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*42 copies limited edition*
Reissue of a tape made by M.B. in 2010. Two longs pieces of magnetic minimalism made of loops of viola and hertzian waves. A work dedicated to Italian composer Giancinto Scelsi, father of microtonal music. Usual non-standard handmade packaging made with special ribbed paper, a cutout of a vinyl record, a metallic treble clef, and some inserts. CD-r is in vinyl-like black polycarbonate.
The black-dye vinyl CD-R is contained in a handmade sleeve (approximately 13 x 13 c…
Tip, very special package! *36 copies limited edition*
Reissue of a tape made by M.B. in 2013. Probably this is the most experimental side of Bianchi. It was recorded as a live improvisation in the stairs of a building in the Industrial Zone 1 in opera. Here M.B. is alone with his voice, tubular effects, mechanical percussions. The package is completely handmade with wire mesh, with an industrial sculpture made of corrugated pipe, tongs, screws and metal pieces, assembled to the wire mesh with e…
Herpes Ö DeLuxe’s Kielholen dives headfirst into the murky waters of industrial decadence. With Hinterzimmer as its unsettling core, the record dissects German cold wave through rusted machinery and post-human irony, a claustrophobic yet hypnotic experience simmering between performance art and corrosion.
2025 stock Shimmering dream pop readymades are the heart of Cosine, the debut release by Ancient Pools (originally a cassette, and now an LP). Ancient Pools are a duo (Anna Jeter and Kevin Christopher), recently relocated from Olympia to Portland, where Kevin was offered a good set-up at a new studio. Anna is from Pensacola, FL, where she was in a folk-tinged pop band called 100 Watt Horse. Kevin remains the bassist for a more rockist Northwest quartet called Oh, Rose. But Ancient Pools, with it…
In Dream finds Courtney Bailey navigating the blurred edge between introspection and liberation. Layering spectral synths over tactile percussion, her voice threads through emotional chiaroscuro - a sonic diary where desire, loss, and rebirth meet in hypnotic balance.
Sci-fi inspired, Prophet 5 synth led electronic compositions by Belgian film score composer Jan Borré. The second of Jan's synthesiser based instrumental albums inspired by the character of the mother of Spock in the long running Star Trek series, the altogether human Amanda Grayson.
This sequel finds her on a rescue mission to the fiery desert planet of Praconia...
Praconia, a remote planet caught in a bitter dispute. The Ozmi seek to exploit its resources, while the nomadic Prakans claim it as…
This album is the full soundtrack to Liza Hughes' documentary film 'Swimming Through Darkness' retitled 'Breathe' for this release. Like all of Steve Nolan's scores, the melodies here are hauntingly beautiful and suffused with emotion, waves of sound ebbing and flowing like the ocean itself.
The cinematic score builds with pulsing synth pads and droplet-like piano motifs, framing the thematic events of the film, which include moonlit swimming.
As surf pounds the north coast of Ireland in the dar…
"Home Demo Tracks" by Muslimgauze is a collection of eight tracks with a total duration of about 47 minutes, featuring a distinctive blend of ambient electronics and polyrhythmic drumming. The album captures the raw and experimental essence of Muslimgauze's sound, characterized by visceral percussion, diverse voices, and sound effects. It reflects the artist's unique position in underground, experimental, and industrial music circles, continuing the innovative and atmospheric style that defines …
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so.
Sycophant opens with a radio broadcast on the on-going Palesti…
"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …
Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion chutney; Souk Bou Saada was broiled in Machester's finest tandoor and is now served by Staalplaat. If you love East Indian flavors with a neo-bhangra beat, this disc will not disappoint, equally at home on the dancefloors of Bradistan, UK or Mumbai,…
This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' politically-driven music. Occasionally, there is some melodic material, or a touch of the Middle East sprinkled in, but it's played down in favor of beats that could best be described as very raw and closer to early Autechre minimalism than something from…
2010 release ** Limited edition of 100 copies. Packaged in an oversize cardboard sleeve. ‘Il Giro Del Mondo In 80 Pezzi’, that is ‘around the world in 80 tracks’. That’s right, 80 tracks here, in seventy-seven minutes. All around a minute or less. A bit of worn out idea if you’d ask me, but to present this like a audio version of Jules Verne, is perhaps nice. Gasparin gets help from one Jacopo Andreini, with whom he has been active in the world of improvised since the early 90s. Together they a …
2010 release ** Cardboard sleeve. "Heavy Fierce Brightness is the name of a project by the experimental music artist GOG (Michael Bjella), known for its dark ambient, blackened psychedelic doomdrift, and drone sounds. The project's work, such as the 2008 release Heavy Fierce Brightness - Spells Of The Sun, is part of a larger body of work by GOG that uses source sounds and immersive atmospheres to create "blackened psychedelic doomdrift dronelords."
2019 release ** "The second Search Ensembles artifact sees the return of Cédric Peyronnet (Toy Bizarre, Kaon / Ingeos, Sechres Mound,), Cyril Herry (Ninth Desert, Sechres Mound), Phil Legard (Xenis Emputae Travelling Band, Hawthonn), Michael Northam, Alan Courtis (Anla Courtis, Reynols), Jani Hirvonen (Uton), Slavek Kwi (Artificial Memory Trace), Jon Tulchin and Dale Lloyd (and/OAR, Seattle Phonographers Union, Lucid), plus first time involvement from Eric Lanzillotta (Eye Music, Ri Be Xibalba,…
"I was obsessed, am obsessed, by The Groundhogs, so gave C93 a chance to cover their perfect "Sad-Go-Round" from their perfect Solid album. I also loved Black Sabbath, but had listened to them so much that I never wanted to hear them again. So Michael Cashmore's Perfect Playing of their intro to "Paranoid" was Perfect Way To Wave GoodBye to them, and slip into my visions of Lucifer Over London, May G+D damn him again. "The Seven Seals_" I wrote whilst sitting at my desk in my Then House in Aubre…