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African Rock
Back in print ! Fully licensed and remastered from the original tapes. Akira Ishikawa runs through the land of Africa with both jazz and rock. "Prayer", "dawn", "hunting", "love" drawn with beautiful and exciting sounds. Akira Ishikawa's three pillars of musicality, jazz, rock and African music, are fused in the best balance, and it is a masterpiece that rushes one after another with thrilling songs. A solemn "prayer" reminiscent of the eternal earth, a clear and psychedelic scent "dawn", a quie…
Dialoghi nel Vuoto
Limited clear vinyl, edition of 100. When No Pussyfooting was released in 1973 by two great pioneers like Eno and Fripp, that first whisper of their artistic association surprised many critics and fans. Yet, that kind of minimalist ambient sonority carried out by the two appeared in the ear like something absolutely new and innovative. Although nowadays we might be more accustomed to creative operations of this type, we are still fascinated, while listening, by the still possible achievement of …
Split
*200 copies limited edition* John Duncan's "SAXMIX" is one massive piece of contemporary experimental music, which lets noise collide with free jazz and extreme minimalism. Duncan is a master when it comes to these things, and he is an artists constantly evolving, mutating and challenging. The sax thing then? JD has invited some of his fav sax players to collaborate with him; Mats Gustafsson, Antoine Chessex, Martin Escalante, Dror Feiler and Ulrich Krieger. Did I say MASSIVE? Well, it is. Schei…
Rituals
‘Rituals’ is the new album of spiralling drone & ambient formations by Italian artist Danilo Betti aka April Clocks (Union Editions / Mixed Up); a masterwork of sublime disorientation by the Rimini-based outlier, arising from a period of reinvigorated artistic practice. Emerging just over a year after the project’s second album ‘It Takes Time’, ‘Rituals’ heads deeper into spheres of consuming, hypnagogic haze, coursing through nine coalescent compositions of amorphous yet absorbing electronics. …
Reflection
*180 gram Gatefold Vinyl* One of the most exciting bands of the British Blues Boom era, Steamhammer was powered up by guitarist Martin Pugh and vocalist Kieran White. After gaining a reputation for steaming ‘live’ performances they were signed to CBS and released this debut album in 1969. It is packed with dynamic performances, including ‘Junior’s Wailing’ - a track released as a single that became a hit in Germany (and was also successfully covered by Status Quo). Also among the tracks on the L…
20 Jahre Inventionen V - live electronic
The live electronics that Nono worked with for the first time in the early 1980?s at the Freiburg Experimental Studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. Due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. Tones and gestures are lengthened into seeming infinity and move in space
The Winds Rise in The North
Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein
Iannis Xenakis
Trifold glossy slipcase includes two CDs, label catalogue and 16-page booklet of liner notes and images. For new initiates and avant-garde fiends alike, this Iannis Xenakis collection renders a breathtaking survey of works by the radical composer, theorist, architect and engineer, spanning the period 1956-1974 and featuring some of the greatest works of the 20th century, including the awe-inspiring sonic architecture of ‘Persepolis’.Inarguably one of the most important composers to blend electro…
Morton Feldman
Beautiful collection of Morton Feldman's earliest, shorter piano works from the early 50s, going through the late 70s
L'oiseau
"A beautiful solo album by experimental electronician/multiinstrumentalist Jean-Marc Foussat. The album is clearly dedicated to his son Victor Foussat, a young poet and painter who died this year. One of his paintings his reproduced on the inner sleeve, and Jean-Marc recites a poem of his in-between the two 20-minute tracks that make up the album. I rarely cross paths with Foussat’s music, but each opportunity is a delight. The two pieces here are powerful amalgams of synths and objects. Foussat…
Resonant Cuts
Concert and Sound Installation, edited by Carsten Seiffarth and Michael Moser. 21x16 cm, 63 pages, b+w and colour fotos, English-German texts. Limited to 500 copies. CD-1 Concert Installation. Ensemble Polwechsel and guests: Burkhard Beins: percussion, Martin Brandlmayr (percussion), Werner Dafeldecker (double bass), Axel Dörner (trumpet), Theo Nabicht (contrebass, clarinet), Wolfgang Musil (live-electronic). Recorded live on July 24 2008 at Kleiner Wasserspeicher, Berlin. CD-2 Sound Inst…
Quixotism
CD version. Black Truffle presents a tenth anniversary reissue of Oren Ambarchi's Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as "Sagittarian Domain" to new levels, with the entirety of this long-form work built on a foundation of pulsing …
Duo
Duo a la Bibliothéque de Massy le 13 novembre 1980.
True & Whole Tones In Rhythms
Concert recorded at 28 rue Dunois, 9th May 1982, ... Text d'Antonin Artaud, extrait de la prèface du Théatre et son double, 1938. (Text by Antonin Artaud, extract from the preface to Le Théatre et son double, 1938).
Résume Of A Century
Fou has struck again. Jean-Marc Foussat has volunteered so much of his time to collect all this free improvised music in its most explosive, confusing and emotionally charged moments that his litany becomes infinite! Summary of A Century (in Memoriam Annick et Fred). The musicians: the career of Antwerp pianist Fred Van Hove is so special (and ultimately little known to cognoscenti) that it seems to me to be a symbol of openness, a quality intrinsic to this “kind of musical practice. In the mid-…
Assassins
At the beginning of the 80s, guitarist Jean-Francois Pauvros and trumpeter Jac Berrocal invented the trio Catalogue, responsible for a rather provocative crazy rock with its saturated voices and decadent lyrics... We remember "Khomeini Twist" from the 1982 album "Penetration". After Jean-Pierre Arnoux's brief appearance, Gilbert Artman sat behind the drums for three explosive vinyls which were to mark their era to the point of still resonating today. Sound recordist Jean-Marc Foussat, a long-tim…
Quartet Un Peu Tendre
Improvised music from Sophie Agnel, Kristoff K. Roll, Daunik Lazro.
Ecstatic Jazz (Crypte Des Franciscains Béziers 12 Février 1982)
"A newly discovered, enthusiastically received 1982 concert from three avatars of French Free Jazz captures the triumphs and the trajectories of improvised music at the time. Veterans, even at that time, saxophonist Daunik Lazro, now 78, and known for this work with Michel Doneda and many others; bassist Jean-Jacques Avenel (1948-2014), a Steve Lacy associate for years; and pianist Siegfried Kessler (1935-2007) who had a similar relationship with Archie Shepp; are as usual expressive and explora…
Concert à Luz 2009
From Jean-Marc Foussat own Fou Records, comes one of the most striking archival releases of the year, “Concert 2009”, capturing a meeting between the French electroacoustic free improv trio, Marteau Rouge, and Japanese noise giant Keiji Haino. Pushing far beyond expectations of free improvisation, the group weaves blistering passages that incorporate touchstones from prog, punk, metal, noise, and drone, into more intricate movements of dystopian avant-gardism, culminating as a strikingly forward…
Off Course !
"There is a landscape of sonic ideas, of banging, of entity, of new forms of stimulating the body and of prehension moved by our human, urban, maybe even cubist surroundings, or by the big wild country where, we say, music does what it wants. Unless, we misread and “music knows what it wants.” Both! With one stroke, knowing and doing unanimously converge into one. A point of intersection - there are so many - between the desiredl iberties and sublime agitation provoked by the embrasure of paths …