Electronic / All styles

"We Were Never One" is the new album of The Star Pillow, whose last release dates back to 2019 with "Music For Sad Headbangers" (Midira Records). This last album is the original soundtrack composed for the homonymous contemporary dance performance by the austrian choreographer Karin Pauer with whom Paolo Monti has already collaborated for the performance "this is where we draw the line“ which premiered at the Donau Festival/ Krems 2019 and was performed in Romania, Austria and Italy. The tracks …

*40 copies limited edition. 2022 stock* Can noise be romantic? Is it true that high volume sound helps to meditate? Can noise music be highly emocional? Will density make us float? It is these and others questions that Peak Bleak propose to answer in “Plastic Love”. Created from electric emanations, from three transformers captured with an electromagnetic pickup, modulated and reworked in real time in Desterro’s basement. Roughness, feedbacks and hauntings from fragmented melodies. Ephemeral noi…

*50 copies limited edition* 'Hailing from Bristol (UK) The Savage Morality introduce themselves as a ‘collective of Industrial anarchists born from the ashes of the cassette underground.’ They already have several works and are now back with this new album featuring ten tracks. The first part of the album is clearly driven by good-old Industrial elements getting the listener back to the 80s. The tracks are mainly carried by strong Industrial percussion mixed with dark sounds and noises. You’ll n…

*2022 stock* These are images of a dark and cold Siberia engraved in the memory of a child. It is about a high mountain where the snow never melts, about empty streets, about an exploited mighty nature, abandoned with its guts spilling out. It is about a shattered nuclear plant, and black mornings when the freezing air stings the skin with its chilly needles. Landscapes that the child observes quietly, within a very slow motion of time, on which children hover.

*2022 Stock. In process of stocking.* Ivan Zoloto, a Karelian musician and artist based in Barcelona is releasing his new album “Pleasure Prison” on the freshly-minted label School of the Arts. Recommended if you like: dark drone and ambient, experimental electronics, raw minimalism, noise, and free-floating strings. Just like Zoloto’s previous release, “Ghosting” on the Russian CANT label, “Pleasure Prison” is deeply immersed in psychogeography: before relocating to Spain just before the pandem…

*2022 Stock. In process of stocking.* This cassette is the first installment in the label's Death Series, and it is, indeed, a eulogy. Italian artist and media anthropologist currently residing in Bergen, Norway. Gabriele de Seta (Naturalismo) has recorded three beautiful compositions for Zev Asher, Aube, and Zbigniew Karkowski respectively. “I’ve worked on these pieces from around 6 years ago. Mostly as turning points, trying out new things & compositional approaches, and realized I was basical…

*In process of stocking* Tanzprocesz presents the new Rirette self titled EP. Baroque electricity & laser gregorian chants, sound surveillance & futuristic raised fists. The dream soundtrack of a dystopian fiction.

*In process of stocking*Tanzprocesz presents Patrick Lombe self titled new EP. Back in solo after a neverending wait. Forbidden manipulations, secret guitars and vocal shamanism, years of mental fabrication finally in your hands

**Ltd. 300 copies, perfect replica of the original packaging and newly remastered for optimal sound.** Toshi Ichiyanagi, Michael Ranta and Takehisa Kosugi originally got together in the summer of 1975 for an open-air concert in Sapporo. The concert felt like a great success but was unfortunately not recorded. As the desire arose to record together, they managed to arrange a studio session in the NHK Studio in Tokyo, with presence of sound engineers. What was supposed to be a soundcheck for this …

Tip! ‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time. Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970…

** Limited Edition of 300 Copies ** Oksana Linde belongs to the same creative trail started by artists such as Delia Derbyshire, Suzanne Ciani or Laurie Spiegel, because like them she knew how to create a personal universe by exploring electronic sounds and to find a place in an eminently masculine environment. Aquatic and Other Worlds is her first album, which compiles electronic synthesizer pieces recorded between 1983 and 1989. Born in Caracas, Venezuela, in 1948, into a family of Ukrainian i…

Of Which One Knows is a collection of works by Natalie Beridze that sit outside the easy categorisation of ‘al-bum’. They are of course, an album, but they are more than that, in that they represent a kind of multiplicity in sound, an accumulation of experience, of emotion, of life, transposed into sound. It is only together that the stories that sit between them might start to be assembled. Spanning a decade and a half, these works chart a trajectory of investigation and curiosity that charts t…

Pierce Warnecke’s work springs forth from the nexus of sound and vision. With Deafened By The Noise Of Time, he undertakes a deep interrogation of sound, which mirrors many of his approaches to visual ma-terials. Seeking to test how elements of music are altered through interference and deterioration, he uses a range of methods to reveal new densities, timbres and melodies from within his original source materi-als . Rather than becoming fragmented or overtly degraded though, Warknecke’s work on…

