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*50 handnumbered Editions on green 135g Vinyl* Maurizio Bianchi is one of the founders of early industrial and noise music and should be familiar to most. For Antimateria he contributed two brand new, merging pieces in which he approaches the theme through sounds of luminescent and rushing keyboard clusters. Coalminer establishes several harsh noise tracks, for which they collaborated with the most diverse artists of the genre, from different countries. With the help of Toshiji Mikawa (Japan, Fo…
Originally released in 1975, “Música Eletrônica” is considered the first electro-acoustic / electronic album made in Brazil. It features tracks recorded between 1962 and 1970 by avant-garde / electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism / sampling / glitches… Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimarog…
**Edition of 300, one-off pressing**first ever reissue of this sought-after punk-funk / no wave / electro post-punk 45 from 1979 by post-Wayne County Electric Chairs, produced by David Cunningam (Flying Lizards), now expanded to 12” In 1979, Wayne County & The Electric Chairs – the legendary punk-rock band - recorded their third album, Things Your Mother Never Told You, in London. It was produced by David Cunningham of the Flying Lizards, famous also for his work with This Heat, Michael Nyman, e…
Pioneering, magisterial compilation, which turned many of us here onto Mustafa Ozkent, Fikret Kizilok, Erkin Koray, Temiz and co, a decade ago. Still dazzling, fresh, essential.
South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqi…
2017 remastered edition, with new standard glossy jackets. Texture and
feeling of 1975 with boosted audiophile sound quality. Black vinyl
version. Previously unreleased album by German trio Sand,
recorded 1973-1982. Live events in the quarry and an archaic sound
formed the background music of the young atomic age. In the meantime,
after endless trance garage sessions, Sand drifted from the mythical
landscapes to Berlin and mingled with various oriental influences.
Vultures were scudding a…
Theme features three works from Alvin Lucier. Music for Piano with Magnetic Strings is a work in which the strings of a piano sound by themselves. Several EBows (small electromagnets used primarily with electric guitars) which would cause the piano strings to vibrate and sound are placed on the strings of the piano. The pianist works from a prose score which describes the process and suggests she freely position and reposition five EBows on the piano strings, creating strands of sounds of v…
1990 CD issue of Robert Ashley's 1978 piece for voice and electronics. A two-part composition with narration (part one in Spanish and part two in heavily altered English) commissioned by public radio station KUNM in Albuquerque, this music has a plain, serene beauty. Part one is a narration by Guillermo Grenier in dreamy, flatly inflected Spanish, backed by a four-note synthesizer track, and punctuated by mysterious, heavily processed vocalizations. Ashley throws in extensive sound washes and ot…
2005 release. Following the ground-breaking work, Dust (LCD 1006CD), godfather of experimental opera Robert Ashley returns with Celestial Excursions. Ashley's endeavor explores remarkably uncharted territory -- the kind of language that is common among "old" people who talk all the time or not at all, to anyone passing by or to themselves. The opera premiered at the Hebbel Theater in Berlin, before coming to The Kitchen for its U.S. premiere in April 2003. Celestial Excursions delves into the wi…
This album bridges past and present through the voice and instruments of Maria Violenza and Luciano Turella, with the Irtumbranda project (formerly performing as the duo BrandaMaria), offering an intimate and visceral reinterpretation of Sicilian musical tradition. On Side A, the island’s ancient melodies come to life through an interpretation that enhances their raw and profoundly visceral character. Maria Violenza, who grew up listening to these songs in family gatherings and popular festivals…
Tip! “I Racconti di Aretusa” is the result of the encounter between Lino Capra Vaccina, a legend of Italian minimalism, and Mai Mai Mai, the alias of Toni Cutrone, a key international figure in the avant-garde/drone scene. A work that weaves together experimentation and Mediterranean echoes, creating a sonic journey of rare intensity. The collaboration was born during an artistic residency for the Ortigia Sound System (Syracuse, Sicily), a festival dedicated to the dialogue between traditional s…
In 1970, Italian composer Sandro Brugnolini recorded the two psychedelic lounge masterpieces Overground and Underground at Dirmaphon Studios in Rome. Featuring a lineup of some of Italy’s finest musicians—Silvano Chimenti (guitar), Angelo Baroncini (guitar), Giorgio Carnini (organ and piano), Giovanni Tommaso (bass and effects), and Enzo Restuccia (drums)—these sessions were deeply rooted in the late 1960s psychedelic sound but uniquely fused jazz improvisation, funk, and Latin and African rhyth…
German-American pianist Benjamin Lackner makes his highly melodious ECM debut with an all-star quartet of trumpeter Mathias Eick, the esteemed Manu Katché on drums and bassist Jérôme Regard. Mathias and Manu share an extensive recording history with ECM and their respectively unique instrumental signatures can be traced across this set of exclusively original material – eight pieces by Benjamin, one by Jérôme. The bassist and the leader’s partnership goes all the way back to 2002, when, in New Y…
An electrifying 1st-time meeting between guitarist Keiji Haino and trumpeter Natsuki Tamura, captured live at Tokyo's Shinjuku Pit Inn, where the duo shape an unpredictable set that veers from reflective stillness to wildly passionate outbursts, their extended techniques and visceral vocals — sometimes urgent, sometimes outrageous — fueling an exhilarating and uncompromising sonic adventure.
Anything can happen and often does. This is John Cage. A seminal example of indeterminate music from an icon on experimental sounds. This work was originally used as music for the choreographed piece by Merce Cunningham, "Field Dances," with stage and costume design in the original version by Robert Rauschenberg (from 1967 the designer was Remy Charlip). Variations IV is the second work in a group of three of which Atlas Eclipticalis is the first (representing 'nirvana', according to Hidekaz…
In intensive collaboration with the Swedish ensemble Lipparella, which specializes in creating contemporary repertoire for baroque instruments and countertenor, these 10 timeless contemporary songs were created.
Peter Söderberg, the founder of Lipparella tells: "After having met by chance at the Ultraschall Festival in Berlin in 2019, Walter Zimmermann and I started discussing whether it would be possible to perform some of his music by Lipparella. After suggesting some already existing works, w…
* 2021 Stock * Sais. is a piece about cows. Cows are a topic quite familiar for a composer who lives in an Austrian mountain village at 1000 metres hight. He finds them right in front of his door. The cows that are grazing on a juicy green under a bright blue sky - so we might imagine - are one side of the trio. Within the 100 page long score we meet them in the shape of a line of overtones. Just as natural as the life of a cow on an alpine meadow is the musical material that builds SAIS. as a s…
* 2021 Stock * Most music proceeds with great self-assurance, more like an answer than like a question, but these pieces raise questions. We hope you will not only listen to the music as the pairs go by, but we will also want to decide whether they are same or different. Try it. Maybe your musical perceptions are better than you think. And if not, well, no one is going to grade you, and you can always try again! - Tom Johnson
This situation raises new questions, which Johnson undoubtedly intends…