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Before they conjured demons as Black Widow, before Sacrifice would scandalize and entrance the rock world, there was Pesky Gee! and their singular statement of transformation. Released on Pye Records in 1969, Exclamation Mark captures the precise moment when British club soul dissolved into something far stranger and more wonderful. This is the sound of metamorphosis itself: a typical U.K. soul band discovering the outer limits of consciousness, letting psychedelia and progressive impulses infil…
Stephen McCraven's Wooley The Newt was his first album under his own name, released on Marion Browns own Sweet Earth record label in 1979 (orignal copies are rare and go for $500). Working with Stephen and the carvery we have remastering the audio and restored the original artwork. Stephen is a master drumer and composer and has worked with Archie Shepp for many years,he has also played & recorded with many; Marion Brown, Mal Waldron, Reggie Wokman and Stanley Cowell to mention just a few. Steph…
From the verdant landscapes of Gravesend, Kent, emerged one of British progressive rock's most enigmatic treasures. Deep Feeling's solitary 1971 statement on DJM Records represents a fascinating metamorphosis: the transformation of The Guy Darrell Syndicate, a soul-infused pop outfit, into something far more adventurous and sublime.
When John Swail (the artist formerly known as Guy Darrell) shed his stage persona and joined forces with Martin Jenner (guitar, vocals), David Green (bass, flute, vo…
"A Composition of Agitprop Music for Electromagnetic Tape" by İlhan Mimaroğlu is a collage of political sound art blending revolutionary texts, manipulated electronics, and the vocal performance of Tülay German. Recorded from 1972–74, it transforms agitprop tradition into a radical meditation on freedom and dissent.
Tip! *50 copies limited edition* Tocca Il Futuro is pleased and proud to announce “Seti non tael tene”, its tenth cassette release: a unique project by Maurizio Bianchi and Ramona Ponzini, blending industrial, concrete noise, and sound poetry. The unprecedented encounter between Ramona Ponzini and Maurizio Bianchi for Tocca Il Futuro yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic …
Bhoot Ghar: Sounds of the Kathmandu Horror House by Aaron Dilloway is a raw suite of field recordings captured inside a decaying Nepali fun‑park attraction. Blown speakers, mechanical screams, and ambient chaos fuse into a hallucinatory documentary of sound—half ethnography, half haunted collage.
Deluxe 2 LP pressed to HQ-180 gram vinyl, cut at 45 RPM, housed in gatefold tip-on jacket with printed inner sleeves. The In Between is the debut solo album by harpist, composer, and sound artist Shelley Burgon. Burgon is one of the most accomplished and sought-after performers and collaborators in the world of avant-garde and new music. Her interpretations of works by composers such as Pauline Oliveros, John Cage, Morton Subotnick, and Cornelius Cardew, as well as her collaborations with artist…
Mild summers, coolish winters, down there in Dunedin, New Zealand, were the oceanic climate storms around. Here she writes her songs, here she listens to the wind, catches sea breezes. She is Maxine Funke, singer/songwriter, emotional poet. She used to play in local bands. Then she launched a solo career. Five albums so far. On labels like Feeding Tube Records, A Colourful Storm and Warp’s subdivision Disciples. She is also part of Annie A, a new collaboration between her, Time is Away, Félicia …
In Mingus Plays Piano, Charles Mingus swaps the thunder of his double bass for distilled lyricism at the keyboard. Recorded in 1964, this rare solo album uncovers a private Mingus, weaving spontaneous meditations and bittersweet standards into a living, breathing portrait of creative solitude.
** LP + Poster. Edition of 300 copies ** In the world of theatrical archives, there are the known, the unknown, the forgotten, and the lost. Demetrio Stratos' stage compositions for Teatro dell'Elfo's groundbreaking 1979 production Satyricon - directed by future Oscar winner Gabriele Salvatores - represents one such lost artifact now wondrously returned to life. This radical sonic work, integrating extended vocal techniques, Balinese instruments, and pioneering whale song recordings, stands as t…
"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specializing entirely in gongs, and attended several of her performances. I always tried to imagine how I could combine my own sonic vocabulary with her incredibly rich array, and we enthusiastically agreed to a musical meeting which somehow kept being pos…
A trance-inducing journey into Morocco’s Ait Bouguemez valley: multi-instrumentalist J.H. Burch joins the all-female Troupe Asnimer to revive Amazigh oral traditions. Their hypnotic choral songs, enriched with global instrumentation, bridge ancestral ritual and contemporary sound.
Blue Abstraction compiles a selection of Jessica Williams’ lost prepared piano recordings. These recordings document the beginning of a vital, solitary phase in her career: a period of intense sonic experimentation that began with physically altering a 6’4” grand piano—creating a new instrument, and from there, creating a new music. The results are breathtaking; from melancholic soundscapes with Satie-esque lyricism to forcefully controlled cacophony, always grounded by the distinct emotional vo…
The culmination of an almost 10 year journey, Phil Yost's debut LP Bent City, originally released on Takoma Records in 1967, finally sees the light of day again. The beginning of Yost's visionary trilogy. Bent City returns August 5, 2025, pre-order the LP now to listen to an unreleased version of the title song "Bent City." Painstakingly remastered from the original 1/4" tapes and including an 8-page, 12" booklet featuring extensive liner notes and unseen photos, ephemera and more, detailing the…
Huge Tip! Recorded 67 years ago, reissued in Shirley Collins's 90th year in this universe. 'Sweet England' along with its sister album 'False True Lovers', was recorded in the spring of 1958 when I was twenty-two years old. I had been living for the previous two years in London with Alan Lomax, the American folklorist, working for him as editorial assistant on his book The Folk Songs of North America and on his field recordings from America, Great Britain, Italy and Spain. The tracks that make u…
Sound by Paolo Ferrara draws from the golden era of Italian library music, channeling bossa rhythms, acid funk, and pulsing psychedelia. This 1974 canvas is at once cinematic and percussive, prizing rare groove and inventive arrangements that ripple with time-warped energy.
From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.
Experience the breathtaking artistry of Brazilian music legends with the remarkable release of "Milton Nascimento/Wagner Tiso – Ao Vivo 1981 (Live at Swiss TV)." This album captures an unforgettable 1980 performance, where Milton Nascimento’s flawless melodies and rich harmonies bloom in every note.
Joined by his long-time collaborator, the renowned pianist and arranger Wagner Tiso, Nascimento delivers a wondrous set—his evocative vocals and warm acoustic guitar intertwining with Tiso’s masterfu…
Los Angeles-based sound artist, composer and Line imprint curator Richard Chartier returns to 901 Editions with “Eventual”, his first solo album for the label. This work follows two collaborations with fellow American artist Yann Novak (“Undefined”, 2013), and Dutch harpist Gwyneth Wentink as Pinkcourtesyphone (“Elision”, 2016). “Eventual” probes the nuanced interrelations between sound and silence, engaging audiences in attentive listening and a heightened sense of spatial and temporal percepti…
*300 copies limited edition* "Dis qu’t’as tort" is the latest venture from Tagubu (Denis Tagu, formerly of Hellebore, Look De Bouk, and Toupidek Limonade), realised in collaboration with Klimperei (Christophe Petchanatz, known for his work with Pierre Bastien, David Fenech, and Palo Alto, among others). The album represents a creative response to the increasing prevalence of autocracies and dictatorships across the globe, reflecting a world that is not simply changing, but rather derailing.
The …