Madeleine Cocolas’s Spectral is a reimagining of the familiar. It is an attentiveness to the inciden-tal, and a reaching out towards the unheard. Taking these acoustic microcosms as a source of focus, she unpacks these transient flickers and memories, and repositions them; exploding them outward and shifting perspective. Spectral, celebrates the shadows of melody and the after-thoughts of rhythm. It breaths with a sense of calculated intensity that reflects on Cocolas’s focus throughout the proc…

Yui Onodera’s work is patient. He invites a sense of dwelling with his pieces, an encouragement to pause and to allow sound to swell up around you. On Too Ne, he charts out a very specific sonic exploration. Across these five works he creates a lilting passage of sound, a liouidous flow that confirms the adage of Ambient music existing as constant, but never solid. Too Ne also invites a sensing of the self, in that the works ask us to examine our own memories as a way to unlocking a deeper reson…

A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk. They embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boas…

Imperfect Stranger is the pseudonym of Glasgow based soundtrack composer and producer Kenny Inglis. “Everything Wrong is Right” is his debut solo album for Castles in Space. In early 2020, Kenny made a return to focusing on his own music under the pseudonym Imperfect Stranger. A tweet from Colin Morrison from Castles In Space regarding a charity compilation album 'The Isolation Tapes' caught his eye. Kenny had made a start on his debut album as Imperfect Stranger and submitted the track 'Hymn T…

*In process of stocking. 2022 stock* 'Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. …

Like a rediscovered Viking burial ship, Electro Nova compiles near-mythical drone recordings produced in 1998 and described by Helge Sten aka Deathprod as some of the most important music to ever come out of Norway. It’s the work of Kåre Dehlie Thorstad and compiles two of the earliest releases on Smalltown Supersound, back when it was basically no more than a bedroom operation. It’s taken over two decades, but finally the label have given the material a first ever proper release on vinyl, compl…

*Edition of 100. In process of stocking. 2022 stock* Løt.te is Mehmet Irdel, a Turkish-born, Brooklyn based artist and producer whose recent output has consisted of vinyl EPs on The Bunker New York label, and a string of mixes most notable of which is the Resident Advisor podcast from June 2015. His cassette EP, Private Shell, marks the first time Løt.te is branching out from his previous dancefloor-friendly techno output to explore ambient space and atmosphere, which falls somewhere between the…

* Edition of 75. In process of stocking. 2022 stock* Roel Meelkop (born 1963) is a Dutch visual / sound artist based in Rotterdam, Netherlands. After studying at the prestigious Willem de Kooning Academy, Meelkop pursued a studio practice involving analog synthesis and manipulated sound engineering techniques. His earliest published output was during the mid 1980's experimental electronic collective THU20, which was documented by the legendary 80's tape label Midas Tapes. THU20 members included …

*In process of stocking. Limited, numbered edition of 260 copies* Born out of a common interest in the repetitive, challenging and intense the three-headed dragon Organ of Corti is a new collaboration project between Swedish sound experts Joachim Nordwall (IDEAL Records, Gagmen), Mattias Gustafsson (Altar of Flies) and Dan Johansson (Sewer Election, Enhet för Fri Musik). Inspired by tape music from the 60s, minimal music, early industrial and collective creativity their sound is unique and unhea…

Persistence of Sound presents a new solo LP from one of the world’s leading voices in electroacoustic music.

*200 copies limited edition* The Bridgewater Triangle is an actual 200 square mile forest and swamplands within Massachusetts, USA, an area known for paranormal activity, including UFOs, Bigfoot, Thunderbirds and ‘Pukwudgies’ – or spirits of the forest. ‘Beneath Bridgewater’ soundtracks the fictional experience of a rescue search team lost within the notorious Bridgewater Triangle. It’s 1982 and a 19-year-old man has gone missing at Freetown Fall River State Park, located within the Triangle. A …

My Disco’s industrial goth gristle and bones congeal in petrified form on a return to Downwards, benefiting from visceral mixing by legendary Einstürzende Neubauten engineer, Boris Wilsdorf. With a sound that intersects elements of Pan Sonic, Fugazi, Raime, Regis, The Human League’s 'Dignity Of Labour’ and Big Black, 'Alter Schwede’ comes highly recommended to anyone with interests anywhere along that spectrum. Back in the Downwards clammy clutch, Melbourne’s tightest trio compile material recor…

