*2026 repress!!!* Oh yes! First ever official reissue of the positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse M…
On Look Mom No Head!, The Cramps double down on their psychobilly sleaze, tossing rockabilly, garage punk and B‑movie kink into a Hollywood acid bath. Lux Interior and Poison Ivy steer 14 songs of gutter glamour and mutant bravado that sound like a jukebox possessed in a roadside strip club at the end of the world.
2026 stock. It is genuinely difficult to place Rod McKuen anywhere in the twentieth century. He read alongside Kerouac and Ginsberg at the Jazz Cellar in San Francisco in the early 1950s, sang with Lionel Hampton's band, worked as a contract player at Universal, and cut the beat-poetry record Beatsville for HiFi Records in 1959. The early 1960s took him to France, where his encounter with Jacques Brel produced the English versions of Ne me quitte pas and Le Moribond that entered the language as …
*Warehouse find!* Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea simila…
*Warehouse find!* A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. B…