Music from Germany

Liminoid is a composition for large ensemble exploring sonic immersion in drones and textures, rhythms and pulsations. Incorporating composed and improvised segments, the piece uses elongation of sound and layered polyphony in an attempt to create a …

Recorded at the Roundhouse 1972, during the ICES Festival."For this show we rehearsed a week in a small village in the south of Holland. The repertoire of the first part was a kind of "frozen improvisation". We made some written plans abo…

CD reissue of the first Can album, originally issued in 1969. "Can's debut is the only full-length, proper release to feature original vocalist Malcolm Mooney, whose free-form ranting is matched by a raw, aggressive dynamic unlike anything else in th…

An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's eth…

2007 remastered release. The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act wit…

German composer Josef Anton Riedl doesn’t have many releases to show for nigh on six decades of activity. Of his small handful of albums, all long out of print, the best known is a 1972 Wergo LP. The second half of the noughties saw a minor swell of …

Is MTV unplugged still going? I haven’t watched MTV in about 15 years... Anyway Aidan Baker has a CD out on Install called ‘Dry’ and the name is a clue to what’s happening on the recording. Basically the man is playing his electric guitar ‘“Dry” i.e …

Henrik Walsdorff (saxophone). Matthias Bauer (bass). Axel Dörner (trumpet). Uli Gumpert (piano). Sven-Ake johansson (drums). Recorded on June 1998 in Berlin.

Original copy, italian pressing of this classic album - cover has some age wear, vinyl seems unplayed

The first track of this is the side-long "Teilmenge 20," which begins as a set of indecipherable static electricity clicks that are quite warm and engaging, which quickly builds to a rhythmic cycle, continuing to mutate and diverge throughout the ent…

Cluster's early-'80s farewell to their first era: shorter, gnarlier electronic vignettes, wry and rhythmic. 'Curiosum' finds Moebius and Roedelius at their most impish, sketching miniature worlds with battered analogue gear.

With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his l…

"Malcolm Mooney passes the baton to Damo Suzuki for Soundtracks, a collection of film music featuring contributions from both vocalists. The dichotomy between the two singers is readily apparent: Suzuki's odd, strangulated vocals fit far more comfort…

Featuring Ken Vandermark & Mats Gustafsson. Recorded live at Victoriaville in May of 1999. Fantastic live material from a very unique group – the instantly-legendary meeting of reedman Peter Brotzmann with the leading lights of the Chicago avant jazz…

After quite some silence here come two unheard tracks by the mysterious German duo Cranioclast. In keeping with the spirit of the 10” travel document series, issued by the krev ministry of detours, Cranioclast provide two rhythmic tracks in the form …

Second revised and expanded edition of our book about the work of Asmus Tietchens. The book is in GERMAN. It includes essays about Tietchens, a fully commentated discography up to December 2005, short prose by Tietchens and a 70 minute CD collecting …

“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other t…

Musica Viva 03: Pleading for divine forgiveness, exploring the bounds of possibility of clarinets, and tricks of light.

Late legendary bassist and virtuoso woodwinds player, Los Angeles 2000. Vinny Golia (woodwinds) + Peter Kowald (bass, voice).

Released in 1986, Geboren stuns in the same way early Esplendor tracks do, with blasts of chugging, caterwauling noise sounding straight from the factory floor.  Tietchens’ most monotonously rhythmic work to date, it lacks the esoteric primitivism of…