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*2022 stock* 'I left Chile five years ago to try my luck in a Europe which was beginning to smell disaster. Cuts to civil rights at the same time that the process of privatizations, all shielded by a smoke screen erected by the "European crisis", seemed to me a sadly familiar scenario. I felt myself not only as someone coming from the end of the world, but also as someone coming from the future. In Chile the neoliberal model made its first roots over 25 years ago, leaving deep scars in a society…

"Tradition belongs more to the present than the past. For three weeks Parisian cellist and composer Gaspar Claus met with traditional and modern Japanese musicians in a Tokyo studio to record Jo Ha Kyu. Performing with Claus on this piece are: Eiko Ishibashi (voice, piano, drums), Keiji Haino (voice), Kakushin Nishihara (voice, satsuma biwa), Ryuichi Sakamoto (piano), Hirochimi Sakamoto (electric cello), Sachiko M (sine wave), Otomo Yoshihide (turntable), Leonard Eto (wadaiko), Kazutoki Umezu (t…

** Packaged in a deluxe, heavy duty tip-on gatefold sleeves printed by Stoughton; cut by Golden Mastering and pressed at RTI ** Alina Kalancea's Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which overtakes you, immersing…

The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern:…

Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.

Death is Not the End teams up with folklorist Derek Piotr once more for this bumper archive of North American folk music, this time focusing on every version they could find of the ballad 'Lamkin'. It's a fascinating study that displays how a standard was able to shift and evolve as it moved from person to person over the decades.

London's Death Is Not The End rope in folklorist Derek Piotr to curate another mystical collection of crackly mountain music from North Carolina. Powerful, soul-stirring unaccompanied vocal music.

*Limited, numbered edition of 75 copies. Comes in a handmade slipcase and a numbered insert.* 'After a random discovery on Bandcamp I kept returning to the dirty, rhythmic synth noise of Something Vile. An unknown project to me at the time that turned out to be the brainchild of Alex Ford, a restless soul spinning his own web in a dark corner of the noise, industrial & power electronics scene. Operating his label, Deathbed Tapes while using different monikers for his own musical output. For his …

*300 copies limited release* Live at Commend, NYC documents an evening under the spell of Carlos Niño and a cast of new and familiar friends and cosmic collaborators including Laraaji, Surya Botofasina, Photay, and Will Logan. Performed and recorded at Commend, the once and future gravitational center of RVNG Intl., on November 16, 2021, Live at Commend, NYC transcends format for serene, celestial sound.

**Limited edition of 50 cassette tapes with extractable paper crochet holy image on white matte rough paper. Includes digital download**A long time agitator of the Turin music scene, Mother (solo project of Tommaso Bonfilio of SabaSaba) uses a mixture of tape cut-ups, crooked percussions, stretched voice and some random languishing instruments to convey an album filled with deep sweet and sour darkness in form of perverted songs as if in a collaboration between William Burroughs and Martin Rev.

* Limited to 70 hand-numbered copies. Green cassette with white imprint. Comes in regular jewel case and 4pp 150gsm paper covers * The music and art of Fleshtone Aura is a thing very much defined and abstract at the same time. It is hard to describe in words but easy to feel. It is an orgiastic and furious sound collage but simultaneously, a minimalist composition in the repeating pattern in which we can easily find ourselves lost to. It is pure musique concrete. It is clearly tape music. It is …

As listeners, we often fantasize about music collaborations between artists, yet not solely driven by the parameter of "artists we like". Before jumping ahead to any interpretations, we don't just like Danae and Michalis, we like them a lot. But that's not the reason their cooperation is so unique, which is evident on how well they complement each other and communicate in a level of musical language. A simple listening to both solo LPs, [herewith] and Nylon (both on Michali's Holotype Editions) …

Recorded in the Littlefield Concert Hall at Mills College in Oakland, California, with minimal edits and no overdubs.. Field Transfer projects the sounds from an analog circuit into juxtaposition with facets of raw digital audio. As a performer interacts with the circuit—which consists of two square-wave oscillators activated by pressure sensors and shorting disks—instances of pulsed and modulated sound are triggered in the laptop in a manner that couples the analog and digital sources together.…

Tekanan is the full-length debut of Melbourne-based Indonesian-Australian drummer and sound artist, Rama Parwata. A thorough exploration of rhythmic capabilities and percussive improvisation under ever-shifting timbral and stylistic environments, Tekanan is Parwata’s examination and documentation of his vast musical influences in electro-acoustic improvisation, Indonesian gamelan music, free jazz, electronic music, R&B, and noise music, whilst still maintaining an entirely unique non-idiomatic m…

"The songs pull at you like the dream realm when you are trying to focus on daily life. The songs act as if they’re about to burst into a song you’ve enjoyed a hundred times before but they don’t — their path is sideways, backwards, upside down. And also completely straight, just to fuck with you." -- Bill Callahan

