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Mallevs Maleficarvm
*300 copies limited edition. In process of stocking* Re-edition of the very limited cassette out on Marbre Negre, plus an exclusive 33 minutes bonus track. The work makes an obeisance to the celebrated witchcraft treatise “Mallevs Maleficarvm”. This book written by Heinrich Kramer, was published during the 15th century of our era. It involves the most important compendium related to demonology literature of all times.
The sound recreation of this treatise was done by Moral Order the 6th of June …
Vi ska resa ett eldens tempel i Bromölla
*300 copies limited edition* Svenska Likbränningsföreningen (or more simply SLF): a healthy dose of post mortem industrial music, made in the traditional way. Mix equal parts bombastic orchestral mayhem, droning dark ambience and sounds we all will hear at the end of our lives, and you have a tasty treat for all fans of the classic Swedish sound. Recorded 2022 in Studio Ulvkällan and Nar Mattaru. All cremation oven gas nozzles and door locks, freezer ambience, human bone vibrations, dissecting t…
Pulse Demon
*Holographic Cover* Pulse Demon probably is the most iconic, most representative and best known album in the japanoise scene and Merzbow discography. This is the edge of music and sound, here you enter a new dimension made of powerfull noise. Recorded in 1995 and first released in 1996 on the US label Relapse, this album was re-released several times in both, CD and Vinyl formats. This is first time in which album was completely re-mastered by Masami Akita for CD re-release with the addition of …
Roundup Two
Restocked. Since the mid-1060s, composer-performer David Rosenboom has developed unique circuitry and software for making musical models of the wondrous natural world come alive. Traversing the raucous and the sublime, Roundup Two presents live performances with vacuum tube analog computers, solid-state manifestations of chaos and harmony, musical interventions on political tunes, virtuoso performers interlinked with hybrid processing, and more. Roundup Two is an essential, historical document c…
Archives Box 1983-2005
Back in stock, very last copies. A spellbinding archival discovery documenting the entire enigmatic production by one of the missing links in experimental electronic and prototypical industrial music: Anne Gillis. As though pursuing the smallest of impulses to their logical end-points, French composer Manon Anne Gillis began creating sound works and performances in the early 1980s that were simultaneously quotidian and theatrical. This is the first archival release to cover her work in its entir…
Live In Europe 2016
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Diggin'
"The master of multiphonics (playing more than one note at a time on a horn), Albert Mangelsdorff has been a giant of the European avant-garde for the past 30 years. He originally studied violin and worked as a jazz guitarist before taking up the trombone in 1948. Here he is taped live at a concert in Tokyo with what was then his regular quartet: Heinz Sauer on sax, Günter Lenz on bass, and Ralf Hübner on drums. There's a very nice blend between the leader's agile but smooth horn and the somewha…
Masaru Imada Piano
Sublime solo piano from Masaru Imada – a Japanese player with talents in a range of different styles, but who sounds especially nice up-close here in an intimate setting! Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a style that's "flowery" at all, because Imada's a master of finding just the right notes at the right moment – never embellishing things…
Morning Flight
*2022 stock* Recorded in 1973, “Morning Flight” by trombonist Hiroshi Fukumura is a stunning modal and spiritual jazz album! Genius work from Japanese trombonist Hiroshi Fukumura – working here at the helm of a twin-trombone group that also features the talents of Shigeharu Mukai – in a style that's filled with soul and free-thinking imagination! The two players work together beautifully here – avoiding any of the cliches of trombone-heavy groups from the past – and instead, using the open-ended…
Sunrise/Sunset
*2022 stock* "Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar fro…
Physical Structure
*2022 stock* Amazing 1976 record by drummer George Otsuka, Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: George Ostuka (drums), Shozo Sasaki (tenor and soprano sax), Fumio Karashima (piano, electric piano and synthesizer), Mitsuako Furuno (bass), Norio Ohno (percussion).
Standards
*2022 stock* Sublime release from Masaru Imada Trio. Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a style that's "flowery" at all, because Imada's a master of finding just the right notes at the right moment – never embellishing things just to show off. Instead, his imagination finds all the best paths forwards, especially on his original tunes on the…
Free Form Suite
Classic Japanese free jazz monster, originally released in 1972. Recorded live at Aoi Studio, Tokyo on 19 May 1972. The late 60s and early 70s was the time that Japanese free jazz began to lift off (see We Now Create LP of Togashi Masahiko with Takayanagi, Motoharu and other heavyweights releasing the 1st free jazz LP in Japan) and blossom into a fierce musical power to be reckoned with. Legendary combos such as Masayuki Takayanagi New Direction were soon responsible to be the originators of thi…
Remember Of Love
Imada's last album for TBM. The lyrical and flowing solo opening "Maki" is a reprise of the title track from his first solo album (JVC), the title track from TBM5003 (2), a reprise of TBM14 with electric piano (3) (2), a reprise of the title track from TBM5003; (3), a reprise of TBM14 with electric piano; and (4), an ethereal synth piece." - Koki Hanawa
My Back Pages
"This is Kunio Ohta's second TBM album, known as a favorite of listeners who love the TBM label. The original "Umi to Taiyo (The Sea and the Sun)" features all the members in lively action, and Takano's melancholy tenor solo on the over 16-minute title track is a must-hear." - Koki Hanawa
The World Of Shuko Mizuno
"This is a live recording of "Shuko Mizuno's World Evening" on the fourth day of "5 Days In Jazz 1976", which made the genius Shuko Mizuno known to the world. The massive, fast-paced jazz-rock piece "Concentration" and "Jazz Orchestra '75 Part II" are breathtaking performances. Katsumi Watanabe's superb solo is also noteworthy!" - Koki Hanawa
Yokohama Concert
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Sleepy
*2022 stock* "Hidehiko Matsumoto Quartet – Sleepy released by Three Blind Mice. Album recorded in 1976 and it was DSD mastering from the original analogue master tapes. This record, made in 1976 in a one-horn quartet setting, showcases Matsumoto’s brilliant playing on both tenor saxophone and flute. He is a true master of both instruments and it is a great pleasure to hear him beautifully recorded by the people of Three Blind Mice. A masterpiece, with great sound." - Audiophile Music
Ginparis Session
For the better part of the 50s and 60s, Masayuki Takayanagi was among Japan's best-respected jazz guitarists. But it wasn't until his experiments with tabletop guitar led him down the seductive path of sonic experimentation that he became the stuff of legend. “Ginparis” (literally translated as Silver Paris) was known as the chanson cafe in Tokyo, Ginza, and the performances often centred around chansons but eventually became the session venue for young jazz musicians. They left their mark on a…
Ode To Birds
"Hideto Kanai's first album is fairly hit-or-miss free jazz, but here he's in full-blown Black Saint and the Sinner Lady mode. There are twenty three musicians on this album (twenty three!), and while the undercurrent of free jazz is still running through, it's much closer to experimental big band or avant-garde jazz. And it's extremely compelling. Two side-long pieces, both of which go in and out of being quite elaborate and being complete chaos. There's some unusual and dissonant guitar and sy…