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Quartet Records presents a remastered CD reissue of Ennio Morricone's bizarre giallo score for the 1974 thriller L'ultimo Uomo di Sara (Sarah's Last Man). Directed by actress Maria Virginia Onorato (in her only foray into feature film directing), the movie stars Oddo Bracci as Paolo Castellano, an artist who wants to investigate the death of his ex-wife Sara long after the police declare the case closed. Aided by Sara’s friend Anna (played by Rosemary Dexter), Paolo goes through the hours of foo…
Building on nearly a decade of friendship, with an evolving creative partnership spanning roughly half that time, Swedish / Australian synthesist, John Chantler, and Danish saxophonist, Johannes Lund, return with Andersabo, their second outing as a duo.An intricate, thrillingly unbridled blast of carefully controlled sonic anarchy, pushing at the perceptual boundaries of conversant sound, Andersabo captures the collision of two sympathetic, but often radically different, creative pursuits - Chan…
Tip! Here's the last will and testament of Usurper. The final curtain on two decades of heroic toil in the experimental/noise/improv/no-audience underground. Over the course of their twenty year existence, Usurper developed into one of the most original and uncompromising groups to emerge from the early 2000's sub-sub underground, always pushing themselves (and audiences) to new territory. They were fearlessly experimental, with seemingly limitless reserves of creativity. Their performances were…
Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has since made his home in the worlds of free improvisation, new music, electro-acoustic music, and noise. Ted primarily works in ad hoc improvisational settings, but has long standing improvisational groups including duos with Jeff Parker, Chris Cooper, Charlie Mumma, Sam McKinlay, William Hutson, and a trio with Jacob Wick and Michael Foster…
New collaboration between DressingDressingDressing. Mysterious murky tape music akin to Hands To, Yeast Culture, early Small Cruel Party, etc. Jasu Jest is their debut release and presents a seamless blend of styles and sounds from each, e.g. broken textural tape noise, magnetic wobble, faint buried melodies, fragments of distant voices and incidental sounds, and obscured domestic and field recordings. An incredibly accomplished first statement from what will hopefully be a long and fruitful col…
Huge Tip! This is a limited edition 2x7" edition of a wildly experimental and unique gem from 1981 (originally released on Japan's Pinakotheca). Spread over two records packaged in a bubble wrap outer sleeve - , the set features unreleased full length takes and unheard material from the band's master cassettes. All transferred and mastered with the blessing of the original musicians. The release features heavy involvement from Morioka based musician, Onnyk (key member of the near mythical The Fi…
Back in 1971, Coming From Reality was Rodriguez’s last gasp, the follow-up to Cold Fact and the final album he was allowed to record for the Sussex label. Unearthed, once again, by Light In The Attic Records, it’s another treat for fans new and old, designed – at the time – as Rodriguez’s vision of a perfect pop album.
Coming From Reality found Rodriguez decamping from Detroit to London’s Lansdowne Studios, where the album was recorded with some of the UK’s top talent including Chris Spedding …
In this memoir, Harlem-born trumpeter Ahmed Abdullah recounts decades of national and international touring with the Sun Ra Arkestra and charts the rise of New York loft jazz scene, offering a fascinating portrait of advanced music in Brooklyn and lower Manhattan from the 1970s through the 1990s.
