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More Impossible Futures
It seems that Bocian Records only releases 7"s these days and that they have a soft spot for improvised music from down under. Following Sean Baxter's 7" from a month ago, here is Robin Fox, an improviser from the world of electronic music, playing laptop and on one side entirely EMS VCS3. Two pieces that sound hardly improvised, but more composed. The 'More Impossible Futures' on the a-side is a more introspective piece of various layers of electronics sounds, which are put together in a rather…
Invisible Angle / Grim Trigger
France Has The Bomb’s new 7″ is now out on Horizontal Action, along with a new Nobunny 7″ and the new Nice Face, which I covered last week. For this entry, I was about to cover the new Nobunny as well to complete the new trio of HoZacs but fuck it, I bet copies of that will be sold regardless. Remember a couple of years back when it seemed like every other band had a RIYL that included Gang of Four? Thing is, 5% of that illustrious group actually sounded like GO4. The other 95%? You can thank la…
Lettre À Monsieur Le Chef De Gare De La Tour De Carol / Un Mauvais Champignon / La Nausée (extrait)
Cougouyou Music present a limited 7" single Brigitte Fontaine's masterpiece "Lettre À Monsieur Le Chef De Gare De La Tour De Carol", originally released on her legendary album Comme À La Radio in 1969. Fontaine is not an artist from Perpignan/Catalonia, but this beautiful track about the station master of the train station Latour-de-Carol, 1200 meters high in the Pyrenees, is emblematic for this region in the South of France. Nothing is known about concrete music composer monsieuRdurand. Based i…
Ein schwärzeres Schwarz
The two tracks featured here are a further development from the Die letzte Musik vor dem Krieg 7" (DS70) using the new work with piano sounds and it's one of the best works of Organum yet in our opinion. Edition of 500.
Patterns Of Penetrations
Damien Dubrovnik are Loke Rahbek (Lust For Youth, Var,Croatian Amor) and Christian Stadsgaard, two Copenhagen residents who run the prolific Posh Isolation label. "Penis Corset" is driven by a crude and primitive rhythm made from an electronic bass pulse and blown-out synth noise, punctuated by feedback and guttural vocals. On the flip, title-track "Patterns of Penetration" presents a calmer side of the duo's work yet also finds them at their most complex and rich, sonically-speaking, with a …
One Instrument Sessions 04
**100 copies** Certain to become a collectors item, One Instrument Sessions 04, is pressed onto 7” vinyl in run a very limited edition of only 100 copies. On this record One Instrument presents their most minimal work to date; three one-take vibraphone tracks recorded by Alessandro Di Puccio eighteen years ago.The tracks are a selection from eleven pieces that were originally created for a theatre piece called Il silenzio è d’oro (Silence Is Golden). After 18 years of being kept in a drawer in D…
Death Comes Ripping
Dracula Lewis is one of the most well hidden deep dark secret from Europe, he spent long time traveling all over the world. 'Death Comes Ripping' is his second official release and Wendy is proud to present this new two tracks. Space-psych-horror, lo-fi aggressive electronics with weird field recordings but also a spacey melodic sweet sound who came up from this maelström. Everything done with a guitar, broken mixer, open mic and some effects.
