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Massive discount on a large selection of items from the Planam catalogue until stocks last 🔥

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Drum Sketches
2007 release ** "Susie Ibarra is a percussionist, but she doesn’t hit you over the head with the fact. Rather, her powerfully delicate, insistent sounds seem to emanate from the landscape of drums and tuned gongs by themselves. Drum Sketches, Ibarra’s first solo CD following several Tzadik ensemble releases, is inspired by various images and sounds of her native Philippines. Among her glowing array of percussion are tuned bronze Kulintang gongs and a Surunay xylophone that blend with field recor…
Ethnoloopography
1994 release ** "37 Strange (and not so strange) ethnic rhythms, chants and musical pieces sampled, repeated, distorted or transformed in nightmarish landscapes... it's not new age effect, this scares...."
Crossing Ngoli
1992 release ** "Greinke and Angus met at Penn State where they started composing and performing together. In 1982 they moved to Seattle and began playing in clubs and festivals, working with a variety of musicians in various bands and projects. Their work as a duo was documented on the classic album Crossing Ngoli (Ear-Rational, 1992)."
Meanwhile
1995 release ** "Trance Mission creates powerful electro-tribal ambience with a variety of standard, traditional, and eclectic devices. Meanwhile, their second CD, is a collection of tribal atmospheres forged with respect and passion. Stephen Kent, Kenneth Newby, Beth Custer, and John Loose are constantly on the same page. They impact the respect and reflect the passion. It is all done with varying degrees of urgency. Kent's didg creates the drone from which Newby's atmospheres arise. Custer's r…
Invocation
1995 release ** Tuu were an ambient group that specialized in incorporating Tibetan instrumentation, among other regional elements, into their music. They tended to also use tribal or ritual ambient bits as well. From the mitical "Invocation" tape we offer a totally remastered music with some new tracks. As usual, Tuu's music has a unique touch: ghatam, tablas, flutes and pipes, harmonium and synthesiser meet togheter in a magic language."
All Our Ancestors
1994 release ** "Tuu is one of those bands that manages to straddle the seemingly disparate worlds of traditional ethnic music and ambient electronica, somewhat the same way that African Head Charge and Mouth Music do, but with very different results. In this case, the interactions between synthesist Mykl O'Dempsey, exotic percussionist Martin Franklin, and flutist Rebecca Lublinski (who spends most of her time on either the bansuri or the Chinese flute) result in a music that is dark and strang…
Tout De Suite
1994 release ** "This is the logical companion to Tout Court. The lineup has been hardly changed. The only newcomer is Alfred Spirli, who alternates percussion duties with Xavier Desandre. Yves Robert also sticks to the same formula with an emphasis on musical vignettes. The relationship with Tout Court is also underlined by the deliberate choice of opening with the composition that concluded its predecessor, "Epilogue" -- several other pieces are also revisited. It would be a mistake, however, …
The Firmament / Fury
1994 release ** "Hooker's music is good, unabash ed free-jazz improvising. He and Lawrence make an effective duet: Hooker's rolling bed of drumming avoids direct comment on Lawrence's strong, Lyons-inflected alto. Of the trio and quartet tracks on the album, Pralaya and Radiance are probably the strongest. The horn players get their solo moments and do well with them, but the music is framed to emphasize the group, and that's where a listener's ears are drawn. There's good group improvising to b…
Jazzbühne Berlin '82
1990 release (RARE) ** Recorded live at Volksbühne East Berlin on June 13, 1982.
Honig Und Asche
1998 release ** "A cosmopolitan synthesis of visionary music and outstanding poetry" is the concept and program of "Honey and Ashes," according to the press release. This claim naturally raises many questions about the work of German saxophonist Michael Riessler: Is it jazz—what constitutes "jazz"? There is little improvisation, as "Honey and Ashes" is largely through-composed. Is it contemporary classical music? Can you find pounding bass drums in classical music? "Honey and Ashes" is a speech …
Rough Ride
2002 release ** "The drummer and band leader Lucas Niggli, with his trio ZOOM and quintet Big ZOOM, provided the big surprises at many festivals last year: the band's concerts in Moers, Saalfelden, Willisau, Münster, Schauffhausen count among these festivals' highlights. «Unbelievable how the genre-idioms from blues, rock and jazz styles are paired up among each other in the controlled gesture of new music,» said the journalist Marcus Maida after the performance at the Moers Festival. «Everythin…
SuperFunk3.
