Electronic / All styles

EARTH is a 2009 silent film by Ho Tzu Nyen, one of Singapore's foremost artists. The visually arresting film has been live-soundtracked by a number of artists (including Oren Ambarchi) in several locales, and after Black to Comm, a.k.a. Marc Richter's accompaniment at Berlin's Asian Film Festival and the Unsound Festival in Krakow (both in 2010), he decided to commit it to record. In Marc's own words: 'Most of the music was composed under the influence of heavy pain killers while recover…

Face Disappears After Interrogation is the first vinyl release from Mick Travis, a wandering noise deconstructionist based in the UK who was previously responsible for cassette transgressions issued by his own Medusa label and Aaron Dilloway’s Hanson Records. An occasional member of Dilloway’s rotating extreme ensemble The Nevari Butchers, Travis loosely orbits the Michigan <-> Ohio underground circuits that spawned the dense network of projects branching out of the Bulb/Wolf Eyes/Hanson family …

Atsuhiro Ito, visual artist and sound performer, has held live show many times. This CD is consist of his two performances selected from them in Tokyo. Track 1 is at Hara Museum in 2009. Ito used his hand made 'fluorescent lamp' instrument OPTRON and some junk objects that they were exhibited as installation. Track 2 is at Harajuku Vacant in 2010. This performance was acted with a female actor and tech-noise unit Miclo Diet. Ito's junk noise by OPTRON and industrial rhythm of Miclo Diet were mix…

Game of Patience is one of the few groups in South East Asia region dedicated solely to the creation of free improvised music. Unconstrained by any given tradition, they draw influence and techniques from both the Asian and Western experimental music traditions. Performing with a focused intensity complimented by mercurial group interplay, they create sharp sweeping shards of improvised noise-jazz, creating textures combining extended techniques and electronics with elements of free jazz, electr…

John, Betty and Stella is a collaboration between Krojc and Fischerle, two musicians who feel best wandering around stylistic eclecticism. The record is a radio drama based on vintage audio material for learning English. Krojc and Fischerle cut out textbook roleplaying activities from the source material on old vinyl and processed and adapted the clips. The result is a funny and surreal collage of dialogues, sound effects, and music resembling a series of skits. The recordings are saturat…

Since the mid-'90s, Seattle-based guitarist Bill Horist has been making music within and without convention in a wide variety of settings and genres and has worked with many notables in rock, experimental, and new music. He has played on dozens of records and has performed throughout North and Central America, Europe, and Japan, collaborating with numerous leading lights in a beguiling range of genres. He delivers an idiosyncratic and richly emotive take on the world's most ubiquitous instrument…

Issa is the debut release from Bristol-based musician and composer Kit Wilmans Fegradoe. The magic in Issa comes from Fegradoe's powerful exploration of emotion and sensitivity, which leads to a deeply personal and revealing listen. The work evokes the scale of Michael Stearns's compositions for film, whilst eliciting a minimalist undercurrent throughout. The album is sculpted from guided improvisation sessions in the studio with fellow musicians, traversing around the narrative of Issa, a …

2013 release. CD reissue of a cult LP from a early 80s weird Japanese oddity, an amalgam of synthesizer and vocoder processed vocals reciting Missa Ordinarum (!) dusted with bright electronic sound and plenty of reverb. Includes a 16-page booklet with Latin lyrics and Japanese translations, a discussion between Shigeaki Saegusa and Hiroyuki Namba, and liner notes by Shigeaki Saegusa and Hiroyuki Namba

Until now, Sir Ashleigh Grove has been shrouded in mystery, having only appeared on a handful of legendary compilations on labels such as Broken Flag in the early-mid 80's and having briefly collaborated with The New Blockaders before inexplicably disappearing without trace around 1984. Sir Ashleigh's work has been compared to other Power Electronics artists of that era, in particular Whitehouse, Sutcliffe Jugend and Ramleh (Sir Ashleigh, in a live collaboration with TNB, supported Whiteh…

Rekem Records presents the latest release by label producer Kostis Kilymis. Living in London since 2012, Bethnal Greener perfectly documents life in the capital, “this Roman shell”. The possibilities and the impossible, the dirt and the light, the highs and the lows. ‘Bethnal Greener’ showcases his most varied work to date, combing the delicacy and form of his lowercase improvised electronics with the full bodied sonic noise palette found on the 2012 Entr'acte release, More Noise Ahead. ‘…

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995 by eRikm. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today. Mastered by Giuseppe Ielasi. 300 copies.

