'lists' has extended more toward the connections of items with each other, forming me…
Lieues D'Ombres
Swiss composer Jürg Frey and Dutch pianist/composer Reinier van Houdt are reunited on this triple CD, 'lieues d'ombres', after their successful collaboration on 'l'air, l'instant - deux pianos' (elsewhere 014), during which the two built a close rapport.
'lieues d'ombres' contains seven of Frey’s solo piano works, written from 1984 – 2018, including one previously unreleased work, ‘Three Piano Pieces’. All seven pieces were recorded by Micha de Kanter at The Muziekcentrum van de Omroep (MCO) in …
Infinite Ascent
This is French composer/pianist Melaine Dalibert’s fifth solo album since 2015, all featuring his own compositions. This time, the album consists of melodically structured song pieces, an area that Dalibert has been exploring in the last couple of years as a new compositional approach outside his signature algorithmic method of composition. This series of eight short pieces appeal in a new way from his previous music, and shows his maturity as a composer. Dalibert wrote all eight pieces in 2019 …
Post-chance
"The initial idea was that this collaboration should reflect a dialogue between two artists who have not yet met and that it should express something about the gulf between them, both literally and metaphorically. In the exchange of materials and ideas something is inevitably lost along the way – whether it be misunderstandings due to interpretation, language, slippage of meaning or simply things going astray. From the outset we decided to make a feature out of what might be lost in this interch…
Wovenland 3
"Wovenland became a band. But we never do live shows. Our band activities are mainly editing in a studio. Our goal is to focus on acoustic experiments. No more and no less. We have been active for a total of about 10 days, including meetings, in 7 years. We are now disbanding." - Toshiya Tsunoda & Taku Unami
Community
Erstwhile is proud to announce the release of Community, the new solo release by Graham Lambkin, his fifth solo record, following 2011’s Amateur Doubles. “Community is a music steeped in sociological review. It sits as a keen barometer, taking the temperature of the world around it. Community is both willing servant and social mirror - it performs its basic civic duty without fuss, then shatters.” (José Perez)
Mastered by Giuseppe Ielasi and designed by Lambkin, Community arrives in a delux…
sisbiosis
*In process of stocking* Erstwhile presents sisbiosis, collaboration album by Clara de Asís and Ryoko Akama, mastered by Taku Unami. Photography by Clara de Asis (black and white) and Ryoko Akama (color). Six-panel digipak.
Clara de Asís - electronics, percussion, field recordingsRyoko Akama - amplified objects, field recordings
Track 1, 2: recorded and mixed by Clara de Asís in Leymen, France in May 2022
Track 3, 4, 5: materials recorded by Ryoko Akama and Clara de Asís in Leymen, France and Ho…
Revolution Shuffle
Michael Pisaro-Liu's latest work. 106 tracks, one minute each. Six-panel digipak with two discs.
So Long
A journey through time, perhaps, for a daydreamer floating in a small boat amidst the radiant hues of a midnight sun. that daydreamer in this instance is the icelandic artist Sigtryggur Berg Sigmarsson, best known for his electro-surrealism in stilluppsteypa. he has long been an artist of extremes and absurdities -- mania fueled performances, wildly scribbled drawings, and haflerian audio shock-therapy, on one side; and on the other, a profound meditation on austere shape, form, and mood cast th…