Back in stock
Proofs & Refutations
2024 small repress! Recorded in 1995 and 1996, mostly in John Fahey's room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Fahey's final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat. Cloaked in the language of dogma, this is Fahey dancing a jig in the Duchampian gap, jester cap bells a-jingling. Right out of the gate, Fahey re-materializes before us, somewhere between Oracle of Del…
The Dream My Bones Dream
*2023 stock* Riding the rails down to the past and back to the future, Eiko Ishibashi considers the unknown lives that her own family has lived, set to expansive pop travelogues evoking the work of pioneers like Joni and Scott Walker, while pushing further, always further....
For Translucence
The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.
Whistle from Above
Reinvigorated by months of shutdown woodshedding, David Grubbs developed new works for guitar, as well as a piano piece and an exceptionally eerie bit of musique concrète. Inspired by the deep dive into Gastr del Sol’s duo magic that facilitated last year’s compilation box, David opened his deeply personal solo pieces for engaging conversational gambits with modern masters Rhodri Davies, Andrea Belfi, Nikos Veliotis, Nate Wooley, and Cleek Schrey.
Pareidolia
Eiko Ishibashi & Jim O'Rourke's fifth collaboration remixes live material from their 2023 European tour. Pareidolia weaves improvised performances from France, Switzerland, Italy & Ireland into a dynamic sound collage, blending computer-generated textures with flute & harmonica. A meditation on perception & randomness.
Temple Stone
2024 vinyl reissue. Green color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored th…
Second Time Around
2024 vinyl reissue. Blue color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored thr…
Camoufleur
2025 repress, LP version. "Sometimes it's like an overstuffed musical armchair -- quite comfy, even when lumpy. The contribution of Markus Popp, whose style of digital scratching has made Oval an experimental household name, adds to the density and often provides an echo of Gastr past while the rest of Camoufleur paints the future." Jim O'Rourke's last album with Gastr del Sol is a subdued, meditative affair, bringing together elements of folk, jazz, film music, and the avant-garde. "The Seasons…
Insignificance
2024 Repress. Insignificance, Jim O'Rourke's third solo album for Drag City, reaffirms that he is not only a fine composer, arranger, and producer, but a gifted, creative songwriter as well. As with Eureka and the Halfway to a Threeway EP, O'Rourke continues to find as many possibilities in singing and songwriting as he does experiment with pure sound. However, this time O'Rourke adds a few twists to the formula he pioneered on those two efforts.
He sings on each of Insignificance's tracks, his…
Eureka
2025 repress; originally released in 1999. Twenty-six years after its initial release, Jim O'Rourke's Eureka remains one of experimental music's most beautifully contradictory statements - an album that somehow manages to be utterly devoid of anything resembling conventional pop music while simultaneously being magnificent in scale, pleasant to listen to, catchy, and even reminiscent of records you might have heard on The Casey Kasem Show. Now, Drag City presents a 2025 repress of this essential…
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Jyväskylä Workshop Band 1970
A previously unissued post-bop document from 1970, Jyväskylä Workshop Band 1970 assembles American saxophonist Charlie Mariano, Norwegian bassist Arild Andersen and Finnish luminaries Heikki Sarmanto, Eero Koivistoinen, Paroni Paakkunainen, Seppo Ranniko, Pekka Pöyry, Edward Vesala and Matti Koskiala. Professionally captured in concert, the album delivers a vibrant set of groovy, exploratory and subtly exotic tunes that helped assert Finland’s place on the international jazz map.
Live at Club7
“A unique and essential recording that is an absolute dream musically in every way possible” – Paul Murphy (Jazz Room)
Occult Concert
The transcendental guitar master's 1971 debut, remastered for all your sabbath needs. 37 minutes of ambient guitar witchcraft and the perfect soundtrack for third eye awakening, light alchemy, or human sacrifice. You could start a cult with this thing. California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On offer: Burchette's sevenpart, block-printed "Psychic Meditation Course," designed …
Autechre Guitar
This record shouldn’t, strictly speaking, be possible at all.
Noumena
Second volume of unreleased solo material by Tim Barnes, Noumena explores the thresholds of perception with long-form compositions built from minimal gestures, field recordings, and ambient textures. A durational and meditative counterpart to Lost Words.
Lost Words
After decades of being the rhythmic architect behind some of underground music's most essential recordings, experimental percussionist Tim Barnes steps forward with Lost Words, a deeply personal collection that celebrates collaboration while exploring new sonic territories. Released on Drag City, this remarkable album brings together an extraordinary cast of musicians who have shared Barnes' musical journey over the years. Lost Words represents both a culmination and a new beginning. The album f…
Forever
It's been a long ride to Forever - but now that they've arrived, the vibe's lightning and the blink of an eye. Glyders have been dreaming up this sound for over a decade. Joshua Condon and Eliza Weber founded the band in Chicago back in 2014, building a reputation through countless shows, late nights at the tape machine, and a revolving door of drummers that never quite clicked. They self-released EPs (DIM, Lend a Hand) and in 2023 delivered their debut full-length, the acclaimed Maria's Hunt - …
Prehistory
Some 42 years after its initial release, Circle X’s Prehistory returns to the vinyl format. New listeners to this music will discover, in addition to the roiling compulsion in its odd, dance-damaged clockwork and instinctive joining of feral and aestheticized values, a refined understanding of the width andbreadth of “post-punk” music, both in and out of its time. In and out of time, Circle X operated between 1978 and 1995, formed in Louisville, KY, but existing largely as a New York-based colle…
Arc 1
Finnish label Sähkö Recordings is launching a new archival series of unreleased work from its co-founder Mika Vainio. The late Vainio left behind plenty of unreleased material after his passing in 2017. Arc 1 represents the first in a series of releases that draw on Vainio’s archives. The material here was constructed for a 1994 radio project, entitled Ambient City, that Vainio performed as Ø. Both sides here begin with perturbed ambient synth-scapes - grumbling LFOs, digital noise, that sort of…