Rust Clatter For The Midwest Sun
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new sides from Crazy Doberman, both culled from recordings made during spring 2018. The psychedelic ambience on the A-side at times brings to mind Swedish communal collective rock ala TGS and such, that same headspace, though passing on in slow motion. Flip the seven inch and that line “if the Glenn Miller orchestra recorded a tape for Industrial Records and microwaved the ma…
Bored/You're Gonna Die
Color vinyl; Editions of 500. Destroy All Monsters began life as an experimental rock group in early '70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren's romantic relationship, the group solidified in the late '70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges' Ron A…
Nov. 22/Meet The Creeper
Color vinyl; Editions of 500. Destroy All Monsters began life as an experimental rock group in early '70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren's romantic relationship, the group solidified in the late '70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges' Ron …
Jazz Al Folkstudio + I Tarantolati
Huge Tip! **300 copies, comes with a printed insert** Back in 2021, we bore witness to the reissue, by Dialogo, of the Rome based ensemble Spirale’s lone 1974 self-titled LP, a towering obscurity of 1970s Italian jazz. Made of up Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums), the band ranks among t…
What Do I Get/Nobody Knows
Color vinyl; Editions of 500. Destroy All Monsters began life as an experimental rock group in early '70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren's romantic relationship, the group solidified in the late '70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges' Ron …
Kill And Release
Coppertone is Los Angeles’ Sasha Wiseman, a one-woman pop damager specializing in cold, beat-driven anthems swathed in quietly intimidating atmospherics. “Kill and Release” offers bodily transport into a world that’s as surreal and synthetic as it is strangely familiar – something like the dream sequence of a horror film. A woman armed with a net, a knife, keyboards, and lust. Limited edition pressing of 300 copies.
Bombscare
A bit of a missing link in Low’s discography, Bombscare has been unavailable for almost two decades, originally released in late 2000 on Tugboat (Glen Johnson’s Rough Trade subsidiary), it’s now been reissued on vinyl by John Coxon and Ashley Wales’ remarkable Treader imprint and provides a bit of context for last year’s roundly acclaimed Double Negative.It’s mostly about the title track here really, Coxon and Wales’ (aka Spring Heel Jack) provide the sublime, electronic backdrop, offsetting Mim…
Untitled
Necessary, and slightly expanded, vinyl edition of the first Little Skull long player which was originally released as a micro-edition CD-R in 2009. Written, performed and recorded by Dean Brown on borrowed and home made instruments during a year spent living in a cold colonial-era house across the street from Len Lye's childhood home in Aro Valley, Wellington NZ. Fashioning a bass from a coffee can and elastic band, using the home's antique doorbell, and unavoidably including the seeping sound…
Eastern Saga: Live at Tusk
Turkish free jazzers Konstrukt continue their series of exciting collaborations with Otomo Yoshihide, highly repudiated multi-instrumentalist and composer in the experimental world. #4 in the continuing series of Konstrukt collaborations on Karlrecords is a live document of the concert by the Turkish freeform group with the Japanese experimental musician Otomo Yoshihide from the TUSK Festival 2018. Konstrukt, the Istanbul based free jazz/freeform group founded and led by Umut Çağlar and Korhan F…
Musique Barbare
** First reissue of Karel Appel's masterpiece Musique Barbare*** Widely regarded one of Europe's most important figures in the post-war avant-garde, abstract expressionist painter Karel Appel developed an idiosyncratic visual and sonic language. Founder member of the avant-garde Cobra movement in 1948, Appel booked time in the Instituut voor Sonologie in the Netherlands to compose music for a documentary that cinematographer Jan Vrijman was making on Appel's work. Musique Barbare was born.Made …
Fouth Injection
** Remastered from original tape. Limited edition of 160 copies. ** Fourth Injection was recorded by Marco Corbelli at Sweet Slaughter. The master tape was given to Moreno Daldosso / Murder Corporation to be published on his label Murder Release. The release was planned but, for now forgotten reasons, it never eventually materialized. The master tape of Fourth Injection was then closed in a drawer and was left there for 17 years. It was rediscovered only in 2013.First ever release. It comes in a…
None Corsa
Debut vinyl outing for Valentina Magaletti and Pino Montecalvo’s Avvitagalli project couretesy of London's Horn of Plenty label. Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting backdrop to the surreal push-pull of Valentina & Pino’s aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, g…
split 7"
Campbell Kneale moves ever closer to the glistening, levitation altar, with backwards bliss-shimmer, spooked chant and analogue squawk and squeal, kaleidoscoping around triumphant snare punctuation. Bark Haze (Thurston Moore & Gown duo) hit back with focused power-drone guitar duelling from the heart of the bong, smoking out into tunnel-visoned, crumbled-amp chunder. Artwork by Campbell Kneale/Kim Gordon.