Originated as a project to explore potential film/animation synchronisation with nods to his growing penchants for neo-classical, fee jazz and minimal music, German born and Derbyshire raised musician, painter and mathematician David Tyack began working under his new Luxury Apartments moniker in the summer of 2002. Having recently finished a self-penned conceptual LP with Can frontman Malcolm Mooney and writing and recording for the then yet to be mixed LPs by Jane Weaver’s Misty Dixon an…

Texts taken from FJ Ossang "Alcôve clinique" (1976). K Requiem commissioned by Ministère de la culture et de la communication, Atelier de Création Radiophonique, France Culture and La Grande Fabrique

Organized Music from Thessaloniki presents The crystal at the lips, a new album of field-recording-based works by Will Montgomery. The album compiles two works that explore aspects of space and location recording, but follow significantly different paths in the process. The album’s first track combines two scores by the Wandelweiser composer Manfred Werder in a simultaneous realisation that was first performed at a Bang the Bore event at the Hansard Gallery, Southampton, in June 2013. Werde…

This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic un…

For years now Hanno Leichtmann has been one of the most prolific protagonists of Berlin's electronic music scene and beyond: as experimental percussionist and electronic artist Leichtmann has released several albums under his real name, aliases such as Static and The Vulva String Quartet or in bands like Groupshow (with Jan Jelinek and Andrew Pekler) or Denseland (with David Moss and Hannes Strobl) on labels like City Centre Offices, Karaoke Kalk, M=Minimal, Dekorder and Staubgold. Leichtmann al…

ErstAEU is a new CD imprint, launched by Erstwhile Records to help document the work of young American experimental musicians working in a post-electroacoustic vein. Kevin Parks originally hails from New York. He is a graduate of the Conservatory of Music at Brooklyn College, CUNY and received his M.A. degree from Dartmouth College. He is currently pursuing his Ph.D. in Composition and Music Technologies at The University of Virginia. After working briefly at Rensselaer Polytechnic Institute in …

2015 release ** "Behind e-SaxBow is Florent Colautti on e-string and François Wong on electrified baritone saxophone. I have no idea what an electrified baritone saxophone is, but in none of this one can easily recognize the horn or anything with a string that is supposed to be the e-string. The latter is played using electromagnetic bows, which he pilots from his computer. The saxophone is also transformed by computer means and thus the five pieces, which last thirty minutes in total, sound lik…

Droning (sub-)bass tones and noises, reminiscent to early electronic music (and it's modernist agenda) meet slightly detuned soundscapes, which seem to be taken from an old, pitched-down rave-track.  Recorded live & arranged to a 11-minute piece for this release, 'Music for E.D.L.' was originally made as a soundtrack for a video work by Siska, a visual artist operating from Berlin and Beirut. E.D.L. is an visual essay on Lebanon's 'National Electricity Building', built in the 1930's by Pierre Ne…

The project sources from "in black" images taken by Stefano Gentile. Takes that flow in the most hidden sides of the soul. Gianluca Favaron gives sounds these images with notes that don't let space to imagination. Fields recordings and electronics to tell the same visions. The same soulmoods. The work is released with a A/4 16 pages booklet featuring the workshop by Stefano Gentile and a cd with sounds by Gianluca. The edition is 230 copies limited.

