Italian edition of the great and influential first album of futuristic electronic glam punk rock, produced by Brian Eno and Steve Lillywhite and released on Island in 1977.
Rare original UK 1977 edition on Harvest of possibly the most original debut album of the early new wave and all-time art rock by one of the greatest bands of the last 50 years. Essential masterpiece.
Original Italian 1978 edition on Harvest of one the greatest new wave and all-time art-rock albums by one of the most original and consistent bands ever. Inventive and beautiful songs throughout. Essential absolute masterpiece.
Original Italian 1978 edition on Harvest of one the greatest new wave and all-time art-rock albums by one of the most original and consistent bands ever. Inventive and beautiful songs throughout. Essential total masterpiece.
Original 1980 edition on Rough Trade of the 2-record-set with uncompromising live recordings showing the more experimental and intransigent side of one of the greatest and most original new wave bands.
2000 single self-released on the band's label Pinkflag in a limited edition of 1000 copies with a wild 2000 live recording and a remix of their classic 1977 song 12XU.
*150 copies limited edition* Robin Storey’s journey through sound is inseparable from the evolution of post-industrial and experimental ambient music itself. As a founding member of the seminal collective Zoviet France, formed in Newcastle upon Tyne …
Released in 1972, Riff Raff is a bold statement from a British prog quartet exploring the intersection of rock and jazz-inflected textures. The album moves between blues-tinged grooves, melodic prog passages, and expansive jazzy-rock moments, all anc…
*Limited edition - from original master. Luxurious gatefold thick cardboard tip-on sleeve* Cinedelic Records is excited to announce the definitive official reissue of "Samurai," the iconic and great lost gems of British progressive jazz-rock, origina…
On Embrace 1: Jupiter Storm/Partial Intersect, Polwechsel with Magda Mayas and John Butcher fold fixed media, stopwatch scores and free low‑string improvisation into a dense, shifting topology of resonance and friction, pushing their chamber‑reductio…