Music from France

Jac Berrocal, David Fenech and Vincent Epplay are back with a true gem of an album: Transcodex. Turning more towards pop than in their beginnings, this fourth record follows the footsteps of their previous album, Exterior Lux. The trio seems limitless: they experiment with a large variety of styles (pop, dub, electronica, dark jazz), always colored by their very own touch. Jac Berrocal’s trumpet, richer than ever, plays over an ever-changing sonic landscape engineered by the duet of musicians/pr…

Alga Marghen proudly presents two sublime pieces by Eliane Radigue, 'Jouet Electronique' (1967) for feedback on magnetic tape and 'Elemental I' (1968) for feedback of natural sounds on magnetic tape. Both works, recorded at Pierre Henry's Studio Apsome in Paris, have not been published before. Between 1967 and 1968, Eliane Radigue was the assistant of Pierre Henry in his studio, mainly for the editing of 'L'Apocalypse de Jean.' He also put her in charge of organizing his sound archive according …

* Limited Edition. Remastered, improved sound quality * There is no artist, working in the contemporary field of experimental sound, that is more important than the French composer Eliane Radigue. She is a shining light, who, for more than half a century, has quietly blazed trails with a body of work that is as creatively visionary as it is sublime. Back in the 2010s, Alga Marghen launched a crucial archival series, dedicated to some of Radigue’s earliest and previously unavailable works, many p…

Alga Marghen very proudly presents a remastered version of Vice-Versa, Etc..., an LP originally included in the first 400 copies of Eliane Radigue's Feedback Works 2LP. Vice-Versa, Etc... was originally a small handmade box, signed and numbered and released on the occasion of a show at Lara Vincy's gallery in 1970. The box contained a reel of magnetic tape and the instructions for use. It indicates that all playback speeds are possible, forward or backward, as well as any combination of two chan…

**2022 small repress** Alga Marghen very proudly presents a remastered version of the complete documentation of Eliane Radigue sound installations from 1969-1970, including the broad tectonic vibrations of "Omnht," the celestial voices of "Usral," the massive chant of "Stress Osaka," and more -- the works of this artist's feedback period finally revealed. It is amazing that Radigue could build such formidably organic sonic edifices in her home studio with the primitive machines given to her by P…

*100 copies limited edition* 'Zone Habitable  is as its name suggests, in astronomy and exobiology, a region of space where conditions are favorable for the appearance of life as we know it on Earth and therefore potentially capable of supporting life. extraterrestrial. Like a fiction, Habitable Zone is a translation, a musical interpretation (using various instruments, electronic processing and field recordings) of what this exoplanet could be.' - Bruno Duplant

Due to COVID-19, the French avant-garde band Magma was unable to perform live, so they decided to dive into the studio to create new material. This resulted in a brand new album titled Kãrtëhl, a collective album such as they have not made in a long time. The band reformed in 2020 and added new musicians to the lineup, which created opportunities for new innovative compositions. After the rather dark 2019 Zëss, this new work Kãrtëhl features bright and resolutely optimistic collective new work, …

Sporting one of the coolest record sleeves of all-time, Richard Pinhas’ latest offering is essential. His continual exploration of interior landscapes seem to have caused them to expand to enormous proportions, as if relentlessly probing such terrain only succeeds in making it more cavernous. It’s always edge-of-the-seat surprises as to what we’ll find illuminated within their darkness. And it sounds cool as fuck. Pinhas has been threatening for years now that each new release might be his final…

It is a Richard Pinhas solo album recorded in Detroit and in Pittsburgh, USA- halas both tracks are not complete because time allowed by the Vinyles sides. All is direct. Richard plays on a original Roland guitar synth (years circa 1981) with FX, Mainly a Zoom distortion(1982) and an Eventide H8000.