2002 release ** Featuring: The Showmen Inc, Johnny King And Fatback Band, Renaldo Domino, Wally Cox And Nate Branch, Preston Love, Everyday People Unlimited, Camille Bob, Lil' Buck, Chet Ivey, Dave Hamilton, Count Yates And The Rhythm Crusaders, TKOS, Freddie Love, Houston Outlaws, Lowell Fulson, The Soul Blenders, Chico & Buddy, Preston Love, Maurice Simon And The Pie Men, Soul Senders. "Funk collecting has reached new heights in the last couple of years-.-prices for funk records, that a few ye…
In Full Flail
1989 release ** An early Available Jelly Quartet; the instrumentation scaled down to two horns, bass/tuba, and percussion. Original compositions and covers of Brian Wilson and Misha Mengelberg. "The 1989 album from Available Jelly, In Full Flail narrowed down the band's physical lineup while extending its musical reach. Down to a quartet, the band included Michael Moore on saxophones and piano, Gregg Moore on tuba, trombone, electric bass, and mandolin, Michael Vatcher as master drummer, and the…
Summing
*2022 stock* Oscar Jan Hoogland is the sound of Amsterdam in person. He plays in the Muziekgebouw (Amsterdams main hall for modern composed music) as well as in the Bimhuis (Holland’s main jazz venue) that is literally attached to it, as in its parking garage. He is an instant composer, pianist and inventor of his own instrument by putting a clavichord, a keyboard instrument from the 17th century, on 220 Volt electricity. As the last student of the late pianist, composer and improvisor Misha Men…
Mauro Pagani
Transparent turquoise vinyl / 180 grams, limited edition numbered to 300 copies. Mauro Pagani's first vinyl album, released in 1978, is a masterpiece of sonic cross-cultural contamination. After his experience with PFM, Pagani embraced Mediterranean sounds, mixing progressive rock, ethnic music and psychedelic atmospheres. Almost every of his former bandmates, anyway, plays in this record, together with other great guests such as Area - first of all, their incredible singer Demetrio Stratos - an…
Il Canto dell'Arpa e del Flauto
** 300 copies, red vinyl, 180g ** Nearly five decades after its original release, Pepe Maina’s enchanting debut album, Il Canto dell’Arpa e del Flauto, emerges from the archives as a limited-edition transparent red vinyl (180g), strictly limited to 300 hand-numbered copies, each signed by the artist himself. Originally released in 1977 on the Ascolto label—the only non-self-produced work in Maina’s discography—this album remains a singular blend of ambient, world music, folk, and psychedelia, we…
Vague #16/17
Original press, nice conditions. The 16/17 issue of Tom Vague's situationist magazine Vague. This issue contributed heavily by Genesis P-Orridge and his Psychic TV (over 30 pages). Elsewhere, William Burroughs & Brion Gysin, Lou Reed, Jamie Reid, Nick Cave amongst so many others.
Vague #20
Original press, nice conditions. Issue 20 of Vague magazine, a British cyberpunk bible edited by Tom Vague. This issue has articles on televisionaries, the abolition of work (Bob Black), Euroterrorism, alternatives to terrorism, animal rights vs. human rights, and Vagrunts (a comic), the history of Rote Armee Fraktion. Packed with art, photos, collages, and more. 98 pages.
Awlaⱪta / Afar
*60 copies limited edition* In mid-December 2021, Mamer flew from Ürümqi to Shenzhen to play a few booked gigs. Afterwards, he decided to stay on for a marathon music residency at the Old Heaven bookstore. From Dec 13 to 27, Mamer performed 14 concerts in 15 days, unreservedly presenting his vast creative world to a small but dedicated audience, who followed him throughout this journey. These performances were announced on each day with a theme decided often last minute, free admission offered. …