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300 Basses exists since 2010, and has performed until now at Cave 12 Geneva, Les Ateliers Claus Bruxelles, Galleria O’ Milano, Labor Sonor Berlin and other venues in France, Italy and Switzerland. Initially they were playing free improvised music, then they began to organize their sound materials into fixed compositions. In 2012 they released their first CD ‘Sei Ritornelli’, on Potlatch label. ‘Tria Atoma’ goes further than the previous album in the exploration of sound configurations achieved b…
Track 1: Multitrack recording of sustained tones using a ‘Jubel Töne’ zither and additional live electronic effect processing. Track 2: Multitrack recording of sustained tones using a ‘Hohner Organetta’ chord organ and additional live electronic effect processing. Both tracks are part of a composition series based on sustained, multilayered recordings of solo acoustic instruments. The instruments have been performed with extended techniques and additional live electronic “extensions” (looping fe…
The four tracks on “Interventions in a landscape” give a voice to the coastal landscape where human intervention is evident. The intervention creates a certain strengthening of contrasts, for instance at the Leihoek between the ever moving sea and the silent firm dyke. Though, at the coastline the weather, the sounds, the light and even the smell are always playing an important role on how someone experiences the coastal landscape. Therefore the tracks do not only reflect on the places mentioned…
Radboud Mens and Matthijs Kouw have collaborated since 2001, when they started working on an album firmly rooted in the ‘clicks ’n cuts’ movement of way back when. After collecting source material using only feedback produced with a mixer and minidisc recorder that was broadcasted live on Amsterdam’s Radio 100 to unsuspecting listeners, they started working on their album ‘Mens/Kouw’ (2002), which features both rhythmic pieces and more abstract elements. With the passing of time, they found them…
"I hear atmospheres, sound shapes, gestural narratives, spectral trajectories, stochastic rhythms and phasic space when I encounter an environment rich in sonic phenomena. But in order to be open to this meta-sensory information, I must first get my ears out of the way. I don't listen with my ears but with an inner sensory apparatus, what Goethe called "organs of perception," that I have developed over the years. Once opened to this world sound becomes something very different—it's as if one cou…
Caveman is a recorded representative sample of Tasos Stamou’s live sound. Both tracks are complete extracts of improvised solo performances using his portable electroacoustic music studio. Both tracks have been carefully selected for their sound and narrative qualities, also taking in consideration the blend between acoustic and electronic elements. The album’s titles reveal an additional interpretation to the music, being inspired by two prehistoric ancestors who lived in caves during the same …
It was late 2004 when Spanish label CONV released Textures and Mobiles, by Jos Smolders, in a limited run of only 100 CDr’s. This amazing album was based on a limited set of sounds: dtmf and ccitt tones that were generated by telephones and pure sine waves that interfere with each other. It came in like a wrecking ball! For us at least. A couple of years later, at Jos’ birthday party, we used samples of this album in a celebratory live performance. A couple of more years and years later we decid…
Two long drone pieces based on improvised saxophone by James Fella and Jozef van Erve. One intense mind-melting business. Saxophone Studies is an album that took multiple years to form. Already in 2006 I asked friends and other musicians if they could send me audio files to make music out of this. This music never really happened, but one of the files I received was some saxophone recordings by James Fella (Soft Shoulder / Gilgongo Records). In 2017 while browsing my computer for audio files I c…
**200 copies** Nine threads. Time in slices. Viewed from the side, events and relationships hang down in long, vibrating strings. The motion of tiny lives, suspended from an unknowable sky and travelling through wire to reach the ground where they dissipate; taken together, a trembling chorus of lives. Two lives, here. Nine years ago, things were simpler and more idealistic. The first Rose and Sandy release took the sound of a sort-of-zither and strung it out into gaseous and lambent chords. Alm…
Terreng a constitution of an open-ended landscape of contrasts defining space both in time and depth. a set of structuring elements forming by its positionally interaction a common platform created through its dimensional properties. The drums and electronics on Terreng trade off each other at times creating a sense of improvised space, but also comes together in parts to form a narrative structure of almost concrete sensibilities. Where the instrumental identities gradually bleed into each othe…