While the "acoustic based project[ions]" of Six Organs of Admittance have been pigeonholed by some as a chance-operated celestial jam unit, the group has always been about songs, and nowhere is this more apparent than on their fourth full length album, an eight-song cycle that mixes the strengths of Ben Chasny's acoustic and electric guitar with his knack for placing this on top of disparate and subtle atmospheric backgrounds. The live favorite (and rare single) "Somewhere Between" has been redo…
Composer/poet Hans-Joachim Roedelius (Kluster, Cluster, Harmonia) is one of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. Jardin Au Fou is his second solo album, originally issued in 1979 on France's Egg label, and produced by former Tangerine Dream member Peter Baumann. This record was all the more noteworthy as it bore no resemblance whatsoever to what was expected of avant-garde electronica and displayed no…
Field recordings, synthesizers and an organ - prepared samples, found objects and a zither - recorded on a rainy winter's day in Berlin. By Chris Abrahams / Burkhard Beins / Andrea Ermke
*2024 stock* Gatefold cover. Here’s the fourth full LP release of this great Japanese rock band. The Long Trip is indeed a special one with three parts of the same song and other numbers all in a psychedelic and folk rock vein with great arrangements. Contrary to 'Kirikyogen' with strong taste of Flowers (Joe and Hideki), "Hikishio Michishio" should be Kuni's album, with full of his concept and attitude for progressive rock all over the world. 1971 was absolutely a dawn, golden year for Japanese…
*300 copies limited release* Cheval Fou was one of the most important, prolific and authentic psychedelic outfits that thrived on the margins of the French underground during the first half of the 70s. A precursor to the by now more well-known and equally outstanding space-rock formation NYL, Cheval Fou’s salvaged recordings are a testament to the purest made-in-Europe free-form, freak-out psychedelia. Just picture an amalgamation between Group 1850’s Agemo and Amon Duul’s Phallus Dei, with Dash…
Long lost krautrock classic delivering a dynamic, complex combination between fuzzy freak out improvisations (full of Hammond organ and catchy heavy guitar leads) and epic folk arrangements for the flute. Sperrmull formed in 1971 but went through various lineup changes until they recorded this their only album in December of 1972. It was produced by Dieter Dierks and recorded at his studio. Dieter also played some synths on the opening track. A very accomplished essay. Similar to (early) Nosfera…
** 2021 Stock ** Eryck Abecassis (b 1956) is a french-algerian composer, musician and electric guitar player. He went to Paris in 1976 to study film at the CLCF (Conservatoire Libre du Cinéma Français) and worked as a photographer. From 1979 to 1983 he took private lessons in composition and harmony with Julien Falk (1902-1987) and studied Jazz orchestration with Derryl Hall at the Centre d'informations musicales in Paris. In the following years he took various courses at IRCAM, among others in …
"Ville Vannemaa Cassiopeia is an exciting quintet project led by reed player Ville Vannemaa, a key player in UMO Jazz Orchestra and known for his engagement in several other Finnish jazz constellations. With him on this date is vibraphonist Panu Savolainen, Kasperi Sarikoski on trombone, Heikko Remmel on bass and Jaska Lukkarinen on drums. Six sublime songs penned by Ville himself, plenty of detail and swinging from joy to melancholy in a melodic sense aimed for repeated listening. Future classi…
Limited LP, Deluxe 180-gram reissue including original artwork & credits.. The second album by folk artist Tim Hardin, released in 1967, Tim Hardin 2 contains his most popular and much-covered composition “If I Were a Carpenter,” most notably recorded by Bobby Darin, whose version peaked at #8 in the US and #9 in the UK in 1966. While not as prolific as Bob Dylan, Paul Simon, or Neil Young, the prototypical folk-rocker Tim Hardin remains one of the greatest singer/songwriters, as much for his ma…
Minuzia consists in an acoustic version of an audio installation that the French bassoon player Dafne Vicente-Sandoval had been presenting at a few sound art exhibitions; a handful bassoon cane reeds were regularly soaked into water, and these very thin slices of wood would start crackling in the course of their drying out process. These minute sounds were amplified by contact microphones and listened to through headphones. With an original text by the British anthropologist Tim Ingold.
Score:
S…
A career-spanning overview of almost epic proportions, Miserable Poison is a massive 2.5 hour collection of Pumice recordings made between 1996 and 2021. The tracks on Miserable Poison are culled from a huge slection of often very limited lathe cut, cassette, CDr and vinyl releases originally put out on labels like Stabbies etc, Root Don Lonie For Cash, Audiobot, 8mm, Yellowelectric, Doubtful Sounds and Soft Abuse. Mastered by Lasse Marhaug and packaged in a gloss 6-panel digipack.