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“Outline of Nature” is the debut album by Twilight Sequence (aka Matthew J Saunders) following the release of a 12” EP and 7” single on Castles in Space, and an EP on his own Bandcamp page. “Outline of Nature” started as an experiment in building a modular synthesizer system and ended up as a voltage controlled outpouring of love for the natural world. Sylvan-born and pastoral-powered, sap-blooded and lightning-charged, this album grew out of the damp florescent corners of the woods, each note a…
Sucesiones is a compilation of studies written for 53 equal divisions of the octave (53 EDO). This tuning temperament was selected after analyzing the work of Mexican researcher and visionary Augusto Novaro, one of the microtonal and just intonation pioneer theorists. Novaro claims that 53 EDO is one of rich musical qualities, which has good approximations to the harmonic series. The use of simple textures such as sine waves was a conscious decision, this in order to maintain the focus on the re…
Hopes and Theory is a collection of songs inspired by wild plants and intentional gardens. At its core this music is rooted in synthesis, autonomy, and purely tuned harmony. At its heart there is chaos, color, and evolution. Hopes and Theory was recorded on the island of North Haven, Maine and reflects the anarchy of serenity in a seemingly peaceful place. William Trevaskis is a composer and sound artist living and working in the Fox Islands of Maine who uses xenharmony to explore themes of cha…
"Succinct sounds, stately atmospherics, affected instrumentation & synthetic chamber music. Eclectic ambient music of the highest order..." - Slow Music Movement
"Beautifully nostalgic, brooding pearls of puckered melody and cinematic synth gaze from the lesser spotted Lambda Sond, gracing Important with a real lowkey gem tipped to followers of Alessandro Cortini, Kali Malone or Pauline Oliveros" - Boomkat
Waglands 1921 exists in a vacuum somewhere between Pauline Oliveros, spiritual jazz, analo…
More than a decade ago, I made a piece of beat-based electronic music and titled it "Middle Eastern IDM" for a course assignment. After listening to it in class, my professor asked what was Middle Eastern about it. It was only a year after I had left Iran to study in the US, and I didn't know that I could say "I am. I made the piece". So I went back and superimposed a sample of Egyptian protest chants on top of the piece, to make it "sufficiently Middle Eastern". What prejudiced conservatism and…
Named after the mythological hybrid of the chimaera, Forces’ first collection for mappa was put together in a similar fashion. The sounds all stem from a fruitful residency at Stockholm’s EMS Elektronmusikstudion in May & June 2022, leading to a bounty of source material with which to build. The sounds and concept are equally chimeric, stringing together disparate and unintuitive jams, the music mimicking the multi-limbed, sewn together beasts of both creative open source coding and destructive …
*2023 stock* Views was conceived in January 2003. Recordings were done for track: 1 in January, for track: 2 in February, and for track: 3 and 4 in March 2003. Final Mix: April 2003. All 4 pieces are based on three or four instrumental improvisations by RLW, re-constructed by spontaneous mix afterwards. Track: 1 is recorded with tone-generator (TG 77) using self-programmed sounds. An early version of the sounds had been created for the CD" ACHT (1992). The programs have been designed to be contr…
*2023 stock* 2003 release, available again. "Reprint was originally released on cassette by Snatch Tapes in 1980 and was credited to an unknown duo called Claire Thomas & Susan Vezey. Claire and Susan were infact a figment of Snatch Tapes founder Philip Sanderson's imagination. In addition to running the label, Philip was one half of the DIY electronic group Storm Bugs, and regularly collaborator with a then unknown musician by the name of David Jackman (one of these tracks they did together was…
*2023 stock. 200 copies limited edition* Matt Shoemaker was a talented electronic musician and visual artist who sadly passed away in 2017. As a memorial tribute to him, Anomalous Records has been brought back to release this archival recording of Matt in collaboration with Eric Lanzillotta. This duet was recorded live at Matt's apartment and consists of one hour and fourteen minutes of reverberant cosmic music created with Moog synthesizer and other electronics. The sounds are abstract and beat…
In 2019, Vancouver artist Kristen Roos came across a floppy disk for sale on eBay containing the Commodore Amiga version of Laurie Spiegel's 'Music Mouse'. This was one of the first intelligent instruments for personal computers, created by Spiegel in 1985 as an interactive and playable MIDI sequencer for the 68k era of Macintosh computers. Curious, he bid on the item and ended up winning it for a few dollars. Upon investigation, the simple and intuitive nature of its interface appealed to him, …
"There's a pleasant perfume reminiscent of Air emanating from the music French artist Fabien Guiraud presents on his third album La Prise Électronique (The Electronic Plug) particularly in the filmic element they both share. In the last ten years, diligently clocking up his 10,000 hours with bands like Chateau Marmont and Cargo, Guiraud's work has progressively found focus in music for film, latterly as a member of Odd Collective. The fourteen tracks here represent a snapshot (like a faded Polar…
Neo Gibson records, performs, and produces under the alias 7038634357. Their music is characterized by its formal precision, melodic structure, and an idiosyncratic emotional tenor. Up until this point, it has been primarily self-released on small-batch CD-R’s and performed in intimate settings. Synthesized and recorded entirely on their computer, Neo Seven is their first vinyl record, and perhaps their seventh release depending on where you begin amidst their prolific and fluid output.
Within a…
LP + 7" EP version. Wewantsounds is delighted to announce the release of Ryuichi Sakamoto's classic LP"Ongaku Zukan”, originally issued in Japan on his own School label in 1984. The reissue will replicate the original Japanese release, which offered two versions: a normal edition featuring the LP with a bonus2-track7" EP, and a limited edition which includes a 3-track 12" EP in place of the7". Remastered by Saidera Mastering in Tokyo the reissue boasts the original gatefold artwork plus an extra…
Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a “study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns”.
Eight years after its original release in 2015, and sold out upon release, Umor Rex finally presents a vinyl repress of Sirens, by Kara-Lis Coverdale and LXV. This new edition is limited to 500 copies and comes with revised artwork.
Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform in…
Strut presents an exclusive new collaboration between UK jazz keyboardist Greg Foat and Venetian ambient / electronic maestro Gigi Masin on ‘Dolphin’. Recorded remotely during 2021-2022 the album took shape in the form of mutual compositions, gradually developed and embellished online. Final recording sessions took place at the majestic Chale Abbey Studios on the Isle Of Wight with Moses Boyd (drums), Tom Herbert (bass) and Siobhan Cosgrove (flute, clarinet) adding elements to several pieces. T…
DiN label boss Ian Boddy follows up his 2020 studio release “Axiom” (DiN64) with another vinyl album length slice of vintage electronic music synth heritage. Whilst there are many focusing in on the world of possibilities of modular synths to the detriment of form and composition Boddy uses his 40 plus years of experience to create six succinct slices of analogue warmth and emotion. The title track which opens procedures is a case in point. Boddy crams into its seven minutes more drama than many…