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Joanna Woźny’s music resists certainty. Fragmented, elusive, and ever-transforming, it listens into the noise of the everyday and distills from it something fiercely alive. Her works trace perception’s fault lines – between sound and noise, sense and abstraction – constantly unmaking and remaking form. In this sonic terrain, repetition never means stasis; structure dissolves into process. Each piece is a beginning: a seismographic record of emergent thought, a refusal to conclude. For Woźny, com…
Felipe Lara’s music is driven by a visceral sense of presence and process. Beneath its notated clarity lies a deep trust in the performers: a shared language built over years of collaboration, where every sound becomes a negotiation between gesture, breath, and form. Lara’s work moves between the intimate and the monumental, but always seeks what lies behind the surface – where structure becomes porous, expression is embodied, and music emerges as a living tension between instability and control…
Chashitsu: Auditory Tea Room is the debut album of original compositions by Japanese composer and violinist Midori Komachi. Inspired by the sonic journey of Chashitsu (Japanese Tea Room) and Chado (The Way of Tea), this album showcases Komachi's weaving together original compositions with field recordings by Nick Luscombe (MSCTY). Conceived and produced by Komachi in collaboration with London and Tokyo based MSCTY, known for their work at the forefront of music and architecture, the project refl…
*200 copies limited edition* Undertones is a composition for percussion idiophones, electronics, and variable field recordings, originally composed for four channels. It develops in four movements and is expressed through a graphic score which provides multiple instructions to the musicians and, simultaneously, requires their input and interpretation of the given instructions, including a particular part of the instrumentation. The field recordings, identified as variable, change with each perfo…
An Index of Metals, Fausto Romitelli’s final work, is an ecstatic ritual of sound, light, and image—a multimedia opera that fuses electronic music, psychedelic ecstasy, and brutal-poetic texts into an intoxicating sensory flood. Blending techno, pop art, noise, and spectralism, Romitelli propels music theatre into a hallucinatory present: metallic, eruptive, rebellious. The voice is distorted, the image disintegrates, sound becomes palpable material. In this uncompromising fusion of composition,…
Found Keys is the debut album by American artist Ruth Maine. Although Ruth has been playing and composing music for over two decades, this is the first time she decided to record some of her varied compositions and share them with the public. But in times when it is the norm to clamour for attention, she prefers to go the opposite way. Ruth likes to let her music speak for itself and stay in the shadows.
The 16 short piano pieces heard on this album, each about two to three minutes long, were re…
With this album, Heleen Van Haegenborgh returns to her roots as a pianist. In recent years, she has primarily composed works on commission for a diverse range of ensembles, from recorders to foghorns. On this solo album, her entire journey of musical encounters and compositions comes together subtly.Van Haegenborgh doesn't think in terms of stories or boxes, but rather in colours, energy, and texture - without drifting into the abstract.
She remains true to her personal inside piano world, inclu…
"Eau" is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, "Eau" is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the s…
three:four records are thrilled to announce Carnaval 2, the ambitious new work by composer Alessandro Bosetti, performed by pianist Reinier van Houdt. Stemming from Bosetti and van Houdt's shared interest for Robert Schumann's Carnaval piece, Carnaval 2 is a complete reinterpretation (for piano and electro-acoustic interludes) of the original composition.