This outstanding set of improvised pieces by the guitarist/oud player Gordon Grdina and the drummer Jim Black, bristles with multi-genre paradoxes and incredible articulations. Recording together for the second time (after Grdina's Nomad Trio's debut album), these lads bring lots to the table with their faultless synergy and love for the avant-jazz, prog-rock, indie electronic and world music.  Things get down to business immediately with "Martian Kitties", the track that gave the album its titl…

** A brand new Double cassette featuring one tape of studio recordings and one tape of live recordings! First pressing of 250 with artwork by Jaime Zuverza. ** Brand new sprawling double cassette document from Lisa Cameron & Sandy Ewen! "Sea Creatures Too" features one tape of newly recording studio tracks and a second tape of live tracks recorded on their Texas tour of 2019 (to celebrate the initial release of "See Creatures"). Almost 2 full hours of evocative soundscapes that expand upon their…

* Edition of 250 * Originally planned for release in conjunction with their appearance at the (now cancelled) Pitchfork Festival, we've decided to release Behold early to celebrate what would be Moondog's 104th Birthday! Behold features four tracks that didn't make it onto the original (and now OOP) Snaketime LP but are from the same magical night at the Hungry Brain in Chicago a few years ago and are just as essential as well. All Compositions by Louis Hardin (A.K.A Moondog). Arrangements by Du…

* Pro-dubbed clear tape in smokey brown case, cover image printed on transparency film, insert card with a stamp * Alicja founder, painter DJ and problem child Tomasz Kowalski presents his first collection of confounding audio objects: Eliksir. The title track, centrepiece and key to the work as a whole, Eliksir is an augmented radio play that is loosely based around Alvin Lucier’s I’m Sitting in a Room. But instead of an intense focus on auditory phenomena, distraction and interruption divert t…

Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms. His first solo release reflects this diversity of interest…

Original printing of the 1978 J. Jasmine Songbook, which has scores, lyrics and images for all the songs on the "J. Jasmine: My New Music" LP. Printed but never distributed because of the book distribution house going out of business, this is a must-have item for fans of Humber and Rosenboom

**120 copies** Die Tödliche Doris was born out of West Berlin’s lively post-punk community in the early ‘80s. Along with Einstürzende Neubauten, Malaria, Sprung Aus Den Wolken and Frieder Butzmann, Die Tödliche Doris ranks amongst the Geniale Dilletanten – which roughly translates as “ingenious dilettantes” – who sought to democratize cultural productions beyond the grip of both Western capitalism and GDR socialism. The Geniale Dilletanten became synonymous with a free-for-all approach to music,…

*In process of stocking* Human Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds. The trilogy marks the end of the late era of solo albums by Haigh before he steps away from music production. The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our curren…

De la Catessen Records presents Spiritual Disturbance, from Elijah Värttö's project Leitmotiv Limbo. Currently based in Port Adelaide, Australia, Leitmotiv Limbo has developed, slowly but surely, over the past few decades, through international travel and relocation, including 5 years in Estonia (2008-2012), where Värttö set up the Servataguse Muusika concert series. Spiritual Disturbance was recorded in 2020 and released privately as a small run of recycled cassettes - this CD version is th…

The first widely available edition of this singular, long-form composition, Within Our Reach: A Symphony Of The Port River: Soundscapes, by Port Adelaide, Australia-based pianist, composer, writer and researcher Chester Schultz, is proudly presented by De la Catessen Records. Originally self-released by Schultz in 1996, on his own Waterhole imprint, Within Our Reach was initially distributed free as a community resource, and not available for sale. De La Catessen’s reissue is an invaluable contr…

Comes in a four panel case with 16 page booklet, designed by Sam Songailo ** Russian pianist Konstantin Shamray studied in Moscow at the Russian Gnessin Academy of Music with Professors Tatiana Zelikman and Vladimir Tropp, and the Hochschule fur Musik in Freiburg, Germany with Professor Tibor Szasz. In 2008, Konstantin won First Prize at the Sydney International Piano Competition. Konstantin has performed with the Russian National Philharmonic, the Mariinsky Theatre Orchestra, Moscow Virtuosi, O…

** Edition of 100 hand-numbered copies. Notes by Jon Dale ** By the time I landed in Adelaide somewhere in the mid 1990s, to complete my secondary schooling and get the hell out of dodge – the tiny country hamlet that I’d been living in, in the northern parts of the Upper Hunter in New South Wales, at the foot of the Barrington Tops – I’d already been indoctrinated into a set of ideals through my reading, listening, and the questionable guidance of a few family members. Foremost was a kind of id…

