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"An album that puts jazz at the center. Emanuele Cisi records his first release for Mono Jazz (Right Tempo) returning to those elements from which everything begins and in which everything is fulfilled. With melody and swing, a deep sense of blues—not just as a style but as a fundamental state of music—and spirituality, the improvisation here becomes a space where the pieces reveal themselves as springboards for self-expression.
Rushin’ is not merely a collection of references and tributes, alth…
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden).
This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
"Starless and Bible Black is the eighth in a series of audiophile King Crimson vinyl reissues and completes the availability of the band's studio output from 1969/74 on 200g vinyl editions. Newly cut from masters approved by Robert Fripp, this super-heavyweight vinyl re-issue is housed in a reprint of the original gatefold sleeve. Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring…
The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real historical si…
Red is the fourth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. One of the most powerful and influential albums in the band's remarkable career. King Crimson fell apart once more, seemingly for the last time, as David Cross walked away during the making of this album. It became Robert Fripp's last thoughts on this version of the band, a bit noiser o…
The Cheerful Insanity of Giles, Giles and Fripp reveals King Crimson's gentle 1968 genesis - a landmark British psychedelia album featuring the Giles brothers and young Robert Fripp. This breezy, Beatles-esque collection showcases burning Frippian guitar work and the original "I Talk To The Wind." The 2025 Panegyric reissue removes spoken interludes for improved flow. Essential prehistory.
Belgium’s avant-rock legends explore their prehistory in a special archival project. Retrieved from long-forgotten reel-to-reel tapes and cassettes, this collection of previously-unreleased tracks unveils some of the meanders which eventually led to the inception of Aksak Maboul in 1977. These 17 tracks and 80 minutes of music will take us for a stroll through moments of free rock, improv, quasi-kraut, modular & ambient electronics, and various experiments. Out on November 21 on digital, limited…
The second instalment of a landmark session by one of the most unique figures in black music is a shower of sounds that have come straight from another world. Sun Ra and the various groups he led were as prolific as they were innovative. By conservative estimates they produced around 200 recordings over a fifty-year period, and the early 70s was as fertile a time as any. In a typical burst of creative energy Ra and an ensemble he dubbed The Solar Myth Arkestra produced enough material to be spr…
** Original 1971 BYG album. Digitally mastered from BYG tapes by Nick Robbins. 16-page booklet with photos & exclusive liner notes by author and journalist Kevin Le Gendre ** Debut solo album by the legendary purveyor of music that daringly blurred the boundary between psychedelic rock and raucous, riotous Dadaism. Australian vocalist-guitarist Daevid Allen was a part of the highly experimental Canterbury scene, alongside the likes of drummers Robert Wyatt and Pip Pyle, before he relocated to P…
** Deluxe 180gr. Marbled vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album facsimile-edition. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri **'A Jackson in Your House' is the first of the Art Ensemble of Chicago’s renowned trio of albums for BYG's Actuel series. This album is The Art Ensemble’s most celebrated release and finds the American avant-garde jazz collective at their most sensational, mocking and st…
2025 stock Active since 2001, Ayyuka was one of the first bands to look back at 70’s Turkish music to find a new voice. Not caught up in the “retromania” but reincarnating Turkish Psychedelic within their own style, the band managed to develop an unmistakeable unique sound.Inspirations of Dick Dale, John Frusciante, and local heroes like Erkin Koray, Orhan Gencebay, make their music more guitar oriented but their fascination with film music and improvisation creates unexpected twists within thei…
On Sandy, Sandy Denny sharpens intimacy into something orchestral, fusing folk clarity with country shimmer and chamber strings. The album feels like a private notebook sung aloud, where regret, resilience and quiet defiance unfold with luminous, unhurried precision.
First-ever reissue on vinyl of the short-lived supergroup’s sole studio album. Originally recorded in 1978, it brings together some of the most renowned figures from the Canterbury Scene.
Saved from the dust of time, here is a truly rare and obscure piece of vinyl by one of the most enigmatic bands in the whole history of British Progressive Jazz. Originally released in 200 copies in 1973 and reissued here for the first time, Quincicasm's only release stands as a brilliant document of the 70's British underground electric jazz scene. Somewhere at the crossing of open form jazz and art rock explorations.
Ken Eley - saxophone, Dick Pearce - flugelhorn, Julian Marshall -vibraphone. …
*2025 stock* John Coltrane with the Red Garland Trio is the third studio album by the jazz musician John Coltrane. It was released in early 1958 through Prestige Records. The recording took place at Rudy Van Gelder's studio on August 23, 1957. It was reissued in 1961 as Traneing In with a new catalogue number and cover design.
The label that ignited the Dutch post-punk scene! Homogeneity be damned, these early Plurex tracks are a head-turning snapshot of what was happening in the late ‘70s Netherlands underground! Includes an interview with Plurex founders and all of the singles from 1978-‘80! Some of the bands would never release another record, but for the label and many of the artists there was yet more history to be made, not least of which was Minny Pops’ ascendance to seminal status, and Plurex’s emergence at th…
2025 stock 1967 second studio album by the Texan pioneers of psychedelia. This ground-breaking album not only defined psychedelic rock but informed punk a decade later, and even the 90’s indie-dance music scene with Primal Scream’s cover of ‘Slip Inside This House’ on their classic Screamadelica LP
Originally issued in November 1967 - copies barely trickled out of Texas, making original pressings not only expensive but clean copies impossible to find even 50 years ago.Therefore, meticulous atten…
One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Bo…