Costes practices the scorched earth policy. Everything you can listen to after it is made paltry and lighter than air. This is also what we recognize important records. They are not necessarily fun but replace all the others. The killed life is a major disc, stupid and brilliant, regressive and decisive, a political record and in its way more ecumenical and unifying than all the speeches of national reconciliation. 500 numbered copies.

*Limited edition of 500 copies. Packaged inside an A5 sleeve. 2022 stock.* Second co-operation by Brume and Vrishika after the MCD out on Brume's own label.An ethno-industrial moisture with a wide range of ambients.

*2022 stock. Limited edition of 107 copies including an orange 7" vinyl.* Note from the label: OEC made an error with the mastering of this album. We received a master from Mr Renou (Brume) which wasn’t in the conditions to be sent to the pressing plant and therefore we was burning a new disc. By doing this we entered by mistake a series of pauses between the tracks. We didn’t altered the music, didn’t cut any sound but, as said, entered a pause by each and any ID. That error on the master is 10…

Following "Le Cut-Up Populaire", Pascal Comelade announce sthe release on September 9 of his new album “Le Non-Sens Du Rythme"

Transversales Disques is very glad to announce the release of Solitude Transit, unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for contemporary dance, choregraphed by Anne-Marie Reynaud. Affiliated with French Radio's Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005), a major figure of musique concrète and electroacoustic music broke away to pave his own path of individualistic expressions of minimalist mus…

Between May 1968 and the end of 1969, Paris became the Mecca of new jazz. Many American musicians, struggling to make a living from their activity in the USA, went to live in Paris. Thus: Don Cherry, Sunny Murray, Marion Brown, Anthony Braxton, Alan Silva, the Art Ensemble of Chicago… By their side, the French musical avant-garde gained confidence and emancipated itself with Jef Gilson, Michel Portal, Bernard Vitet, François Tusques, Jean-François Jenny-Clark, Henri Texier, Jacques Thollot… Unde…

It was 1974 when Magma's fourth studio album Ẁurdah Ïtah came out. Originally, the album was released under the name of Tristan Et Iseult as a solo studio film soundtrack by founding member Christian Vander. He recorded the music for Yvan Lagrange's 1872 avant-garde film Tristan Et Iseult. The recordings took place only a month prior to the sessions which produced Köhntarkösz. For these recordings for Ẁurdah Ïtah, only a core quartet of Magma members took part, including Christian Vander, Jann…

Magma has been one of France's most influential bands since their founding in 1969. They released their fifth studio album Kohntarkosz in 1974, which set them off in a completely new musical direction. The band used a more restrained approach, which resulted in every hit seeming to weight twenty tons by contrast. The result is a mysterious atmosphere which holds the listener in awe. For this recording, and in particular the track 'Coltrane Sundia', the band used John Coltrane as the main inspira…

*2022 stock* 'Le Lisse et le Strié’ is a new work by french composer François J. Bonnet, released under his project name Kassel Jaeger. Based in Paris, Bonnet is the Director of INA-GRM. He is also a writer and theoretician (The Order of Sounds, A Sonorous Archipelago and The Infra-World have been published in english by Urbanomic). As a musician, Bonnet has been collaborating with artists such as Stephen O’Malley, Oren Ambarchi or Jim O’Rourke and most of his recent work has been published by E…

Richard Pinhas, Merzbow and Wolf Eyes together at Victoriaville on 20 May 2011: guitars, electronics, tapes, saxophone and voice in a spontaneous five-way noise session.

-bRt- group for music creationGaudenz Badrutt, live electronics / Estelle Beiner, violin / Jacques Demierre, piano / Jonas Kocher, accordion (Tautologos III) / Stephen Menotti, trombone / Manon Pierrehumbert, harp / Christian Wolfarth, percussion Artistic direction: Gaudenz Badrutt & Jonas Kocher Liner notes by Lê Quan Ninh:Free improvisation is defined, among other things, by its practioners' refusal to rely on a form composed by others. Partially, perhaps, from pride, but above all from playfu…