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Tentacles
The artist group Augenstern (Christiane Prehn and Wolfgang Meyer) have lived and worked on the ship Anuschka for many years. In July 2014 the MS Anuschka left Berlin in the direction of Paris before reaching their final destination in the south of France in November 2014. On the way, the crew examined numerous bridges, spanning rivers and canals. Using tentacles installed on board to scratch the bridges, the ship turned into a sensitive, perceiving and sounding laboratory interacting with the te…
Landscapes of Fear
A metal fence, about 6 metres high, in the background. A group of people sitting closely aligned on the upper edge, detained by the presence of the border police. A strip of bushy vegetation for sight protection in front of the fence, a bit farther aside some taller palm trees.An ascending hill behind the fence, dry grass, rock, soil. The well cared for, wavy green of a golf course in the front, two people dressed predominantly in white standing on the lawn, one of them is about to swing the gol…
Musical Surgery
**2020 stock, limited to 300 numbered copies in A5 sleeve** From the sleeve notes: Mixed on february 1982 at Sound Recycling Terminal in Florence and printed in four audio cassettes only for participants in the experiment. From the archives of the Florentine studio Sound Recycling Terminal comes this singular finding, an experiment in "sound surgery" originally assembled in February 1982 by Daniele Ciullini with audio materials sent by Maurizio Bianchi (M.B.) and the founders of the TRAX multime…
Growth
*200 copies limited edition CD in 6-panel digisleeve* "This is, by far, the most emotionally moving album I've made in my life so far. I mean for me, when I listen to it. This is most probably because it's the only record I've actually 'played' in real time, although I did it only on my usual and sole instrument, the laptop. It's also the only album that does not feature any other musician. I'm alone. But at the same time, once again, I didn't create any sound, nor record anything. Each song is …
Any Way, Shape, or Form (4CD Box)
**Special Edition CD Box Set, over 4 hours of music, edition of 200 copies** Adam Pacione's finely crafted, deeply affecting drone work has found its place in the upper echelon of modern ambient artistry. Once heard, the gorgeous fluidity of his music is instantly recognizable. Now, an absolutely crucial addition to Pacione's relatively slim oeuvre is here, offering more than four hours of aural color and visual sound from a master of the medium. Any Way, Shape, or Form, a stunning 4CD box set, …
Treasure Of Light
*300 copies limited edition* "It is with great emotion that I want to tell you about my wonderful collaboration with Martyn Bates, one of the most beautiful voices in the current scene. Speaking of him, Vittore Baroni once wrote: "he could sing the phone book". I agree. And it is a voice that is absolutely functional to the spring atmosphere that I have tried to embed in this album. That early spring that makes the first buds and the still cold morning mists shine together. That "treasure of lig…
Eternal City
Tip! Three pieces spanning free improvisation, noise and extended saxophone technique by long-time collaborators Jason Kahn and Ulrich Krieger.
Just Another Diamond Day
Recently voted one of the Top 100 British Albums of all time by the OMM, this CD re-release of Vashti Bunyan's 'Just Another Diamond Day' features the likes of Robert Kirby (of Nick Drake fame), Robin Williamson (Incredible String Band) and the Fairport Convention's Simon Nicol and Dave Swarbrick, it is also regularly cited as inspiration by Devendra Banhart, Joanna Newsom and Scout Nibblet... Possibly sounding a bit naïve in retrospect, much of 'Just Another Diamond Day' seems to exist somewher…
Rupture & Dissipation
Recorded live in Sokolowsko, Sanatorium Dzwięku Festival 2016. Composition: Kasper T. Toeplitz. Played by: Ensemble Phoenix Basel.
Sombras
New recoerd form Uivo Zebra & Horns. Jorge Nuno - electric guitar. Hernâni Faustino - electric bass João Sousa - drums and percussion. Luís Vicente - trumpet. José Lencastre - alto saxophone. Paulo Galão - tenor saxophone. Pedro Arelo - baritone saxophone .