Working in a melodic vein, The Nuclear Observatory Of Mr. Nanof veers from ethereal solo keyboard electronics to scores for lyricon and small chamber ensemble. Lovely, yet also rich musically. Piero Milesi (Milan, 1953; Levanto, 2011) was an Italian musician, composer, andmusic arrangerer. Milesi began his career by studying cello, composition, and experimental electronic music. He joined the International Folk Group of Moni Ovadia in 1977 as a performer and composer. The composition Modi was cr…

One Sound Duo is a project by Claudio Ricciardi, once a member of the historical band Prima Materia, and by double bass player Orlando Lostumbo. They have chosen this name precisely because their work originates from the interaction of two successfully connected minds that give birth to a unique sound. They manage to do so by putting together creativity, intuition, and by playing on acoustics derived from particular instruments such as the spacedrum. Similar to the steel drum, the spacedrum is a…

Exponate is a new concept series curated by Wolfgang Voigt with the intention to bring together artists from diverse experimental music backgrounds. To open up new musical spaces and to sound out the increasingly liquified confines between abstract ambient music and art music, between electronica and new music - that's the stated goal of EXPONATE. The new series starts with Berlin-based artist SCHNEIDER TM aka Dirk Dresselhaus, who is well-known for most diverse projects and collaborations acros…

Over the years the Menstruation Sisters have through a selective, but incredibly varied output of albums steadily built a reputation among music fans as a unique band. It was never a secret who the members of Menstruation Sisters were, yet the band's aura was shrouded in mystery and confusion, possibly because they would completely reinvent themselves with every new recorded statement. As a fan of the Menstruation Sisters you had to abandon everything you knew with each new piece of the puzzle.…

Pressing of 300 copies on crystal-clear 200-gram virgin vinyl packaged in a custom letterpress jacket printed, die-cut, and hand-assembled at Studio On Fire in Minneapolis, with particular care taken to retain the fine detail of the cover's microscopic type. "Francisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. For more than 30 years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a…

** 2015 release (light storage wear) ** Daniel Leznoff and Matthew Salaciak are musicians from Montreal. Daniel iscurrently the guitarist/keyboardist in Pierre Kwenders’ touring band, a gig that has brought him to France, Italy and across Canada. Demonstration Synthesis is his anything-goes project, driven by curiosity, technology and musical freedom. Matthew has spent the last few years building a recording studio and has recently begun putting out musicunder the name Variant, a project that se…

Reissue of this 1981 album. Dating back to '81 and the apex of the Brian Eno / Berlin schools' influence over a myriad of American followers, Young created eight EMS/Rhodes pieces solo, subtly weaving in variable speed Revox manipulation of traditional Rock instrumentation with the lightest of touches. "Matthew Young's genre-bending, acclaimed 1986 release Traveler's Advisory reappeared as a reissue on Drag City/Yoga in 2010 and quickly sold out. We now return to Young's first effort, Recurr…

'Le Minuit de la Foi' ('The midnight of the faith') (2014) for electronic and concrete sounds, around selected sentences by Edith Stein recorded by German actress Gisela Claudius. New work from Jean-Claude Eloy, a long piece under the power of expanded sounds and sacred words.'Le minuit de la foi' is a double album, each CD of which forms a stand-alone entity. Each CD can therefore be listened to separetly. However, you do need to liSten to the full album for it to become meaningful through its …

"A collaboration between Kouhei Matsunaga (who has worked with everyone from Sensational to Autechre and Asmus Tietchens) and the less prolific Toshio Munehiro, NHK’s ultra minimalist approach to techno may conjure memories of the late 90s/early 2000s glitch and microsound scenes, but their combination of erratic beats and digital expanses feels anything but dated, sounding entirely unique and fresh in 2015. I have always had a soft spot for that short lived era that was often full of derided la…

On Sleepwalkers in a Cold Circus Belgian sound artist Koenraad Ecker creates a biotope of musical characters that is sober, delicate, complex and vivid, with a restrained intensity, a “cold fire.” The characters discuss, hesitate, fight, pull closer, push back. Through the use of microtonality and recordings of acoustic instruments it is the elusive sound of a somnambulistic travelogue. “I’m searching for ways to create an intricate narrative, switching perspectives and voices within one form, t…

In 1989, ‘Malefactor, Ade’ was issued on the UK’s Glass Records, which had arranged several years earlier for the first actual release of Mayo Thompson’s 1970 solo LP, ‘Corky’s Debt To His Father’. This was the first Red Crayola record release in five years. The fearlessness with which genres are converted can be disarming, but stick to it - you’ll find listening an utter triumph. ‘Malefactor, Ade’ was reissued on CD by Drag City in the year 2000. Now it's on lovely vinyl.