*Limited edition of 200 copies.* Melancholic energy blast from Gran Canaria’s cult trio, MINIATURa, helmed by Eduardo Briganty. Formed in Las Palmas in 2007 and with three records under their belt, "Music Box" (2007), "La Huida Concéntrica" (2012) and "Estrategias de Perdición" (2015), the trio now unleashes its fourth album with a distillation of Briganty's musical and artistic references, coming like a cross of concept album and an unintentional imaginary soundtrack to a David Lynch flick – a…

*In process of stocking* Technology for the Afterlife (aka Victor Groth) is an ambient/new age artist from Denmark, set to release his debut album Interpretations of Eternity on Cracki Records. The instrumental album explores the frontiers between faith and knowledge, consciousness and oblivion, past and future. It is about longing for a time when rationality and spirituality are not arch enemies, but one and the same. When there is neither science nor religion: Only mythology.

Long-running Scottish act Cindytalk have transformed numerous times throughout their existence, going from industrial post-punk to electronic noise with an ever-shifting lineup. Now, the group will be compiling their recent recordings in Of Ghosts And Buildings on Japanese label Remodel.

An "anemic cinema" might not make literal sense, but a renowned avant-garde film bears this title, by French-American artist Marcel Duchamp, focused on images of rotating swirls and discs. Junya Tokuda's latest project takes its name from the film, and its highlight track, "Parallax View" stands out on Anemic Cinema. It's an auditory depiction of a parallax—the perception of an object's position changing depending on where it's viewed from. The continuous thumps create the perception of "Paralla…

Osaka-based DJ and female electronic musician who has been releasing dub techno-centric tracks under the name Midnight JJ since 2011. In recent years, she has been performing more noisy and experimental live shows under the name Juri Suzue. Her aggressive live electronic sound surprises you with its ultra-low profile. This is her first CD and a long remix of Japa-noise king Merzbow on the B-side.

Veteran experimentalist, Marcia Bassett, returns with "Midnight Xpander", easily one of the most exciting entries into the field of drone and contemporary minimalism that we've encountered in a good while. Predominantly recorded with a Buchla 200 system at EMS in Stockholm, Sweden, and imbued with abstraction and the bristling tension of punk and noise, its subtle structures and intertwining harmonics immerse the mind in a deeply organic, hallucinatory realm that places Bassett at forefront of t…

*Released in 6-panel Digipak. Includes a 24-page booklet.* This re-release has some little differences from the formerly available CD version. The former CD of "X." was altered in sound and some tracks were a bit shorter as on the original vinyl album. The music used for this re-release was carefully transferred from original old analog mastertapes to digital format. There is a version of "Ludwig", played and recorded live in concert in September 1978 during a show by Klaus Schulze who was accom…

*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* The eighth part of "La Vie Electronique" contains a selection of titles that were created in the years from 1977 onwards, outside of the productions for the albums "Mirage", "Dune" or "Dig It". These showed a significant change in Klaus Schulze's way of playing and composing. This was not least due to the renewal and expansion of his instrument pool. This gave Schulze the opportunity to play and record his music wit…

*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* "Re: People I Know" is the first of two long pieces that Klaus played at his concert in Düsseldorf on September 30, 1977, similar to the impressive piece that Klaus Schulze performed in Brussels the same year at "St. Michael's Cathedral". has played. "Avec Arthur": During the long tour in 1979, Klaus played a long solo piece that filled the first half of the concerts as usual. After the break, Arthur Brown joined fo…

*Limited Edition of 200 copies.* Autopsia is a cult art project dealing with music and visual production. Its art practice began in London in the late 1970s and continued during the 1980s in the art centers of the former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. Above all Autopsia is not concerned with music. What is Autopsia? Art? Theory? Framing? Projection? Gaze? Autopsia is language is image is sound. Autopsia is atombstone on the grave of time. Autopsia is arch…

The Ache album was originally released in 1982 on JG Thirlwell’s Self Immolation label, whilst he was resident in London. It was recorded at Lavender Sound Studio in South London and engineered by Harlan Cockburn. On its release it was acclaimed by the music press, John Peel and even cited by Leonard Cohen on more than one occasion. Over the years the album has become a highly sought-after collectors item.

The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…

The rarities of the electronic pioneer Klaus Schulze were previously released in a strictly limited edition, called "The Ultimate Edition" and document the history and the rich diversity of this exceptional musician, even more impressive than on his official releases. Now these recordings - completely remastered and for the first time in chronological order - are available in elaborate editions: Every episode contains 3 CDs in high-quality "vinyl look" with digipack including booklet with detail…

The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…

Einstürzende Neubauten pushes the industrial humor to new creative peaks; taking a genre of music only meant to offend and confuse people into even more ***ed up territories. The music is surprisingly tragic, strangely moving, and is an experience that can only be called 'artistic'.