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LP version. Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made ear…
Mats Gustafsson plays slide, tenor, baritone, bass saxophones. Christof Kurzmann uses special ppooll software and voice, live processing. Recorded, mixed & mastered at Garnison 7, Vienna by Martin Siewert. Artwork by Jimmy Draht. Liner notes by Ken V…
A cornerstone of New Zealand’s experimental underground, Soibiast Anti-Culler by Witcyst is a delirious journey through mangled tapes, surreal sound collage, and outsider electronics.
Spirits Dogroll by Teen-X-Ray is a frenetic outpouring of DIY punk, lo-fi noise, and playful absurdity, capturing the irrepressible energy of New Zealand’s underground.
A cult favorite, Leisure & The Elderly by Armpit is a noisy, disorienting collage of tape loops, feedback, and surreal humor—a true artifact of outsider art.
Last copies! ** Edition of 250 copies in incredible diorama-style hand-made sleeve. **One more top mysterious trace from the Little Skull legacy: Dean Brown's album Ubique (i.e. "everywhere" in Latin) marks the passing of time and people. This sense …
Comes with a replica of the original book “Con-secuencias” from 1985. 180-gramme vinyl. Interacción was a duo formed in the early 80s in Madrid by Carmen L. Fernández de Velasco and Jose Luis Iruretagoyena , which worked in a multidisciplinary way …
Trost continues its Trost Jukebox Series of 7"s. Okkyung Lee - cello; Lasse Marhaug - electronics. Recorded at Lasse's studio in Oslo. No overdubs, minimal editing. Mastered by Martin Siewert. Artwork by Lasse Marhaug.
Paradigm Discs present a 40th anniversary vinyl reissue of Anal Magic And Rev. Dwight Frizzell's Beyond The Black Crack. It was originally released in mono, in an edition of 200 by Cavern Custom in 1976. Beyond the Black Crack was the concept of Reve…
Fourth album from the free-spirited power trio that should need no long introduction by now, apart from the significant fact that Frank Rosaly has taken over the drum stool from Paal Nilssen-Love. No mean feat, seeing how the hand-in-glove rhythm s…
Recorded during a show at the Storyville jazz club in Molde in May 2012, this could very well be Bushman's Revenge's finest recorded effort during their 10 years as a band. Bringing new meaning to the concept of loose but tight, they blend the freedo…
Classic double live album from this free-spirited international trio, this time expanded with American sax player Mars Williams. Recorded live at Oslo's Café Mono and at the Nattjazz festival in Bergen, both in May 2011, this fully shows why new drum…
Mental Experience present first ever reissue of AK Musick, originally released in 1972. Radical, freaked-out sound with hints of free-jazz, improv and avant-garde, AK Musick was an improv collective assembled by clarinetist Hans Kumpf to "make music …
Formed in 2003, the Oslo-based trio Bushman's Revenge (named after a type of mouth-searing hot sauce) are upfront about their love for the progressive rock of Cream and Jimi Hendrix, the galactic jazz of Sun Ra, Ornette Coleman, Sonny Sharrock and Al…
This is the fourth album from Bushman's Revenge, and their third on Rune Grammofon. It's no secret that the label has a soft spot for this fabulous group and would wish nothing less than world domination for them. What they do seems to be an almos…
This is the third album by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). Like great records from Elephant9, Scorch Trio, Supersilent, In The Country, Spunk, Fire! and others, Jitterbug was recorded in the old fashion…
This is the second full-length release by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). You Lost Me At Hello shows a distinct development from their debut Cowboy Music (Jazzaway, 2007). Founded by Hermansen and Nilss…
On Room To Live, The Fall take the hurried, all-or-nothing approach of their preceding Kamera Records releases to extreme ends. Forged via Mark E. Smith's continual disassembling of players and focus on previously unrehearsed material, the album coll…
Hex Enduction Hour was originally conceptualized as the death knell for The Fall. Beleaguered by career uncertainty and guided by vague premonitions of collapse, Mark E. Smith declared that one full hour was needed to thoroughly and perhaps finally s…
First-ever reissue of an important slab by DNA who were among NYC’s handful of influential No Wave iconoclasts documented in the Brian Eno-produced No New York compilation.