The new Eyvind Kang album was recorded in Italy with a 25 piece mixed orchestra of traditional strings and winds, with the addition of Moog synthesizer, accordion, percussion, field recordings and voice. It features vocals by Alan Bishop, co-founder of Sun City Girls. Eyvind Kang conductor, chironomy, violaAlan Bishop voice, field recordingsMarco Dalpane accordion, moog synthesizerMG_INC Orchestra:Ferenc Vojnic Hajduk 1st violin; Eliana de Candia 1st violin; Giulia Camardella 1st violin; Eleonor…

Internationally renowned musician and composer Roscoe Mitchell since Sound, his debut on Delmark in 1966, has defined a unique language based on a creative approach toward jazz and its relationship with contemporary music. Splatter, drawn from two concerts at the AngelicA Festival in Bologna in 2017, presents the most recent developments of this research. Here are two pieces from his cycle "Conversations for large orchestra". A project based on the transcription and orchestration of some pure co…

* Contains 24 Pages Booklet-poster with photos and texts * For more than a decade, the versatile musician and composer Mirco Mariani has been pursuing a unique experimental journey on song-forms through the parallel projects he founded: Saluti da Saturno, eXtraLiscio and Fwora Jorgensen. Since 2014, AngelicA festival has produced and commissioned to Mariani several special projects of variation, extension and new arrangement of these groups’ repertoire. The record Shaloma Locomotiva Orchestra do…

Released way back in 1974, the lone, self-titled effort from Spirale is an album notable for its lack of electronic instruments. It also has some of those loveable low-budget production flaws that are so often heard in obscure 1970s Italian progressive music, and the bass quite often seems charmingly out-of-tune. But this was an earnest and quite energetic jazz-rock ensemble excursion, with excellent brass arrangements and improvisation. Other instruments used include violin, drums, piano and va…

*2022 stock. 100 copies limited edition* "LP by Maurizio Bianchi and a CDR by M.B., and that's why a book is such a great idea. Why is that? 'Telmegiddo' (CD) is 'the last cassette tape decomposition' and was previously released as 'Extreme Man 2'. The two pieces on 'Bacterihabitat' (CDR) are from May 1982 and previously released as 'Extreme Man 1' - both of the releases actually released without permission. Its hard to say what the differences would be between both works, but they (all four pie…

Special bundle of the two seminal Walter Smetak albums re-issued by Buh Records, among the most sought-after releases in the canon Latin American experimentalism, channeling mystical religion, Afro-Brazilian ritualistic traditions, microtonality studies, and open, collective improvisational processes,

Astral Spirits presents ...of Late by Jessica Pavone String Ensemble. Jessica Pavone - composer / viola; voice on track 3Aimée Niemann - violin; voice on track 3Abby Swidler - violin on tracks 1,3,4; viola on tracks 2&5; voice on track 3

The trio of guitarist Tetuzi Akiyama, saxophonist Gregor Vidic, and drummer Nicolas Field introduces Akiyama to Vidic and Field’s standing duo. The result is a magnificent set of exploratory improvisation. Vidic and Field’s playing has a rich, textural quality, developed through their use of timbre and dynamics. In this way, Akiyama’s multiphonic approach to guitar, and his innovative use of effects, offset’s Vidic brilliantly. Over the course of 45 minutes, Akiyama, Vidic, and Field generate a …

Astral Spirits presents the debut duo recording from Alex Cunningham (violin) and Claire Rousay (percussion) entitled Specifically the Water.Alex Cunningham is a violinist, improviser, and visual artist based in St. Louis, MO. His work explores free improvisation, drone, noise, and minimalist composition. Cunningham has recently performed with Mark Shippy, Sandy Ewen, Damon Smith, Stefan Gonzalez, and Lisa Cameron and has ongoing collaborations with Chris Trull (under the Apathist! moniker), Kev…

**300 copies** Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight. This might be the only we've seen with Fisher as a leader – but the set's got a quality that will certainly have us looking out for mo…

Koma Saxo, the explosive quintet led by Berlin-based Swedish bassist/producer Petter Eldh, returns on We Jazz Records with their new album, cut live at We Jazz Festival in Helsinki, December 2019. Whereas their lauded debut was a triumph of remapping the goal posts for an acoustic jazz combo for the 2020's, "LIVE" takes you right to the heart of the actual ensemble sound, with 5 musicians tearing the place down, no post production. From the fiery opening sequence kicking off with "Euro Koma", on…

"We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. “The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impr…

*In process of stocking. Limited, numbered edition of 260 copies* Born out of a common interest in the repetitive, challenging and intense the three-headed dragon Organ of Corti is a new collaboration project between Swedish sound experts Joachim Nordwall (IDEAL Records, Gagmen), Mattias Gustafsson (Altar of Flies) and Dan Johansson (Sewer Election, Enhet för Fri Musik). Inspired by tape music from the 60s, minimal music, early industrial and collective creativity their sound is unique and unhea…