This recording takes you on a round trip of Iceland. The aural journey starts westward from the island’s south in the cold early spring. After a side trip into the West Fjords, our route traverses the north of the country at the height of summer, followed by an excursion into the interior highlands before a short stop in the East Fjords. As the sound trip nears its geographical starting point, autumn and winter make their appearance before the journey comes full circle.The recordings do not feat…

Louis Johnstone's Wanda Group project is on continuos evolving, a continuo research, aimed at expanding each time its borders. The result is a complex work, both musically and emotionally. We all mutate around the mountain is a dense march where the memories, the common sounds around us, are manipulated and rearranged to create a new story that draws liberally from real life. With his vocabulary and moods it has gone away forcefully, taking place in an abstract and timeless territory…

One of my favourite walk is in the harbour of my hometown, because of the sound brought by the wind. For long time I have day-dreamt about including that sound in my own music. I got to the point reading the poem Prologo al buio by Erri De Luca (from Opera sull’Acqua e altre poesie, Einaudi 2002). In the poem there is a Hebraic quote from Genesis, before the third verse (hence the title of my composition, the Italian for “before the third”): “vrúah Elohím merahèfet al penè hammàim”, that means, …

Untitled #274 was composed by Francisco López and performed by Kasper T. Toeplitz at GRM Studios in Paris, France. Francisco López is internationally recognized as one of the major figures of sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from th…

While the human voice has often been an element in Bryn Jones\' WORK as Muslimgauze, rarely did he highlight it as much as in Minaret Speaker, the latest in the Muslimgauze Archive SERIES, and its concurrent release, Feel the Hiss(ARCHIVE 030CD). While elements of Minaret Speakerappeared on the 7\" of the same name released by Staalplaat in 1996, much of the strongest material here is previously unheard. Jones\' normal practice was to send in tapes to the label with only a title for each tape as…

Some of the tracks on Feel the Hiss, a release Bryn Jonesrecorded LIVE to cassette in early 1995 but never had the chance to remix and polish before he DIED, use the same kinds of devotional voices found on much of Minaret Speaker(ARCHIVE 029CD), but here other voices are present too. Conversational or angry, male or female, English or French or Arabic, almost inaudible or forcing their way to the front of the MUSIC, these "Zilver Tracks" (the name based on a note Jones wrote on the tape) engage…

Fockewulf 190 is a Milanese project founded in the early 1980s by keyboardist and conceptual mastermind Victor Life and vocalist Dario Dell'Aere. The band's name references the Second World War fighter aircraft, a provocation typical of an era when Italian post-punk and electronic music often trafficked in militarist imagery as a way of forcing discomfort into the listening experience. Their sound occupies a genuinely singular position: electrodance and Italo disco inflected by an esoteric conce…

Adrian Smith of Luton spent three years playing in punk-inflected bands with his brother Derek (Those Nervous Surgeons, Half Nervous) before retreating alone to a bedroom and a synthesizer in 1979. What emerged was something no one in his immediate environment was making: long, atmospheric, analogue pieces built from hand-played sequences, emotionless production, and a palpable air of melancholia. His first two tapes, From the Silent Days and Absolutely Safe, were given only to friends, having n…

The Automatics Group's dance-pop deconstruction, 'Summer Mix' is one of the uncanniest computer music releases of this decade - first issued as a limited CD edition by Entr'acte in 2011. In the time since then it’s quietly become a bit of an iconic reflection for a post-rave generation, presenting a non-trivial nostalgia trip that somehow sounds like a digitally diffused, skeletal take on Gas, Basic Channel or Ross 154. It was created by applying a mathematical process known as a discrete …