Made Of Colors
A.G unveils Made Of Colors, a vibrant and captivating new album. This collection of tracks invites listeners on a journey through rich sonic landscapes, blending evocative melodies with dynamic production that showcases A.G’s unique artistic vision.
Made Of Colors explores themes of emotion, identity, and transformation through a kaleidoscope of sounds—each song painted with intricate textures and thoughtful lyrics. The album highlights A.G’s skillful musicianship and creative depth, offering a …
Slow Songs
2015 release **
"Eleven songs for voice and lute by the Swiss singer and composer Marianne Schuppe. The instrumentation taps a deep historical channel, back to Dowland and beyond. But Schuppe doesn’t pluck her lute. Instead she uses e-bows to turn a melodic accompanying instrument into an environment, an ancient combination updated to reflect a contemporary preference for objects over stories. The songs are simple melodies, sometimes folklike (ballads and laments more than dances), but with word…
Full Spectrum Voice
1991 release ** Works by six composers from new music's acclaimed baritone, Thomas Buckner who's been called "the voice of the new". Works written by: Robert Ashley, Jon Gibson, Nils Vigeland, Peter Gena, Annea Lockwood, and Roscoe Mitchell.
z DNA
*2025 stock* "The latest album by innovative Slovak composer, Barbora Tomášková, offers a unique suite of sounds, where boundaries between acoustic traditions and exploratory electronics dissolve. The Slovak composer and performer’s practice revolves around innovative use of ’objets trouvé’ and western classical instruments via hefty electronic manipulations and many extended techniques. Taking its name from both the less common and stable form of DNA and the Slovak term for “from the bottom”, Z…
For 10 Musicians
Samuel Reinhard returns to elsewhere music with “For 10 Musicians,” a four-part ensemble piece recorded in 2025 at the Royal Danish Academy of Music in Copenhagen.
Gorgeous nothings
Laura Cetilia's cello works evoke the sense of crossing the threshold between traditional classical music and experimental soundscapes. Within an acoustic resonance that respects the natural reverberations of a space, rippling waves of subtle disturbances conjure a mixed sensation of classical roots and a refreshing encounter with the unknown. This offers a glimpse into a vast and profound world that is uniquely Cetilia's own. 'gorgeous nothings' is an album of three pieces composed by Cetilia, …
Changes in Air
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale details her third full-length release of the year, Changes In Air, out 21 November via Smalltown Supersound, and unveils its lead single ‘Curve Traces of Held Space’. Changes In Air is a work for electric organ, modular synthesis, and piano in five secti…
Helmut Lachenmann Complete Piano Works
*The only edition ever released that has all his piano works collected* The piano has been with Lachenmann almost throughout his composing life of seven decades. Yet the instrument is by no means always the same. Lachenmann’s determination has been to go on finding new possibilities – almost a new voice for the piano in every piece, a voice with which it can speak that piece, as it has not spoken before. Perhaps the Schubert variations of 1956 could be understood as a farewell to traditional pia…
Je Laisse à la Nuit son Poids D'Ombre
How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Commissioned by ensemble]h[iatus, the piece emerged from extended collaboration between composer and performers, particularly in navigating two specific challenges: the distinctive voice of Thomas Lehn's analogue synthesiser and the relationship between…
Songs
A suite of five pieces for acoustic instruments and electronics by Argentine-born composer Santiago Diez Fischer, who lives and teaches in France and whose work occupies a unique space between new music, experimental rock, and free improvisation. All five pieces were written specifically for Gyre Ensemble - Alejandro Oliván López (baritone saxophone), Stefanie Mirwald-Keiser (accordion), and Christian Streit Smith (percussion) - a trio whose particular combination of timbres and approaches has c…
Dead-Wall Reveries
How does a composer who spent years immersed in cultural theory and philosophy return to music-making? For Eldritch Priest - known to many through his provocative book Boring Formless Nonsense - the answer involves cultivating a compositional sensibility that appears offhanded while remaining rigorously structured, music that flirts relentlessly with ideas to blur distinctions between trivial regard and focused attention. This release documents three works spanning more than two decades, tracing…
Betsy Jolas: Femme le soir
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (piano). These pieces unravel at the tempo of spoken thought, suspending lyrical lines in unhurried motion and sudden illumination.
Chopin & Lazkano: Préludes
This double portrait places Chopin’s beloved Préludes in nimble counterpoint with new ensemble works from Ramon Lazkano, translated by Maroussia Gentet and Ensemble Cairn under Guillaume Bourgogne. The result is both homage and reinvention, unlocking resonances between eras through lyric immediacy and textural experiment.
Sarah Nemtsov: Tzimtzum
Tzimtzum imagines four sweeping new orchestral canvases from Sarah Nemtsov, weaving Ensemble Nikel’s hybrid-electric force with WDR Sinfonieorchester’s expressive palette under Peter Rundel. Her music traces broken cycles - rupture, echo, and repair - through deeply textured instrumentations and bold structural arcs.
Pierre Boulez: Éclat-Multiples
Éclat-Multiples unmasks Pierre Boulez’s music at its most mercurial and sensorial. Michael Wendeberg leads Collegium Novum Zürich and Ensemble Contrechamps through shifting prismatic textures, capturing Boulez’s fascination with timbre, spatial construction, and the suspended motion of silence and sound. Each gesture is meticulously contoured, reinforcing the line between energetic outburst and architectural poise.
The Dissolute Society Comprised of All Sorts
Isabella Gellis’s The Dissolute Society Comprised of All Sorts is a formidable debut for solo piano, performed by Joseph Havlat. Drawing inspiration from Biber’s baroque suite and cannibalizing its gestures, Gellis interweaves the surreal, the silly, and the tactile, forming a musical tapestry that refracts historical tradition through a vividly modern, sometimes absurd lens.
L'Incroyable femme des neiges
Ensemble 0 presents L'Étrange Femme des Neiges, a fresh addition to their exploratory discography and the official soundtrack to a new film featuring Blanche Gardin and Philippe Katerine. This release demonstrates Ensemble 0's knack for understated textures and melodic invention, crafting a sonic atmosphere that seamlessly blends cinematic intimacy with expressive minimalism.
Jeux d’eau
Jeux d’eau by Copenhagen Clarinet Choir and Anders Lauge Meldgaard is an electro-acoustic meditation inspired by the fountains of Villa d’Este. Blending clarinet resonance with the fluid timbres of the New Ondomo, the work reveals a continuous dialogue between water, sound, and human presence—where improvisation and structure merge like converging streams.
Composer, alone
Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.
Round Sky
Round Sky brings together Léo Dupleix and Asterales in an exploration of just intonation and radiant calm. The album’s three compositions subtly merge analogue synthesizer, harpsichord, spinet, bass, flute, and guitar in landscapes of nuanced minimalism. Methodical in structure yet alive to spontaneous beauty, the record unfolds as a quietly luminous meditation on the complexities of harmony and texture.