MID_EVIL
Improvisations recorded on the MID_EVIL album do not aspire to reconstruct the past. However, its ghost hauntingly looms over the whole project referring - if only by bone scraping sounds transmuting into the noise of prepared gramophone records - to sonic archaeology and the phantasms concerning the era of phonographic breakthrough. This material touches on issues concerning continuity in history and tradition, recording sounds and tones, as well as musical structures and practices.These are al…
The Stone Which The Builders Rejected (Tape)
A reconstruction of underestimated and mislaid recordings from the period 1984-1987. Contributors: Kostas Anestis (synthesizer & voice), Yiannis Argyropoulos (drums, piano & voice), Eleni Drygianaki (voice), Costis Drygianakis (a bit of everything &voice), Christos Kaltis (bass & voice), Alexis Karavergos (guitar & voice), Petros & Eliza Koutsopoulou (voices), Kostas Pandopoulos (sea & voice), Eleni Varouxi (toy trumpets & voice).
Cosmic Gem Pt. 2&3 / Les 3 Cœurs
Psychedelic split tape by Weird Dust and Bear Bones, Lay Low.
Frequencies For Leaving Earth Vol.2
Kevin Richard Martin(The Bug/King Midas Sound/ Zonal), today launches his own digital label, Intercranial Recordings, with the simultaneous, twin release of ‘Frequencies for Leaving Earth Vol.1’ and ‘Frequencies for Leaving Earth Vol.2’. Both volumes were composed, mixed and produced during the lockdown period. Kevin spent this surreal, intense time, rebuilding his studio and retreating into these alternate sonic realities…  Volume 1 is epically slow. Three graceful tracks that are as beautiful …
Ahinsa
Piotr Dabrowski: Primitive lyre, Voice. Giacomo Salis: Objects, Caxixì, Radio, Frequency sound generator. Paolo Sanna: African bells (Apitua set.) Tubophone set, Cicada, African seed rattles.
Revue instrumentale et electronique
Gerd Kühr is a synonym for combining complexity and simplicity, modernity and “tradition”. Revue instrumentale et électronique - spatial composition for an instrumental ensemble and recorded sound in six movements – manage to cross and unite great variety of aspects of musical expression: complex, though powerful rhythmical constructions with hard accented percussion - boosted through ensemble spread in a room - and highly lyrical passages with extreme appreciation of time structured silence. Al…
Piano Music
Georges Aperghis is probably still not much associated, by the public that internationally attends performances of his works, with music for solo piano. Music-theatre – of an uncommonly original kind, with extended vocal techniques much to the fore – has usually been his stamping ground. The concerns that his operas and other music-theatre compositions have embraced – often focusing around a highly individual approach to words and to all aspects of language, developed with great musical sophisti…
Piano Concerto - Classical Blend/Weihnachtsoratorium
Petr Bakla belongs to generation of composers whose output no longer seems bound to the imperative of the "search for sounds" extended technique. Instead, he builds his music on the unmarked instrumental sound, which he uses to create a flow of interacting layers and explore the means of pure pitch, time and sound volume to the expressive extreme. His first ever solo release presents him at his best - two orchestral pieces as a definite manifesto of monumental monochromatic environments, b…
Ouate
A little bit of Baroque, a little bit of Zwölftonmusik, a little bit of electronica, that's Robert Lepenik
Bortom Naturens Förlåt
Moloton proudly presents the debut release by Aset (in Swedish meaning roughly ‘decomposing animal carcass being scavenged upon’). The constellation have existed for some time now in the Stockholm underground, but have up until now not released anything. Behind the name are two well-known figures to Moloton listeners, Anja Enerud (member of Orphan Ann) and Sonja Tofik. The full-length album ‘Bortom naturens förlåt’ is a collection of found sounds and instruments, tape loops, field recordings and…