As incredible as it may seem, it took six years from an initial residency at GMEM studios in Marseille for this album to come to life. But the…
"Speechless (2019) is an opera for 4 vocal soloists, bass orchestra and community choir, and is intended as a personal response to the plight of refugees worldwide. It inspired by the Australian Human Rights Commission report, ‘The Forgotten Children: National Inquiry into Children in Immigration Detention,’ overseen by Gillian Triggs. When this report was tabled in the Australian Parliament in 2014, I was overcome with the cruelty of the debate around the future of detained asylum seekers. Spee…
This CD is about quality not quantity - less than thirty minutes in total, but absolutely some of the most incredible music Zorn has ever composed. Dramatic, intense, mercurial, challenging, and endlessly virtuosic, Zorn’s writing for strings is amongst the most exciting ever achieved in the classical world. Here he expands the fabulous Jack Quartet to a quintet and sextet with the addition of two of the most accomplished musicians in the New York scene: Yura Lee and Michael Nicolas. Composed in…
The fourth CD in Zorn’s remarkable series of piano trio recordings exploring classical forms, Nocturnes is an absolute delight. Preceded by Suite for Piano (2022), Ballades (2024), and the Impromptus (2025), Nocturnes is Zorn’s personal take on the beautiful tradition of night music. Touching on Chopin, Scriabin, Debussy, Berg, and more, the music is a wonderland of subtlety—dreamy, drifting, and utterly compelling. Brian, Jorge, and Ches, three of Zorn’s closest and most trusted collaborators p…
*200 copies limited edition* On October 10, Brussels-based accordionist Suzan Peeters releases her debut album 'Cassotto' on the Belgian label blickwinkel. With 'Cassotto', she opens a door into a hidden chamber of sound. The title refers to the “cassotto” — a small resonating chamber inside the accordion that warms, softens, and deepens its tone. Listening to this record feels as if you’ve stepped into that room yourself, enveloped in a world where intimacy and grandeur collide. Although this i…
*300 copies limited edition* Valby Vokalgruppe returns with Solids for Voices — a new album landing on 7th November 2025 via Hands in the Dark. Initiated in 2008 by Anja Jacobsen, the Danish collective’s current line-cup is completed by Lil Lacy, Sonja LaBianca, Cæcilie Trier and Laura Marie Madsen. The group has written and performed a large number of cross-aesthetic pieces over the years, including an album Bah New Era released in 2012 on Eget Værelse.
Sharpened to its core, the group dives de…
Estonian vocal ensemble Vox Clamantis and their leader Jaan-Eik Tulve have established themselves among the leading interpreters of Arvo Pärt’s music over a quarter-century of close collaboration with the composer – a relationship that builds on the almost half a century long artistic partnership between Pärt and producer Manfred Eicher. Of the ensemble’s ECM New Series recording The Deer’s Cry, the BBC Music Magazine wrote that “the level of artistry necessary to achieve the kind of living, bre…
Aeris is the ninth ECM New Series album to feature the vibrant and highly expressive music of Erkki-Sven Tüür. Olari Elts, a long-time champion of Tüür’s compositions, conducts the Estonian National Symphony Orchestra in compelling, intensely-focused performances of Phantasma, De Profundis and Tüür’s tenth symphony ÆRIS, a vast drama of shifting energies and interactions, which is scored for horn quartet and orchestra. The symphony is in four movements that transition seamlessly. Tüür: “Each mov…
A Dark Flaring marks the Signum Quartett’s impressive return to ECM’s New Series after debuting for the label with striking performances on Erkki-Sven Tüür’s acclaimed chamber music recording Lost Prayers (2020). Here, the quartet has put together a unique programme dedicated to six South African composers, born in the 20th century, whose works for string quartet are united by the way they blend respect for the past with an instinct for the future in a wide-flung idiomatic scope. Whether writing…
The influence of Alvin Lucier’s work on acoustic phenomena and the interplay between sound and space is difficult to overstate. His legacy continues to echo through the work of countless composers and sound artists today. Lucier’s music is marked by a sense of childlike wonder and sonic simplicity - shifting our perception from what we hear to how we listen.At the heart of his compositions lies the sine wave: the purest, most elemental form of sound. Clarinetist Dries Tack pays tribute to this …
Kara-Lis Coverdale returns to Smalltown Supersound with her fourth full-length album, A Series of Actions in a Sphere of Forever, a collection of nine pieces, dedicated to solo piano. Known for her musical innovations at the intersection of experimental electronics and minimalist traditions, Coverdale’s previous albums Aftertouches, Grafts and, most recently, From Where You Came (Smalltown Supersound) garnered special acclaim for their deep exploration of timbre. On A Series of Actions in a Sphe…