Philosopher of science Isabelle Stengers has studied the operations of states and their mobilization of technical practices to serve a presupposed general interest, which involves the production of rules and norms. Such rules and norms are blind to forms of knowledge that are denigrated as ‘local’ and ‘traditional’, and feature the correlative elimination of what does not conform and cannot be standardized – in other words, what is recalcitrant to objective evaluation. Anything that resists subs…
When a twenty-minute piece takes two weeks to rehearse is an audience robbed of some of the richness of their experience by not witnessing that creative journey? For 48 Hours, Vonnegut Collective worked collaboratively with composer Tullis Rennie. Together they documented the trajectory of the rehearsal process and the motivations of the performers as the group tackled their most challenging work to date - Thomas Adès’s Piano Quintet. Recordings from rehearsals and interviews with players are wo…
**300 copies limited edition** "Ursae Minoris, meaning ‘of Ursa Minor’, is the title of this work because in this album we encounter this constellation not as a singular instance but as an evolution of multiple perspectives to ruminate upon. As our view of the stars changes with time and place, the three movements of this piece each offer a different aural interpretation. While working on his string quartet Perpetuo Motum, Baroni happened upon the diaries of Ciriaco d’Ancona (1391-1455), an Ita…
* Pressed as a heavy weight single 70g with a picture sleeve. Edition of 750 * Angels and Demons at Play featuring Marshall Allen. Tracks include "Angels and Demons at Play" recorded in 1960, "Between Two Worlds" recorded in 1960. "Spontaneous Simplicity" recorded in 1966. Pressed as a heavy weight single 70g with a picture sleeve.
The album Angels And Demons At Play was compiled from two different sessions, recorded four years apart (1956 and 1960), that reflect Sun Ra's evolution from hard Chi…
After moving to New York City in 1978, Mikio Masuda crafted "Corazón" alongside composer / pianist Dave Matthews, notable collaborator of the likes of Nina Simone, Idris Muhammad, Yusef Lateef and Buddy Rich. Originally released on the japanese fusion jazz label Electric Bird in 1979, this also represents his first recording outside of Japan, at the famous Electric Lady studios in New York. The album features a cover of Carole King's "Corazón", Sadao Watanabe's tune "Samba Em Praia", the caribbe…
* edition of 77 copies * Atavist is a limited edition handmade record. The record is constructed from wood glue poured over and then dried on top of a master record. Atavist is a unique listening experience where the medium itself directly affects the sound and composition of the record. As a result, Atavist creates an auditory landscape that has been eroded by time. An ancestral recollection discovered in an unremembered closet. A whispered voice emerging from a forlorn past. -Leicht
Anthony Ja…
* 2021 stock * Acousmatic events dispense with performers. There are no musicians, even at public concerts. The audience is able to follow what is emanating from the loudspeakers with eyes closed and still not miss anything. What it hears is composed, and demands the same attention as any other kind of music listened to on a stereo system or via headphones. It is worth remarking this fact because so many people are no longer able to hear things without seeing something as well in video clips or …
The "The Lightest Words" by Kirsten Reese is now available at World Edition. Kirsten Reese studied flute, electronic music and composition and lives in Berlin, where she teaches electroacoustic composition at the University of the Arts. In her works Reese often focuses on performative and narrative aspects, as is the case in the three pieces on this CD.
The first track "the lightest words had the weight of oracles" features the historical and specific tone colour of the Fairlight CMI Synthesize…
*2020 stock* Unlike my earlier freetonal and 12-tone works, my music since 1981 has been characterized by the use of repetition, and since 2004 by generally soft dynamics. While often termed "minimalist" or "postminimalist," I have come to prefer the term "focused music," as my works tend to concentrate on very specific, and often a limited number of, music elements.
Typically, there is but a single dynamic level specified, and sometimes not even that. I like to provide a good deal of freedom fo…
*2020 stock* The double CD Improvisaciones is an homage to the Iberian baroque organ. Germán Valverde Usano’s music reminds one of the rich music tradition of the autonomous community of Castile and León as well as its rich cultural heritage with over 100 conserved Iberian baroque organs. The recordings took place in 2016 in San Agustín in Capillas not far from the capital city Palencia (Spain).
Germán Valverde Usano’s passion for the Iberian organ as well as his extraordinary musical talent are…